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The sign of one eye: Origin and occult meaning

The sign of one eye: Origin and occult meaning 108

Why are there so many celebrity hiding photos? Definitely not arbitrary. In fact, the Sign of the One Eye has a deep meaning and proves an important fact for the powers that be. This article examines the origin and meaning of the inevitable One-Eye Sign.

The sign is everywhere: in music videos, magazine covers or movie posters, in commercials, etc. The number of these photos is simply staggering. In view of these facts, the repeated appearance of the Sign of the One Eye cannot simply be the result of a concurrence. In fact, there is a clear effort to make this sign everywhere.

So why is this sign everywhere and what does it mean? Here is a look at the eternal and transcendental symbol of the Eye.

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Turkish Nazar amulet used to banish lessons. Such amulets can be found in Portugal, Brazil, Armenia, Azerbaijan, Albania, Algeria, Tunisia, Lebanon, Turkey, Greece, Israel, Egypt, Saudi Arabia, Jordan, Bangladesh, Iran, Iraq, Pakistan, parts of northern Pakistan , Morocco, southern Spain, Italy, Malta, Romania, the Balkans, the eastern Mediterranean, Syria and Mexico.

The human eye has been used as a symbol since the dawn of civilization. It can be found in all ages and cultures. Carl Jung identifies the eye as a classic “archetypal symbol” – an image imprinted in the “collective subconscious” of humanity. According to his theory, humans instinctively respond to archetypal symbols and subconsciously attribute a certain meaning to them.

“The eyes are probably the most important symbolic sensory organ. They may represent clairvoyance, omniscience, and / or a portal to the soul. Other qualities that the eyes usually associate with are: intelligence, light, alertness, conscience and truth. To look someone in the eye is a Western practice of honesty.

Thus, covering the eyes by wearing a helmet, sunglasses, etc., can mean a mystery, a failure to see the whole truth, or a hoax. The eye often means judgment and power. ”- Dictionary of Symbolism, University of Michigan

In almost all cultures, the symbol of the eye is associated with spiritual concepts such as divinity (the Eye of Providence), spiritual enlightenment (the Third Eye), or magic (the evil eye; lessons).

“The eye symbolizes seeing and light, and therefore consciousness itself. The eye is a part of us that looks at the universe and sees our place in it. It is knowledge, awareness and wisdom. The eye picks up light – the pure energy of the universe – and presents it to the inner spirit. It is the gate, in fact the very union, between the self and the cosmos. “- Patrick Bareda,” The archetype of fullness – Jung and the Mandalas ”

In the Bible, Jesus calls the eye “the light of the body.”

“The light for the body is the eye. Therefore, if your eye be clean, your whole body will be light; if your eye be sly, your whole body will be dark. So, if the light that is in you is darkness, how great is the darkness? ”- Matthew 6: 22-23

The symbol of the eye has always been ascribed to it a spiritual dimension. As the popular saying goes: Eyes are the windows of the soul. For this reason, the symbol of the eye is especially important in occult circles and Mysterious schools.

From the dawn of civilization, the symbol of the eye and the sun (also known as the “celestial eye”) have been associated with divinity. In ancient Egypt, the symbols of Waghet, the Eye of Horus and the Eye of Ra are associated with the sun-god.

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Classic image of the Egyptian Eye of Ra and the Eye of Horus

“The early sun-god was called Horus. When Ra takes the title of sun-god, he also becomes known as Ra-Horakti or Ra, which is a Chorus of Two Horizons.

In the battle with Seth Horus, he loses one eye. He recovered his eye, and that was when Horus was also called Waget. “- Ancient Pages, Horus Eye – Powerful, Ancient Egyptian Symbol of Deep Meaning

Because the symbol of the eye is associated with the sun – the representative of divinity – the esoteric eye has a special quality: It is “all-seeing.”

The archetype of the all-seeing one-eyed god-sun can be found in other cultures. In Persia, Ahura Mazda was considered the creator of Earth, heaven and humanity, as well as the source of all good and happiness on earth. He was said to be “his sun is an eye.”

“The supreme god Ahura Mazda also has an Eye, or in other words, ‘with his eyes – the sun, the moon and the stars – he sees everything.'” – Manly P. Hall, “The Secret Doctrines of All Time”

In Norse mythology, Odin is known as the “Almighty” (or father of the gods). He was portrayed as an old man with one eye.

