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The Persecution of Witches, 21st-Century Style

The Persecution of Witches, 21st-Century Style 86

Most people believe that the persecution of “witches” reached its height in the early 1690s with the trials in Salem, Mass., but it is a grim paradox of 21st-century life that violence against people accused of sorcery is very much still with us. Far from fading away, thanks to digital interconnectedness and economic development, witch hunting has become a growing, global problem.

In recent years, there has been a spate of attacks against people accused of witchcraft in Africa, the Pacific and Latin America, and even among immigrant communities in the United States and Western Europe. Researchers with United Nations refugee and human rights agencies have estimated the murders of supposed witches as numbering in the thousands each year, while beatings and banishments could run into the millions. “This is becoming an international problem — it is a form of persecution and violence that is spreading around the globe,” Jeff Crisp, an official with the United Nations High Commissioner for Refugees, told a panel in 2009, the last year in which an international body studied the full dimensions of the problem. A report that year from the same agency and a Unicef study in 2010 both found a rise, especially in Africa, of violence and child abuse linked to witchcraft accusations.

More recent media reports suggest a disturbing pattern of mutilation and murder. Last year, a mob in Papua New Guinea burned alive a young mother, Kepari Leniata, 20, who was suspected of sorcery. This highly publicized case followed a series of instances over recent years of lethal group violence against women and men accused of witchcraft.

“These are becoming all too common in certain parts of the country,” said the prime minister, Peter O’Neill. Last year, Papua New Guinea finally repealed a 1971 law that permitted attackers to cite intent to combat witchcraft as a legal defense. But progress is slow. Although the police charged a man and woman in connection with the 2013 killing of Ms. Leniata, no one has faced trial, a fact that drew protest from Amnesty International in February.

One of the ugliest aspects of these crimes is their brutality. Victims are often burned alive, as in Ms. Leniata’s case and a 2012 case in Nepal; or accused women are sometimes beaten to death, as occurred in the Colombian town of Santa Barbara in 2012; or the victims may be stoned or beheaded, as has been reported in Indonesia and sub-Saharan Africa.

It is tempting to point to poverty in the developing world, as well as scapegoating, as the chief causes of anti-witch attacks — and such forces are undoubtedly at work. But while Africa and the southwestern Pacific have a long history of economic misery, much of this violence, especially against children, has worsened since 2000. The surge suggests forces other than economic resentment or ancient superstition.

In some communities, it is chiefly young men who take on the role of witch hunters, suggesting that they may see it as a way to earn prestige by cleansing undesirables and enforcing social mores. That many of the self-appointed witch hunters are men highlights another baleful aspect of the phenomenon: The majority of victims are women. The Rev. Jack Urame of the Melanesian Institute, a Papua New Guinean human rights agency, estimates that witchcraft-related violence there is directed 5 to 1 against women, suggesting that witchcraft accusations are used to cloak gender-based violence.

Another factor, particularly in Central Africa and its diaspora communities, is the advent of revivalist churches, in which self-styled pastor-prophets rail against witchery and demon possession. They often claim to specialize in the casting out of evil spirits, sometimes charging for the service. Many of those congregations have emerged from Western evangelizing efforts.

One of Nigeria’s most popular Pentecostal preachers, Helen Ukpabio, wrote that “if a child under the age of 2 screams in the night, cries and is always feverish with deteriorating health, he or she is a servant of Satan.” As that implies, children in those communities are especially likely to be identified as possessed. The United Nations Office of the High Commissioner for Human Rights reported that most of the 25,000 to 50,000 children who live on the streets of Kinshasa, the capital of the Democratic Republic of Congo, were abandoned by family members who accused them of witchcraft or demonic possession.

The etiology of this epidemic is complex, but human rights observers point to overpopulation, rapid urbanization and the hardship of parents forced to relocate to seek work, as well as the sheer stresses of raising children amid dire poverty. Superstitions are stoked by local “healers,” who charge parents to exorcise evil spirits.

Witch hunting is far from limited, however, to acts of sadistic vigilantism or profiteering. Some legal systems even sanction the killing of accused witches.

