- The Facts:Lucifer’s involvement in human affairs culminates in the coming harvest where, according to Hidden-Hand, some will ascend positively, some will ascend negatively, and some will have to remain for another entire cycle before the harvest comes again.
- Reflect On:Would you likely become more oriented to being in service to others if you knew that it meant the difference between ascending into a golden age or returning to repeat an eons-long cycle before getting another chance?
(Note: If you have not read the first two installments of this article, I would highly recommend that you first read Who Lucifer Actually Is & Why They Are Here (Part 1) and Who Lucifer Actually Is & Why They Are Here (Part 2: Bloodline Families), because they provide an essential context for the discussion here.)
In trying to reconcile the very polarized opinions about Lucifer–as the bringer of light and wisdom on the one hand, as the embodiment of pure evil and licentiousness on the other hand–it becomes important to envisage our reality as multi-layered, through which something that appears very real at one level is determined at a higher level to be an illusion, albeit a purposeful one. Ultimately, in spiritual discourse, there is only one truth that binds all traditions at their root–the fact that at the highest level of perception, we are all one. To attempt to construct a spiritual cosmology that does not spring from this fundamental truth is where much of the confusion and contradiction starts.
Western Religions Grounded In Duality
While Eastern spiritual traditions are rooted in the idea that duality–yin and yang–is the immanent vehicle for movement around the wheel of karma, Western religions such as Christianity, Islam, and Judaism seem to have devolved into a belief system where duality is still present in the highest order of reality. There seems to be this odd notion, for example, that the one true God created everything, but somehow part of his creation has slipped from his grasp; that forces of evil–call them Lucifer, Satan, the Devil, whatever–have established some kind of ‘independent reality’ outside of the gates of the Kingdom of God (i.e. ‘everything’), and thus portrays the fight between Good and Evil as ubiquitous across all levels of reality. Where there are hints about a full return to unity, it is only seen as occurring once God has somehow, through fierce opposition, eviscerated all evil from the highest realms of universal reality.
There is a notion in Christianity that if we are judged to have been ‘good’ in this life we will go to enjoy paradise in Heaven for all of time, and if we are judged to be ‘evil’ we will go to suffer in the fires of Hell for eternity. This notion could generously be termed a gross oversimplification. But it is more so an egregious departure from the fundamental tenet of the self-evident ‘unity’ of God from which mature spiritual discourse emerges. In the end, it has existed and been maintained to serve as one of several tools of control for the Roman Catholic Church. Fortunately, this simplistic notion of ‘Heaven’ has increasingly lost favor among today’s spiritual seekers in deference to more comprehensive cosmologies that better recognize the impeccably designed experience of ‘life’ that has been conceived and manifested by the universal intelligence some call ‘God’.
Human Evolution Through Densities
The desire to ‘return to Heaven’ that some of us sense intuitively is connected to a much longer and more elaborate journey than Christian dogma would have us believe, involving many incarnations through which we learn and grow in order to move up an octave of ‘densities’. Hidden-Hand explains the process here in terms of what happens after the Planetary Logos has been created:
The planetary Energy begins to become aware of Itself (the 1st Density of awareness is ‘Consciousness’), and the Planetary Logos begins to create other downward steps within Itself, and the internal make up of the planet begins to form; as the raw elements of air and fire combine to ‘work on’ the Waters and Earth, thus arising conscious awareness of their ‘being’, and the process of ‘evolution’ begins, forming the 2nd Density.
2nd Density beings begin to become aware of themselves, as being ‘separate’, and thus begin to evolve toward the 3rd Density of self-conscious-awareness, (the lowest Density into which a ‘human soul’ can incarnate).
Humans in turn (or the Souls incarnated within them), seek to ‘return to the Light’ and Love, from which they came, as they begin the journey of progression, from 3rd Density up to the 8th Density, and the return to The Infinite One-ness.