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An ancient image of Odin

One is another depiction of the one-eyed sun-god creator.

“The Supreme, invisible Creator of all things was called the Almighty. His regent in Nature was Odin, the one-eyed god. The Norwegians considered Baldur the Beautiful as a solar deity, and Odin is often associated with the orb of heaven, especially because of his one eye. ”

Due to the fact that Western occultism was strongly influenced by the esoteric teachings of the upper civilizations, the symbol of the All-seeing Eye found its way to orders such as the Rosicrucians, Illuminati and Freemasons.

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Masonic symbols under the All-seeing Eye

“Albert Mackay writes that the All-seeing Eye is” an important symbol of the Supreme Being, occupied by the Freemasons of the ancient peoples. The seeing eye is a symbol representing the watchful eye of God. It reminds us that every thought and action is recorded by the Grand Architect of the Universe and that we are bound by our obligations, both in spirit and in blood. ”- James E. Frey, 32⁰, Midnight Freemasons

Due to the strong influence of Freemasonry on the historical events of recent centuries, the symbol of the All-seeing Eye is included on prominent documents, such as the back of the US State Seal and the Declaration of Human Rights.

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Left: back of the US State Seal. Right: The Declaration of Human Rights.

“If anyone doubts the presence of Masonic and occult influences at the time the State Seal was designed, he should pay due attention to the comments of Professor Charles Elliott Norton of Harvard, who writes about the unfinished pyramid and the seeing eye that adorn the back as follows:

“The emblem adopted by Congress is virtually incapable of processing; it can hardly look (however artistically handled by the designer) other than the Masonic Brotherhood’s hazy emblem. “- Hall

The symbol of the eye was also accepted by several powerful secret societies, such as O.T.O.

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The seal of O.T.O (Ordo Templi Orientis)

Having said that, does the symbol of the All-seeing Eye really represent God – like the Judeo-Christian God? Well, here things are already … occult (occult means hidden). The renowned American freemason Albert Pike writes that the true meaning of the occult symbols is only revealed at the high levels.

“It is in their ancient symbols and their occult significance that the true secrets of Freemasonry are contained. But they are of no value if we see nothing in the symbols of the blue box except the low-minded pretensions to their interpretation contained in our monitors.

People do not see the truth that ancient symbols were not used to reveal, but to hide. Each symbol is an enigma to be solved, not a lesson to read. How can an intelligent Mason not see that the blue degrees are only preparatory – to recruit and collect Masonic army regulars and corporals for purposes undisclosed to them, that these are little mysteries in which symbols are used to conceal the truth? ”- Albert Pike,“ The Legend and Reading of the Ancient and Adopted Scottish Charter ”

Manley P. Hall, another prominent freemason, writes that the All-seeing Eye is esoterically the ultimate goal of occultism: To achieve divinity through one’s own means. This is done by triggering the pineal gland – the Third Eye.

“Operational Freemasonry, in the full sense of the term, expresses the process by which the Choir’s Eye is opened. There is a small gland in the human brain called the epiphyseal body, which is the sacred eye for the ancients and corresponds to the third eye of the Cyclops. ”- Hall

In Islamic eschatology, a figure from the last days named Al-Masih ad-Dajjal (“false messiah, liar, deceiver”) is said to be blind with his right eye. By pretending to be the Messiah, Dajjal will err and take over the world. For these reasons, the Dajjal has great similarities with the Antichrist in Christianity.

The coming of the Dajjal will be preceded by several signs, such as: People will stop offering prayers; dishonor will be a way of life; the lie will become a virtue; people will exchange their faith for worldly profit; usury and bribery will become legal; there will be an acute famine at this time; there will be no shame among the people; many will worship Satan; there will be no respect for the elderly and people will start killing each other for no reason.

Given the fact that the world today is ruled by something we call the “occult elite” (because of its links to the occult orders), it is not surprising that its main symbol is found everywhere.

But all this is done fraudulently. Today’s entertainment industry thrives on control, manipulation and perversion. The whole thing is also about getting the masses out of everything real, clean and healthy. Today the symbol of the All-seeing Eye is for a defense group of people who oppress, monitor and control the world’s population.