In 2011, courts in Saudi Arabia sentenced a man and a woman, in separate cases, to beheading after convictions for sorcery. In 2013, Saudi courts sentenced two Asian housemaids to 1,000 lashes and 10 years in prison on charges of casting spells against their employers.

A Lebanese television psychic, Ali Hussain Sibat, was arrested in 2008, while on pilgrimage to Medina, by the Saudi religious police for hosting a television show in his native Lebanon, “The Hidden,” where he would make predictions and prescribe love potions and spells. After an outcry by Amnesty International and others, the Saudi courts stayed Mr. Sibat’s execution by beheading, but sentenced him in 2010 to a 15-year prison term.

As in Africa, the wave of anti-witch activity in Saudi Arabia is fairly new. The Saudi religious police devised an Anti-Witchcraft Unit in 2009, resulting in the arrests of 215 alleged “conjurers” in 2012. Some observers attribute this sudden interest in witchery to the royal family’s attempts to appease its religious inquisitors by keeping them busy targeting a handful of vulnerable individuals.

A final motive driving modern witch hunting may be more venal than spiritual: The police in Indonesia, where there were about 100 suspected witch killings in 2000, point to fraud and graft directed against vulnerable women, who, lacking family or community protection, fall prey to banishment or murder on slim pretexts, while their homes and property are seized by their accusers.

Globalization means that paranoia over black magic and spirit possession are no longer confined to developing nations. Mass migration has made this a pervasive problem. In January, a Queens, N.Y., man was arrested for beating to death with a hammer his girlfriend, Estrella Castaneda, 56, and her daughter, Lina Castaneda, 25; Carlos Alberto Amarillo told the police that the women were “witches,” who had been “performing voodoo and casting spells” on him. (Voodoo, more properly known as Vodou, is an authentic Afro-Caribbean faith based in deity worship and ritual, practiced in New York and many American cities. Other belief systems that retain or reinvent ancient nature worship and spell practices sometimes go under the names of Wicca or neo-paganism.)

It has not been confirmed whether the Queens victims had ties to Vodou (neither they nor the suspect were Afro-Caribbean). Accusations like those made by Mr. Amarillo, who is under psychiatric evaluation, often prove unreliable or are misreported in a sensationalist way. But the theme has nonetheless become alarmingly familiar in Western news coverage.

In 2012, The Guardian reported that London police had during the last decade investigated 81 cases of “ritual abuse” of children accused of possession or witchcraft, a phenomenon that British social agencies fear is on the rise, particularly within African immigrant communities. In 2010, a 15-year-old boy, Kristy Bamu, was tortured and killed in East London by his older sister and her boyfriend, both Congolese, who had accused him of sorcery after he wet his bed. In the wake of that case, the British police started to receive special training on witchcraft-related abuse.

Because anti-witch violence is rooted in the belief systems of traditional societies, it would be easy to slip into the fatalistic view that this crisis is a tragic repetition of ancient aggressions. But where local superstitions explode into violence or migrate across a wide range of settings and societies, we can and must act.

Western branches of Pentecostal and charismatic Christian congregations must work closely with the more fervent ministries of their denominations among African and immigrant communities to foster an understanding of how “exorcisms” can spiral into deadly abuse. No African congregation wants to feel dictated to by the West, but there is a place for exchange and cultural pressure. Western ecclesiastical bodies can specifically enact prohibitions against for-profit exorcisms.

Laws should be enacted against accusing children of witchcraft throughout the countries of Africa and the southwestern Pacific, as one Nigerian state has already done. And countries like the Solomon Islands that still criminalize witchcraft should strike down those statutes.

Police indifference to crimes of witch hunting must also be tackled, especially in societies where police officers themselves may share in traditional beliefs about “black magic.” A 2012 British government report on combating faith-based violence against children provides a valuable guide to instructing the police on signs of abuse, asking religious leaders to condemn violence and protecting vulnerable witnesses.

Legal efforts must be paired with increased social awareness. In a promising model, a 2010 Oxfam International report noted that some Catholic parishes in Papua New Guinea have been teaching congregants about the natural causes of death and illness (common triggers for anti-witch paranoia), providing shelter to accused witches and denying the sacraments to those who accuse others of sorcery.

Crucial, too, is that the United Nations and international human rights organizations start compiling yearly statistics on these crimes. We’re severely hampered in understanding the scale of this crisis when our most recent global data are already five years out of date.