As we reach higher densities it is natural for us as individual souls to begin to return into the consciousness ‘groups’ from which we came. Hence once we approach 6th Density, each of us will have likely begun to assimilate our individual ‘identity’ with other souls that we see as part of ‘us,’ like Hidden-Hand and his ‘group soul’ named Lucifer.
Lucifer’s Role In Human Evolution
Lucifer’s role has been to stoke human beings to evolve from the 3rd Density to the 4th Density, which some have called ‘Ascension’. As described in an earlier installment, the inhabitants of Earth were living in a paradise but there was no possibility for evolution because there was a significant lack of duality (i.e. good and evil) and therefore no real freedom of choice. Humanity’s decision to partake of the Tree of the Knowledge of Good and Evil via Lucifer’s temptation set humanity on a course of evolution into 4th density which has been widely prophesied to be about to occur at this very time in our history:
Questioner: Is it the end-times, as described in the book of revelations?
Hidden-Hand: Yes. Not just described in the Book of Revelations, but also in the prophesies of virtually every religion, spiritual philosophy, and mystery tradition throughout history. This time is now at hand.
To use your own example however: Revelation 14:14-16:
’14 Then I looked, and behold, a white cloud, and on the cloud sat One like the Son of Man, having on His head a golden crown, and in His hand a sharp sickle. 15 And another angel came out of the temple, crying with a loud voice to Him who sat on the cloud, “Thrust in Your sickle and reap, for the time has come for You to reap, for the harvest of the earth is ripe.” 16 So He who sat on the cloud thrust in His sickle on the earth, and the earth was reaped.’
The ‘earth’ is indeed ripe for Harvest. The question is, who will be ready? And will the Harvest be Positive, or Negative?
The ‘Harvest’ described here by Hidden-Hand is likened to the ‘Day of Judgment,’ whereby at the chosen hour the wheat shall be separated from the chaff, meaning the good from the bad. The good will ‘Ascend’ to a higher density, and enjoy the fruits of their efforts to evolve. However the idea is given more nuance in Hidden-Hand’s description of the Harvest, especially since he asks whether it will be positive or negative.
During this Ascension, there will be a three way split for those Souls inhabiting Earth. Those of the predominantly Negative Polarity, will accompany us as we Graduate through the Negative (or Service to Self) Harvest. We (Lucifer) will Create a new 4th Density Earth, based on the Negative Self Service Polarity. We must ‘work off’ our own part of the Negative Karmic effect incurred from all the Negativity created on this planet. Once we have done so, we will be released to once again assume our place as Sixth Density Guardians and Teachers of Wisdom throughout the Galaxy.
Those of the predominantly Positive Polarity (Love and Light) will Ascend to a beautiful new 4th Density Earth, where you will begin to work upon your learning and demonstrating of Love and Compassion. It will be a very beautiful and “Golden” Age. The 4th Density begins to open you up to your True Powers as a unique individualized aspect of The One Infinite Creator. You will perform works and wonders of the like that the one you call “Jesus” promised you would do “and even greater things than these”. It will be a very magical time for you.
For the majority of Humans on the earth who could be considered shall we say “luke warm”, they will experience a period of (what will feel ‘ecstatic’) zero-point time, where you feel totally at One with The Creator, giving you an encouraging reminder and glimpse of who you really are, before the veil of forgetfulness once again descends upon you, and you will be transported to another 3rd Density planet (a kind of ‘Earth Replica’), to continue working upon yourselves and learning that life here is all about making choices.
You will remain “quarantined” incarnating in 3rd Density matter until the time of the next Harvest; in which time you will need to have proved yourselves that you have learned how to be more Positive Beings, focused more upon being of Service to others, rather than seeking only to Serve yourself.
While the whole purpose of this exercise on the part of Lucifer is to help as much of humanity have a positive ascension to the 4th density, Hidden-Hand tells us that for Lucifer to be successful in their particular mandate with Yahweh, they must bring humans along with them to a new 4th density Earth as part of a ‘Negative Harvest’. Along with Lucifer, those humans will have to go through the arduous process of working off their karma in the 4th density in order to move over to the positive or service-to-others orientation. There is no other way to ascend to the 5th Density, because the energy in the 5th density makes it impossible for a predominantly service-to-self orientation to exist. This process of working off negative karma in 4th density is probably the closest thing to ‘Hell’ in this cosmology.