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George Orwell’s 1984 book is a sketch of the control and censorship elite. Enough of the place, almost all editions depict the All-seeing Eye.

Although the All-seeing Eye is esoterically linked to the opening of the Third Eye in order to achieve divine enlightenment, the sign of one eye made by celebrities is the exact opposite: Hiding or making the eye unfit. The symbolism of this gesture is powerful.

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Katie Perry, closing one eye with the Horus Eye in her Dark Horse video.

When you close one eye, you are practically blocking half your vision. Symbolically, you become blind to the truth. By closing one eye, celebrities make a “sacrifice” of a vital part of their being for temporary material gain. And, since the eyes are “windows to the soul,” this gesture symbolizes the partial or total loss of one’s soul.

The sign of the One Eye is also an important symbol in the occult elite’s secret obsession: Monarchical mental control. Known to many as the MCULTRA Project, mental control aims to turn humans into slaves through violence, trauma and programming. Around the Monarchic Mental Control there is a real culture with its own universe of symbols. And the sign of One Eye is part of it.

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This is a picture by Kim Noble – a survivor of trauma-based mental control. This Katrina is called “Naming” and is associated with naming an alternate personality.

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This picture, called “I-Test also visually describes the trauma and programming of the MK slave.

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The omnipresence of the sign One eye in the media serves another purpose: It proves that all media channels are owned by a very small, elite group.

Indeed, in order for the exact same sign to appear constantly and repeatedly on all media platforms around the world, there must be a centralized source of power that is forcibly making it happen.

Think of the amount of money, power, and influence needed to get all these celebrities to perform that specific gesture in videos and photos. Now think about the amount of money, power, and influence needed to put that sign on magazine covers, movie posters, music videos, and anything else that can get to the eyes of the masses.

In short, this symbol represents the global elite and its whole hellish plan: the depersonalization of the human soul, the promotion of Satanism, the normalization of mental control, the normalization of transhumanism, the blurring of the sexes, and more. The ultimate goal: Divert the masses as far away from Truth, health and balance as possible.

The eye symbol is an archetype that goes beyond time and space. Probably because humans instinctively respond to staring eyes, there is something about this symbol that is shocking but at the same time fascinating.

While in ancient times the symbol of the All-seeing Eye was often equated with the sun-god, it gradually became a symbol of the power of the secret societies that have shaped history over the last few centuries.

Today, the entertainment industry plays a role in the perversion and vilification of powerful symbols in the pursuit of its depersonalizing agendas. The omnipresence of the One Eye symbol now symbolizes the omnipresence of the occult elite. They say, “Look who we control.”

Having said that, there is a ray of hope. The One Eye sign is a convenient way of identifying the media to avoid, since they are most likely impregnated with the deification of the occult elite.


The remains of “witches” burned at the stake for killing children in the 17th century were found by archaeologists

The remains of "witches" burned at the stake for killing children in the 17th century were found by archaeologists 132

In the Polish city of Bochnia, archaeologists unearthed the charred remains of two women. The discovery was made during restoration work in the local market.

They are believed to have lived approximately 300 years ago. According to scientists, it is known that in 1679 three women were burnt in this place. So far, two skeletons have been found, but experts have no doubt that they will soon find a third one, according to Express.

Researchers believe that the victims were accused of witchcraft and murder of children. After that, they were probably burned in the city market. Such punishment was common in the Middle Ages, from the 5th to the 15th centuries. Historians believe that the public burning allegedly showed “witches” going to hell.

Archaeologists will continue to investigate the remains, but they have already stated that the women were buried right at the place of execution. According to experts, in that era it was customary: people convicted of such a crime could not be buried near the church.

According to historical sources, at least 13 women accused of witchcraft were executed in Bochnia. Before the execution of the sentence, they were kept in the neighboring town hall and, most likely, tortured in order to get a confession of their deeds. In addition, the archives contain the names and crimes of the “witches”.

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Which castle in Europe is considered the most mystical: you will be surprised

Which castle in Europe is considered the most mystical: you will be surprised 133

Many castles have survived in Europe, which to modern people seem incredibly beautiful and majestic. Their main purpose was to deter enemies if necessary.

That is why such factors as a good location, a moat, a rampart and other opportunities to repel potential enemies played a strategic role.