Most important, witchcraft-related violence should be branded as hate crimes by international courts and by all jurisdictions where anti-hate statutes exist. This is vital to gaining wider recognition of this criminality and preventing it.

In too many places, the accusation of witchcraft has become an incitement to mob violence. It is time to lay the ghosts of Salem to rest.

Mitch Horowitz is the author of “Occult America” and “One Simple Idea: How Positive Thinking Reshaped Modern Life.”

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The remains of “witches” burned at the stake for killing children in the 17th century were found by archaeologists

The remains of "witches" burned at the stake for killing children in the 17th century were found by archaeologists 99

In the Polish city of Bochnia, archaeologists unearthed the charred remains of two women. The discovery was made during restoration work in the local market.

They are believed to have lived approximately 300 years ago. According to scientists, it is known that in 1679 three women were burnt in this place. So far, two skeletons have been found, but experts have no doubt that they will soon find a third one, according to Express.

Researchers believe that the victims were accused of witchcraft and murder of children. After that, they were probably burned in the city market. Such punishment was common in the Middle Ages, from the 5th to the 15th centuries. Historians believe that the public burning allegedly showed “witches” going to hell.

Archaeologists will continue to investigate the remains, but they have already stated that the women were buried right at the place of execution. According to experts, in that era it was customary: people convicted of such a crime could not be buried near the church.

According to historical sources, at least 13 women accused of witchcraft were executed in Bochnia. Before the execution of the sentence, they were kept in the neighboring town hall and, most likely, tortured in order to get a confession of their deeds. In addition, the archives contain the names and crimes of the “witches”.

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Which castle in Europe is considered the most mystical: you will be surprised

Which castle in Europe is considered the most mystical: you will be surprised 100

Many castles have survived in Europe, which to modern people seem incredibly beautiful and majestic. Their main purpose was to deter enemies if necessary.

That is why such factors as a good location, a moat, a rampart and other opportunities to repel potential enemies played a strategic role.

However, there is one architectural object that does not fit into the traditional framework.

Which castle in Europe is considered the most mystical: you will be surprised
Photo: Pixabay

The majestic is one of the most famous landmarks in the Italian region of Apulia. Moreover, it will not be an exaggeration to say that this is the most mystical castle in the world.

Unlike other mystical places, this amazing castle is not hidden from prying eyes behind the mountains and forests. On the contrary, it is visible from afar. You drive along the freeway and see it, towering on top of the hill.  It doesn’t matter that the name of the building is translated as “castle on the mountain”, only those who have never seen real mountains in their life can literally take the name Castel del Monte. 

It was built on a castle on the very spot where the Maria del Monte monastery was located until the thirteenth century, hence the first name of the building, which few people remember today – castrum Sancta Maria de Monte.

Today, crowds of people frequently visit Castel del Monte. For this, many thanks to the magical world of cinema and the Italian director Matteo Garrone in particular, because it was in the unusual halls of this monumental structure that he settled the characters of his “Scary Tales” – the king who raised a flea, and the princess whom the eccentric father married to a cannibal. Curiously, until the twentieth century, the castle was in an abandoned state, and shepherds spent the night there. 

Today, the architectural structure is in the care of UNESCO, as a result, it was cleaned and put in order, but the interior decoration of the halls was not preserved – for that reason, Matteo Garrone had to hastily fill the space of the premises with the props brought to the castle.

Garrone chose Castel del Monte for the film adaptation of the tales of the Neapolitan Giambattista Basile for a reason, because this place is incredibly mysterious. Although located 16 kilometers from the city of Andria, Castel del Monte bears the honorary title of one of the most famous medieval castles in the world, in essence it is not a castle.

The fact is that in the understanding of a normal person of the Middle Ages, a castle could only be built for one of two purposes. The first goal, it is also the main one – defense and terrain control. In this case, one or another lord erected a small fortress, as a rule, on the top of a mountain, which helped to repel enemy attacks, and at the same time to influence the situation in the region as a whole. The second task is a fortified place to live. Sometimes castles grew to the size of cities, take, for example, the same Carcassonne, but their powerful walls, again, made it possible to hold back hordes of enemies.