The main issue here, though, is the human group in-between. Hidden-Hands tells us that in order to positively ascend, human beings must be at least 51% positive, meaning that a little over half the time their thoughts, words, and actions need to be in the service of others. In order to negatively ascend, human beings must be a full 95% service-to-self oriented, meaning that almost all of their thoughts, words and actions must be selfish. That leaves the middle group, that sits between 5% and 51% positive. Hidden-Hand notes that ‘you may be surprised how many people on the planet are nowhere near reaching 51% Positive.’
The biggest challenge in what Hidden-Hand calls ‘the game,’ which is the elaborate path of evolution up through the densities that all souls in this universe have signed up for, is to motivate souls to make the effort to move up the ascension ladder, while at the same time not infringing on any soul’s free will. Souls are prone to inertia if the circumstances created are not conducive, as we saw in the Garden of Eden. But is the extent of the cruelty, horror, and evil we see in our world today–something that we can directly attribute to Lucifer–really necessary to that end? I hope to discuss this in the next part of this conversation.
Taj Mahal – An Amazing Love Story
The construction of the Taj Mahal (literally translated from the Persian language as “Crown of the Mughals”) was associated with the name of the beautiful woman – Arjumand Bano Begum, or Mumtaz – “Queen of the Soul”.
At 200 kilometers from the capital of India, Delhi, on the high bank of the Ganges tributary – the Jamna – is the five-domed Taj Mahal mausoleum. The white-stone structure surprises and delights with its perfect proportions, an elegant mosaic of colored precious and semiprecious stones, and skillful carving.
The Taj Mahal is a whole complex of buildings. Taj – white, and around the fortress and minarets of red sandstone. The mausoleum has absolute proportions: on the base and height – an exact square, each side of which is 75 meters. Several paths stretch to the Taj Mahal, between them there is water in the pools, first the entire mausoleum is reflected in it, and as it approaches, its individual details.
Local architects worked together with artists from Damascus, gardeners from Constantinople and Samarkand to create the Indian pearl. When creating the interior, interior decoration of the mausoleum, the craftsmen used the best varieties of white, occasionally yellow and black marble, mother of pearl, jasper, agate, emeralds, aquamarines, pearls and hundreds of other stones.
QUEEN OF THE SOUL
Arjumand Bano Begum was only 19 years old when she became the second wife of Prince Guram (future Shah-Jahan). And although the prince had several more wives and many concubines, Mumtaz won the heart of her husband and undividedly owned him until the end of his days. It was an unusually romantic and poetic love. Mumtaz was not only his most beloved wife, but his most faithful companion since the turbulent times when Prince Guram wandered around the world, pursued by his father Jahangir, when he obtained his throne in a fierce struggle with his brothers. In 1627, Guram, having gained a final victory over them and seized his father’s throne, assumed the title of emperor, Shah-Jahan – “ruler of the world”. Mumtaz finally became the queen of India.
Shah Jahan adored his wife and each time he honored her, held lavish receptions and grandiose celebrations in her honor, without her any important ceremony would begin, and not a single state act would be adopted. Mumtaz was present at the meetings of the State Council; her opinion was almost never disputed by anyone.
The portrait of the queen, painted by her contemporary, has been preserved. Violating one of the strictest prohibitions of Islam – to draw portraits of animals and people, an unknown artist skillfully conveyed the beauty of Mumtaz, a white-faced Persian, a pearl of the East.
A happy life together ended abruptly. In the spring of 1636, Mumtaz suddenly fell ill: before dying, she turned to her husband with a request to take care of their eldest daughter, Jahanara Begum, and took an oath from him – to build a tomb worthy of their love, their joint nineteen-year-old married life. Mumtaz’s death shocked Jahan.