However, there is one architectural object that does not fit into the traditional framework.

Which castle in Europe is considered the most mystical: you will be surprised
Photo: Pixabay

The majestic is one of the most famous landmarks in the Italian region of Apulia. Moreover, it will not be an exaggeration to say that this is the most mystical castle in the world.

Unlike other mystical places, this amazing castle is not hidden from prying eyes behind the mountains and forests. On the contrary, it is visible from afar. You drive along the freeway and see it, towering on top of the hill.  It doesn’t matter that the name of the building is translated as “castle on the mountain”, only those who have never seen real mountains in their life can literally take the name Castel del Monte. 

It was built on a castle on the very spot where the Maria del Monte monastery was located until the thirteenth century, hence the first name of the building, which few people remember today – castrum Sancta Maria de Monte.

Today, crowds of people frequently visit Castel del Monte. For this, many thanks to the magical world of cinema and the Italian director Matteo Garrone in particular, because it was in the unusual halls of this monumental structure that he settled the characters of his “Scary Tales” – the king who raised a flea, and the princess whom the eccentric father married to a cannibal. Curiously, until the twentieth century, the castle was in an abandoned state, and shepherds spent the night there. 

Today, the architectural structure is in the care of UNESCO, as a result, it was cleaned and put in order, but the interior decoration of the halls was not preserved – for that reason, Matteo Garrone had to hastily fill the space of the premises with the props brought to the castle.

Garrone chose Castel del Monte for the film adaptation of the tales of the Neapolitan Giambattista Basile for a reason, because this place is incredibly mysterious. Although located 16 kilometers from the city of Andria, Castel del Monte bears the honorary title of one of the most famous medieval castles in the world, in essence it is not a castle.

The fact is that in the understanding of a normal person of the Middle Ages, a castle could only be built for one of two purposes. The first goal, it is also the main one – defense and terrain control. In this case, one or another lord erected a small fortress, as a rule, on the top of a mountain, which helped to repel enemy attacks, and at the same time to influence the situation in the region as a whole. The second task is a fortified place to live. Sometimes castles grew to the size of cities, take, for example, the same Carcassonne, but their powerful walls, again, made it possible to hold back hordes of enemies.

But Castel del Monte is not intended for defense at all. Where are the walls and the moat with water? Where are there any decent defenses? 

This place also seems to be of little use for life. Of course, even Walter Scott in his “Ivanhoe” wrote that the concept of “comfort” did not exist in the Middle Ages, but this castle, even by medieval standards, is far from the home of a self-respecting lord. It’s okay that all the rooms inside are connected to each other, but, most importantly, there is no place for a stable and there is no kitchen. 

So, most of all, the castle looks like a kind of an old art object, built for the sake of ideas, such houses are sometimes designed by modern architects who have received absolute carte blanche for the implementation of their creative ideas coupled with an unlimited budget.

This association is quite appropriate if you know who built Castel del Monte. The castle was built on the mountain by the Emperor Frederick II Staufen – a legendary person in all respects. He not only managed to win the title of Emperor of the Holy Roman Empire from competitors and lead the sixth crusade, but was also considered one of the most educated people of his time. 

He knew Greek, Latin and Arabic, founded a university in Naples, where not only Christians, but also Jews and Arabs taught, and this, by the way, is the height of tolerance by medieval standards. Frederick II as a whole was very far from Christian prejudices, here are illustrative examples: the emperor insisted that doctors study anatomy on corpses, and Frederick also had a warm attitude towards Fibonacci and even organized mathematical tournaments.

The emperor also had a penchant for writing: he is credited with writing an essay on falconry, and at his court he created a Sicilian school of poetry. At the same time, like all progressive people of his time, Frederick II was an admirer of a wide variety of mystical teachings, studied astronomy and astrology. 

With the personal life of the emperor, everything was also interesting, he earned the reputation of Bluebeard, because he was married four times, however, the church did not recognize his last marriage with his permanent mistress Bianca Lancia. Frederick II spawned a great many children – 20 legitimate, but for obvious reasons, no one scrupulously counted the bastards.