But Castel del Monte is not intended for defense at all. Where are the walls and the moat with water? Where are there any decent defenses? 

This place also seems to be of little use for life. Of course, even Walter Scott in his “Ivanhoe” wrote that the concept of “comfort” did not exist in the Middle Ages, but this castle, even by medieval standards, is far from the home of a self-respecting lord. It’s okay that all the rooms inside are connected to each other, but, most importantly, there is no place for a stable and there is no kitchen. 

So, most of all, the castle looks like a kind of an old art object, built for the sake of ideas, such houses are sometimes designed by modern architects who have received absolute carte blanche for the implementation of their creative ideas coupled with an unlimited budget.

This association is quite appropriate if you know who built Castel del Monte. The castle was built on the mountain by the Emperor Frederick II Staufen – a legendary person in all respects. He not only managed to win the title of Emperor of the Holy Roman Empire from competitors and lead the sixth crusade, but was also considered one of the most educated people of his time. 

He knew Greek, Latin and Arabic, founded a university in Naples, where not only Christians, but also Jews and Arabs taught, and this, by the way, is the height of tolerance by medieval standards. Frederick II as a whole was very far from Christian prejudices, here are illustrative examples: the emperor insisted that doctors study anatomy on corpses, and Frederick also had a warm attitude towards Fibonacci and even organized mathematical tournaments.

The emperor also had a penchant for writing: he is credited with writing an essay on falconry, and at his court he created a Sicilian school of poetry. At the same time, like all progressive people of his time, Frederick II was an admirer of a wide variety of mystical teachings, studied astronomy and astrology. 

With the personal life of the emperor, everything was also interesting, he earned the reputation of Bluebeard, because he was married four times, however, the church did not recognize his last marriage with his permanent mistress Bianca Lancia. Frederick II spawned a great many children – 20 legitimate, but for obvious reasons, no one scrupulously counted the bastards.

Historians still cannot solve the riddle of the Italian Castel del Monte, to which scientists have many questions

Castel del Monte was built by Frederick II from 1240 to 1250, that is, in the last decade of his life. The name of the architect is unknown, but many historians, not without reason, believe that he was the emperor himself – a painfully intricate design was the result. 

The fact is that, like many medieval mystics, Frederick was obsessed with the number eight, which symbolizes infinity, and it is constantly traced in the structure of the castle.

To begin with, the castle, when viewed from above, is a regular octagon, and an octagonal tower is erected at each corner of the structure. The shape of the inner courtyard of the castle also repeats the octagon. The castle has only two floors, the roof is flat, and the main entrance to Castel del Monte looks strictly to the east, because, as it was believed in the Middle Ages, the good news came from the east.

There are 8 rooms on each floor of the castle, all of them are connected to each other, so that Castel del Monte can be easily walked around the perimeter. The rooms are made in the form of trapezoids, and windows are cut through the walls. Toilets, wardrobes and spiral staircases are located in the corner turrets. 

By the way, the castle has a separate story with the stairs – usually in all castles they are “twisted” to the right, since this is optimal for the defense of the object, but in Castel del Monte, on the contrary, they are “turned” to the left, that is, the way it does nature, because it is to the left that the shells of mollusks or snail shells are twisted.

All rooms of the castle are exactly the same, the rooms differ from each other only in the location of the doors and the number of windows. In the decorative elements, the number eight again dominates: on the capitals of the columns there are eight leaves each, on the bas-reliefs in the rooms there are eight leaves or clover flowers.

Another interesting thing is that direct rays of sunlight fall into the windows of the second floor twice a day (with the first floor, this rule works only in the summer), so many assume that the mysterious castle is nothing more than a huge sundial, and at the same time astronomical device. 

In addition, twice a year, during the summer and winter solstice, sunlight is evenly distributed among all rooms on the ground floor. This, of course, is also no coincidence, so many historians suggest that the first floor of Castel del Monte is a kind of analogue of the solar calendar.

Here’s another curious reason for thinking – twice a year, on April 8 and October 8, the sun’s rays pass through the windows of the castle into the courtyard in such a way that they fall strictly on the part of the wall where in the time of Frederick II a certain bas-relief was carved, now lost. 