WHITE AND BLACK PALACES
Widowed, he commanded the construction of an unprecedentedly beautiful mausoleum. Shah was presented with many different projects, the authors of which were the best of the best architects of the East. Of these, he chose a project created by Indian architect Ystad Khan Effendi. Following this, a twenty-thousand army of builders was driven into Agra: masons, marble cutters, jewelers and handymen. Marble was brought from Makran near Jaipur, sandstone from Sikri, gems from India, Afghanistan, Persia and Central Asia.
The entire complex of the mausoleum was created over twenty two years. Having fulfilled the mandate of “the queen of her soul”, Jahan proceeded to a new, no less grandiose construction – exactly the same mausoleum, but only of black marble, for himself – on the other (left) bank of the Jamna River. According to the Shah’s plan, both mausoleums, like marital chambers, were to be connected by a high lace bridge of black and white marble. Preparatory work has already begun, but this plan, unfortunately, was not destined to come true.
While Shah Jahan was building a new tomb, his sons fought among themselves. Having defeated the brothers, one of them – Aurangzeb – seized power in 1658, killed the brothers, arrested his father and imprisoned him in the Red Fort under reliable guard along with his beloved daughter Jahanara Begum. Shah Jahan spent the last years of his life in the marble palace that he had once built for Mumtaz, from where he could constantly see the Taj Mahal. Here he died on January 23, 1666. Fulfilling the last will of his father, Aurangzeb the next day ordered his body to be transported to the Taj Mahal and to be buried next to Mumtaz without any ceremony or honor.
The Taj Mahal mausoleum stands alone in its inexpressible beauty on the banks of the blue Jamna, reflecting its clean, proud appearance. He appears as a vision from another, better, cleaner world. “The Taj Mahal has a secret that everyone feels, but no one can interpret.”
“The Taj Mahal attracts you like a magnet. You can stand for hours and all look and look at this marvel, at this fabulous ghost, ascending into a bottomless azure sky. The illumination of the Taj Mahal changes like a mirage. It glows from the inside, changing hues depending on the position of the sun: it suddenly turns light pink, then bluish, then pale orange. At night, under the moon, against a black sky, it looks dazzling white. Just coming very close, you notice that he is covered in the finest patterns woven over white marble, the marble blocks are encrusted with gems and seem to shine through, emitting a flickering light.”
The dazzling white walls of the mausoleum are covered with mosaics – garlands of flowers made of precious stones. Branches of white jasmine from mother-of-pearl shimmer with red pomegranate flower from carnelian and delicate tendrils of grapevine and honeysuckle, and delicate oleanders peek out from the lush green foliage. Each leaf, each petal is a separate emerald, yacht, pearl or topaz; sometimes there are up to one hundred of such stones for one branch of flowers, and there are hundreds of similar ones on the panels and grids of the Taj Mahal!
DEATH NOT SHARED
In the central hall of the mausoleum are two sarcophagi sculpted from white-pink rocks of marble, decorated with floral ornaments. These are the cenotaphs of the dead, symbolic projections of those who are in the lowest part of the mausoleum. There, in the underground vaulted room, dusk reigns. Both tombs with the remains of the royal spouses, Mumtaz and Jahan, like a screen, are surrounded by a white marble carved fence about two meters high, decorated with fabulous flowers – red, yellow, blue, along with green garlands, interlacing of marble leaves and flowers.
What is the power of the impression made by the Taj Mahal? Where does the insurmountable impact on everyone who sees it come from?
“Neither marble lace, nor the thin carving covering its walls, nor mosaic flowers, nor the fate of the beautiful queen — none of this alone could make such an impression. There must be a reason for something else. However, something in the Taj Mahal fascinated me and thrilled me. … It seemed to me that the mystery of the Taj Mahal is connected with the secret of death, i.e. with that secret, regarding which, in the words of one of the Upanishads, “even the gods were at first in doubt.” Above the tomb, where the queen’s body lies, a light burns. I felt that this is where the beginning of the clue lies. For the light shimmering over the tomb, where its dust lies, this light … is a small transient earthly life. And the Taj Mahal is a future eternal life.”