Historians still cannot solve the riddle of the Italian Castel del Monte, to which scientists have many questions

Castel del Monte was built by Frederick II from 1240 to 1250, that is, in the last decade of his life. The name of the architect is unknown, but many historians, not without reason, believe that he was the emperor himself – a painfully intricate design was the result. 

The fact is that, like many medieval mystics, Frederick was obsessed with the number eight, which symbolizes infinity, and it is constantly traced in the structure of the castle.

To begin with, the castle, when viewed from above, is a regular octagon, and an octagonal tower is erected at each corner of the structure. The shape of the inner courtyard of the castle also repeats the octagon. The castle has only two floors, the roof is flat, and the main entrance to Castel del Monte looks strictly to the east, because, as it was believed in the Middle Ages, the good news came from the east.

There are 8 rooms on each floor of the castle, all of them are connected to each other, so that Castel del Monte can be easily walked around the perimeter. The rooms are made in the form of trapezoids, and windows are cut through the walls. Toilets, wardrobes and spiral staircases are located in the corner turrets. 

By the way, the castle has a separate story with the stairs – usually in all castles they are “twisted” to the right, since this is optimal for the defense of the object, but in Castel del Monte, on the contrary, they are “turned” to the left, that is, the way it does nature, because it is to the left that the shells of mollusks or snail shells are twisted.

All rooms of the castle are exactly the same, the rooms differ from each other only in the location of the doors and the number of windows. In the decorative elements, the number eight again dominates: on the capitals of the columns there are eight leaves each, on the bas-reliefs in the rooms there are eight leaves or clover flowers.

Another interesting thing is that direct rays of sunlight fall into the windows of the second floor twice a day (with the first floor, this rule works only in the summer), so many assume that the mysterious castle is nothing more than a huge sundial, and at the same time astronomical device. 

In addition, twice a year, during the summer and winter solstice, sunlight is evenly distributed among all rooms on the ground floor. This, of course, is also no coincidence, so many historians suggest that the first floor of Castel del Monte is a kind of analogue of the solar calendar.

Here’s another curious reason for thinking – twice a year, on April 8 and October 8, the sun’s rays pass through the windows of the castle into the courtyard in such a way that they fall strictly on the part of the wall where in the time of Frederick II a certain bas-relief was carved, now lost. 

Well, and to make everything quite difficult, it is worth remembering that October in the thirteenth century was considered the eighth month of the year.

The castle bears the title of the most mysterious at all because there are many ghosts or other manifestations of mysticism

Frederick II died before he could finish the construction of the castle – the building of Castel del Monte was completed, but the interior decoration was not completed to the end. After the death of the emperor, there were legends in Europe that Frederick did not die, but disappeared in an unknown direction in order to reform the church and establish universal brotherhood and peace.

 A certain symbolism is seen in this, because the octagon, repeated in the structure of Castel del Monte, in the Middle Ages symbolized the transition from the world of the living to the kingdom of the dead, and at the same time the union of heaven and earth.

Everything is very simple here – a square was considered a symbol of the earth, a circle was a symbol of the sky, and an octagon was an intermediate figure that signified both unity and transition. However, scientists far from mysticism believe that the repeated use of the octagon is simply a reference to the Dome of the Rock in Jerusalem, because Frederick II saw the dome over the cornerstone during his crusade.

Historians are confused by the dubious architecture of the object – in such a castle there was not a single chance to hide from an armed attack. No protective mechanisms were used during the construction.

In addition, the building itself boasts the ideal shape of a real octagon. The castle has also 8 turrets.

Scientists did not fit the theory that this castle was used by noble people in order to rest there after hunting. Castel del Monte looks too monumental and luxurious for this.

Some historians suggest that the purpose of the mysterious castle was to comprehend the secret sciences

Castel del Monte has encrypted and biblical symbols. The fact is that the castle has exactly five drainage basins and five fireplaces, many associate this with the phrase of the Baptist John from the Gospel of Luke:

“I baptize you in water for repentance, but the One who follows me is stronger than me; I am not worthy to bear His shoes; He will baptize you with the Holy Spirit and fire.”

 So, it is easy to assume that Castel del Monte was for Frederick II an analogue of the temple, built according to his personal project, and this fully meets the ambitions of the emperor.

By the way, this hypothesis is confirmed by another curious detail. If you look closely at the entrance to the castle, you can see a giant letter F encrypted there. If inside the tomb of Frederick II, associations with the pyramids would be inevitable, and so Castel del Monte seems to be a kind of personal portal of the emperor, erected according to his plan and in his honour. 

At least when you stand in the courtyard of the castle and, with your head raised, look at the sky, imprisoned in an octagon of powerful limestone walls, even the most inveterate materialists have a feeling of belonging to the medieval magical tradition. 

The energy of this place is special, in the style of those “Scary Tales” by Matteo Garrone.

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Occult symbolism of the 2020 Vatican nativity scene

Occult symbolism of the 2020 Vatican nativity scene 134

On December 11, the Vatican unveiled its 2020 nativity scene in St. Peter’s Square. And as soon as the red drapery covering the stage was removed, the crowd found a towering, brutal and totem-like angel Gabriel watching them, along with an astronaut and a masked executioner (yes, those guys who kill people on death row).

Let’s say the applause after the opening was “polite”. Here are some images of the nativity scene.

An ominous angel looks down at the crowd while Jesus remains in the red cloth for a while (not sure why). Behind the figures is a neon light that should probably look like mountains on the horizon. However, at first glance, it looks like a lightning strike in a nativity scene.

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An astronaut and a masked executioner are also included in the nativity scene.

In a press release, the Vatican Governorate announced that the nursery “is intended to be a sign of hope and faith for the entire world, especially during this difficult time due to the health emergency related to COVID-19.”

But this did not bring “hope and faith” at all. In fact, almost all observers hated it.

Occult symbolism of the 2020 Vatican nativity scene 136

It is as if the Vatican purposely created something so ugly that devout Christians hate the play depicting the birth of Jesus. Satanists couldn’t have done better.

Ugliness with weapons

This nativity scene, titled “Monumental Christmas”, was originally created between 1965 and 1975 by students and teachers of the F.A. Grue art school in Castelli, Italy. The original work contained over 50 pieces, but only a few were selected for the Nativity scene at the Vatican, and they chose the horned-masked executioner.

The “Monumental Nativity Scene” is considered a tribute to the world-renowned pottery works of the Abruzzo region and gives a postmodern twist to the classic nativity scene.

In a conversation with a local newspaper, Italian art historian Andrea Chionchi asked if it was “a nightmare or a masterpiece.”

“Forget the sweet face of the Madonna, the tender radiant incarnation of the Child Jesus, the paternal sweetness of Saint Joseph and the pious miracle of the shepherds. For the first time in the middle of the colonnade, Bernini, the Vatican erected a work of the sixties in a brutal postmodern style.

The figures resemble the masks of the ancient and ferocious Samnites, the ancestors of the Abruzians, who professed a pantheistic, animistic, fetishistic and magical religion, somewhat reminiscent of the Andean goddess of fertility, Pachamama.

Castelli’s “Nativity Scene” is an outdated work, the product of a strongly ideological art school. The work offers a depiction of Castelli ceramics that is definitely not true, given that this remarkable art is renowned for its formal elegance and refined, subtle decorative inspiration, which are completely absent here.

References to Greek, Egyptian, and Sumerian character sculptures suggest a liberal historical-critical method of interpreting Scripture. Liberal Bible scholars have hypothesized about various aspects of the Bible as an adaptation of pagan cultures, and not as a result of divine revelation.

Although “ugliness” is subjective, this nativity scene almost tries its best to be as unpleasant to the eye as possible, which in turn is unpleasant to the soul. At least one could say that this scene is anti-Christian. I mean, who’s actually going to pray to this thing? You just can’t. And that’s kind of a target for the twisted minds behind this thing.

Moreover, in addition to its general ugliness, the nativity scene also contains many symbols and historical references that convey a rather egregious message: it is actually an anti-Christmas scene.

Anti Christmas

Usually in the center of the nativity scene is the baby Jesus. However, in this case, Baby Jesus is essentially a random toddler who just stands there and looks like a giant cork.

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The focus of this play is not Jesus, but rather the angel Gabriel. It is surrounded by a massive halo, while Jesus still stands there like a giant cork. In addition, the angel rises above everything on a ribbed pillar. The overall shape of this column closely resembles an important symbol of Ancient Egypt: the Jed Column.

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Right: A Jed Column dedicated to the goddess Hathor.