PLACE OF PILGRIMAGE
The creation of the Taj Mahal dates back to the time of the conquest of India by Muslims. The grandson of padishah Akbar Jahan was one of those conquerors who changed the face of a vast country. A warrior and statesman, Jahan was at the same time a fine connoisseur of art and philosophy; his courtyard in Agra attracted the most prominent scientists and artists of Persia, which at that time was the center of culture throughout West Asia.
The son of Jahan Aurangzeb (“the beauty of the throne,” 1665-1706) was nothing like his father. He was a stern, withdrawn and ascetic-religious monarch. While still a prince, he disapproved of the useless and devastating, as he believed, activities of his father. Aurangzeb spent his entire long and hectic life in military campaigns aimed at maintaining power over the empire.
Aurangzeb raised a rebellion against his father, accusing him of spending all the state revenue on the mausoleum. He imprisoned the former lord in an underground mosque in one of the inner palaces of the Agra fortress. Shah Jahan lived in this underground mosque for seven years; sensing the approach of death, he asked him to be transferred to the so-called Jasmine pavilion in the fortress wall, to the tower of lace marble, where was the favorite room of Queen Arjumand Bano. There, on the balcony of the Jasmine Pavilion overlooking the Jamna, from where the Taj Mahal was visible at a distance, Shah Jahan died.
This is the brief history of the Taj Mahal. Since then, the mausoleum of Queen Mumtaz has gone through many vicissitudes. During the wars that continued in India in the 17th and 18th centuries, Agra repeatedly passed from hand to hand and was often plundered. The conquerors removed the large silver doors from the Taj Mahal, carried out precious lamps and candlesticks, and tore ornaments from precious stones from the walls. However, the building itself and most of the decoration remained intact. The Taj Mahal is now restored and carefully guarded.
But today, the Taj Mahal is partially dressed in scaffolding due to the fact that cracks appeared on the walls. The marble Taj Mahal weighs many hundreds of thousands of tons. A huge mass presses on the soil, and it gradually settles. Over the past centuries, as a result of soil displacement, the mausoleum leaned toward the river, although it is invisible with a simple eye. Once the high-water Jamna came close to the building, but then the river became shallow and receded. This last circumstance changed the structure of the soil and also affected the stability of the mausoleum. Now it is decided to plant trees on the banks of the Jamna in order to stop soil erosion.
Image of the Antichrist on a 14th-century fresco – who painted it and why?
The Antichrist, unlike Christ, the Son of God, is not the son of Satan, but a simple man. In Christian ideology, the Antichrist will appear shortly before the end of the world. Antichrist will be descended from Dan. This is one of the so-called 12 Tribes of Israel – the descendants of the sons of Jacob, who formed the Israeli people.
Antichrist will become an authoritative ruler of people, will arrange persecution of the righteous. This period in the Revelation of John the Theologian is called the Great Tribulation.
There was no specifics in the Bible about the Antichrist, so all further assumptions are futurism based on treatises of symbols and various interpretations. In particular, Calvinist Anthony Hoekema in his book “The Bible and the Future” believes that up to 75% of people will die during the Great Tribulation and this period will last for seven years.
And then, all Christians are united in this, there will be the Second Coming of Jesus Christ and the Last Judgment. When all sinners – both living and dead – will get what they deserve, the righteous will receive eternal paradise.
Christians were afraid of the Antichrist, so he was like Voldemort in Harry Potter – the one whose name cannot be called. Well, to portray him was generally forbidden.
The first image of the Antichrist appeared already in the XIV century. And its bold author – Vitale da Bologna – lived a transitional period from the Middle Ages to the Renaissance. It was during this period that it became possible to show freedom of creativity.
In northern Italy there is the Pomposa Monastery, which in the 9th century was founded by Benedictine monks. Over time, the monastery turned into a party place for people of art. The walls in the cathedral of this monastery were painted by Vitale da Bologna.
Even closer to the wall … Look at the bottom right … Take a closer look.
Here is the image of the Antichrist on the wall from an old Italian mural of the 14th century.
Frescoes in the Cathedral of Pomposa, the image of the Antichrist is highlighted in red
Here lived the famous medieval musician Guido d’Arezzo. He reformed musical notation, prescribed a new scheme for the designation of keys and intervals. It’s d’Arezzo that we owe modern letter designations in music, for example C sharp major.
The famous Petr Damiani, a poet, philosopher and theologian, worked a lot in the monastery. Despite the fact that all art was saturated with Christianity (the culture of scholasticism of the Middle Ages!), creativity found its way. People tried to realize bold ideas for their time.
As often happens, where there is art and creativity, freedom of morals arises there. After all, art must be true. Art must find paradoxes in our reality, notice inconsistencies and vividly declare them! But art in the service of the state, in the strict framework of those in power, is already PR propaganda.
But back to our hero. He really wanted to add brightness to his religious canvases and he was drawn to ominous plots. After all, there you can truly imagine the whole storm of emotions!
The monks ordered the painting “The Last Judgment” from him. And Vitale da Bologna painted the walls of the cathedral at the request of the customer, and on the pretext of realism added the Antichrist there. And so this first image of the chief man who was in the service of Satan appeared.
However, customers demanded to depict it as disgusting as possible. The image of the Antichrist turned out to be some kind of fictional, phantasmagoric – more reminiscent of the devil from fairy tales. But the antichrist, as we recall, is a man!
Attempts to portray the Antichrist were made in the future, but these were more episodes. So, for example, the Antichrist was seen by another Renaissance artist Luca Signorelli.
Luca Signorelli. Fragment of the painting “The Sermon and Works of the Antichrist”, 1500
Here, the Antichrist looks like Christ, only with an ominous expression. And Satan whispers his thoughts, who looks like an ordinary petty demon.
And it is this picture of Signorelli, in our opinion, which better illustrates the real image of the Antichrist. He is an ordinary person. Which, most likely, will consider that it is doing the right thing and for the good of mankind. After all, logic is a double-edged weapon, it is always ready to justify any crime with great reasonable goals.
14th century fresco called “The Funeral of Satan”
In the Middle Ages, striped clothing was treated extremely negatively, there was even a case when a shoemaker was sentenced to death for wearing striped clothing. It happened in 1310 in the French city of Rouen. In those days, striped clothing was considered devilish.
Among the many excellent medieval frescoes in the Verona Cathedral, there is one especially curious. It is called “The Funeral of Satan” and depicts an enemy of the human race lying under a striped veil on his deathbed. Actually, it is the color of the veil and the appearance of Satan that attracts attention.
A yogi who has lived for more than 70 years without food and water has passed away in India
In the Indian state of Gujarat, the yogi Prahlad Jani died at the age of 90, claiming to have discovered the “elixir of life,” which allows him not to eat food and water for at least 76 years, reports NDTV.
According to the assurances of the followers, and there was plenty of them at the holy hermit, Prahlad Jani died on May 26 in his native village of Charada, where he was brought at his personal request a few days ago. For two days, his body will be in the ashram so that followers can say goodbye to the mentor.
Prahlad Jani was known for statements that he has not eaten and has not drunk since childhood – according to some sources, from 8-9 years old, according to others, from 14. Doctors twice, in 2003 and 2010, conducted a comprehensive examination of Chunrival Mataji, as they called a yogi, and the second time he was two weeks under the supervision of employees of the Defense Institute of Physiology and Related Sciences of India. During this time, he did not eat a crumb, did not drink a drop, did not meet his natural needs, while his bladder was filled with a small amount of urine, but then it was absorbed into the walls.
“We still do not know how he survives,” said neurologist Sudhir Shah from a recent examination.
Jani himself assured that in childhood he was blessed by a goddess, after which he left his native home and refused food and water.
A number of foreign researchers questioned the findings of Indian colleagues, pointing to the imperfection of control systems.
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