Jed is a common symbol in Ancient Egypt believed to represent the god Osiris, or rather his spine. While this symbol probably has an esoteric meaning in relation to the chakras (which are said to be based on the spine), the Jed also has a phallic character and is associated with fertility rites. In fact, the “erection of the Jed” was an important ceremony in ancient Egypt.

The erection of the Jedi ceremony is to symbolize Osiris’ triumph over Set. During the ceremony, the pharaoh uses ropes to lift the pole with the help of the priests. This coincided with the time of year when the agricultural year began and the fields were planted. This was only part of a 17-day celebration dedicated to Osiris. In general, the ceremony of the erection of the Jed personified both the resurrection of Osiris and the strength and stability of the monarch.

– Ancient origins, sacred symbol of the Jed Pillar

Did the Vatican trick its believers into witnessing the Jed Ascension ceremony? One thing is for sure: the Egyptian influence of this den sit well with what is immediately behind it.

Occult symbolism of the 2020 Vatican nativity scene 139
Immediately behind the nativity scene is the obelisk of St. Peter (originally from Egypt).

The general plan of the Vatican is Egyptian magic in plain sight. The phallic obelisk (representing Osiris and the masculine) faces the womb-like dome of St. Peter’s Basilica (representing Isis and the feminine). The same exact layout can be found in various power centers of the world, including Washington, DC.

Occult symbolism of the 2020 Vatican nativity scene 140

In Washington DC, an obelisk (Washington Monument) faces the dome of the US Capitol.

In Egyptian magic, the union of masculine and feminine principles (Osiris and Isis) gives birth to a “star child” (Horus). From an esoteric point of view, this star child is a powerful magical energy.

Occult symbolism of the 2020 Vatican nativity scene 141

The hieroglyph representing Sirius, the most important star of occult symbolism (read my article on this here), consists of three elements of the Egyptian trinity: an obelisk, a dome and a star.

So, the Vatican has an obelisk and a dome. Where is the star completing this trinity? It is there, but you have to look from above.

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The Obelisk of St. Peter is located right in the center of the eight-pointed star, also known as the Ishtar Star.

Occult symbolism of the 2020 Vatican nativity scene 143

The eight-pointed star also adorns the Christmas tree that stands next to the nativity scene this year.

Speaking of cosmic things, the Vatican nativity scene also depicts an astronaut. Why? God knows.

Occult symbolism of the 2020 Vatican nativity scene 144

It seems that the astronaut is holding / giving birth to something. There is also an eight-pointed star on the helmet.

Given the fact that this figure was created between 1965 and 1975, this may be a reference to the 1969 moon landing. But why in 2020 did the Vatican choose this thing to stand next to Jesus?

It is even more incomprehensible why an executioner in a horned mask is standing next to Jesus?

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Even he thinks to himself: “What am I doing here?”

In ancient times, executioners carried out death sentences for lawful convicts by chopping off their heads. In some cases, they wore grotesque masks with dark and menacing features to further intimidate prisoners, depersonalizing them as a person. In short, it is an odd figure to be placed next to the newborn baby Jesus, especially considering the fact that Jesus himself was ultimately sentenced to death.

Apparently this guy is here to represent the “Vatican’s opposition to the death penalty.” This is a rather weak argument that makes little sense. I mean, I’m pretty sure the Vatican is also against methamphetamine. Should they also add a methamphetamine dealer to the nativity scene?

In the scene literally called “Christmas,” this horned figure represents death. This is the complete opposite of “Christmas”. I don’t think Satanists would have done better by desecrating the scene depicting the birth of Jesus.


In a sense, this year’s nativity scene is a sad reflection of 2020. This is a collection of expressionless and socially detached figures who do not interact with each other, standing under the neon lights of phones and computers.

It also reflects how the occult elite has raised their ugly head this year, poisoning every aspect of our lives with their toxic program. Through their outspoken anti-Christian demonstration, the elite sought to prove that its toxic ideology was also ingrained in the Vatican.

Although the Monumental Nativity scene was created several decades ago, it was chosen for the Christmas scene in 2020 for a special reason: it contains certain symbols, conveying a certain energy. Like everything else that has happened this year, this scene demonstrates the control of the elite and the demoralization of the masses.

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