Well, and to make everything quite difficult, it is worth remembering that October in the thirteenth century was considered the eighth month of the year.

The castle bears the title of the most mysterious at all because there are many ghosts or other manifestations of mysticism

Frederick II died before he could finish the construction of the castle – the building of Castel del Monte was completed, but the interior decoration was not completed to the end. After the death of the emperor, there were legends in Europe that Frederick did not die, but disappeared in an unknown direction in order to reform the church and establish universal brotherhood and peace.

 A certain symbolism is seen in this, because the octagon, repeated in the structure of Castel del Monte, in the Middle Ages symbolized the transition from the world of the living to the kingdom of the dead, and at the same time the union of heaven and earth.

Everything is very simple here – a square was considered a symbol of the earth, a circle was a symbol of the sky, and an octagon was an intermediate figure that signified both unity and transition. However, scientists far from mysticism believe that the repeated use of the octagon is simply a reference to the Dome of the Rock in Jerusalem, because Frederick II saw the dome over the cornerstone during his crusade.

Historians are confused by the dubious architecture of the object – in such a castle there was not a single chance to hide from an armed attack. No protective mechanisms were used during the construction.

In addition, the building itself boasts the ideal shape of a real octagon. The castle has also 8 turrets.

Scientists did not fit the theory that this castle was used by noble people in order to rest there after hunting. Castel del Monte looks too monumental and luxurious for this.

Some historians suggest that the purpose of the mysterious castle was to comprehend the secret sciences

Castel del Monte has encrypted and biblical symbols. The fact is that the castle has exactly five drainage basins and five fireplaces, many associate this with the phrase of the Baptist John from the Gospel of Luke:

“I baptize you in water for repentance, but the One who follows me is stronger than me; I am not worthy to bear His shoes; He will baptize you with the Holy Spirit and fire.”

 So, it is easy to assume that Castel del Monte was for Frederick II an analogue of the temple, built according to his personal project, and this fully meets the ambitions of the emperor.

By the way, this hypothesis is confirmed by another curious detail. If you look closely at the entrance to the castle, you can see a giant letter F encrypted there. If inside the tomb of Frederick II, associations with the pyramids would be inevitable, and so Castel del Monte seems to be a kind of personal portal of the emperor, erected according to his plan and in his honour. 

At least when you stand in the courtyard of the castle and, with your head raised, look at the sky, imprisoned in an octagon of powerful limestone walls, even the most inveterate materialists have a feeling of belonging to the medieval magical tradition. 

The energy of this place is special, in the style of those “Scary Tales” by Matteo Garrone.

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Occult symbolism of the 2020 Vatican nativity scene

Occult symbolism of the 2020 Vatican nativity scene 101

On December 11, the Vatican unveiled its 2020 nativity scene in St. Peter’s Square. And as soon as the red drapery covering the stage was removed, the crowd found a towering, brutal and totem-like angel Gabriel watching them, along with an astronaut and a masked executioner (yes, those guys who kill people on death row).

Let’s say the applause after the opening was “polite”. Here are some images of the nativity scene.

An ominous angel looks down at the crowd while Jesus remains in the red cloth for a while (not sure why). Behind the figures is a neon light that should probably look like mountains on the horizon. However, at first glance, it looks like a lightning strike in a nativity scene.

Occult symbolism of the 2020 Vatican nativity scene 102
An astronaut and a masked executioner are also included in the nativity scene.

In a press release, the Vatican Governorate announced that the nursery “is intended to be a sign of hope and faith for the entire world, especially during this difficult time due to the health emergency related to COVID-19.”

But this did not bring “hope and faith” at all. In fact, almost all observers hated it.

Occult symbolism of the 2020 Vatican nativity scene 103

It is as if the Vatican purposely created something so ugly that devout Christians hate the play depicting the birth of Jesus. Satanists couldn’t have done better.

Ugliness with weapons

This nativity scene, titled “Monumental Christmas”, was originally created between 1965 and 1975 by students and teachers of the F.A. Grue art school in Castelli, Italy. The original work contained over 50 pieces, but only a few were selected for the Nativity scene at the Vatican, and they chose the horned-masked executioner.

The “Monumental Nativity Scene” is considered a tribute to the world-renowned pottery works of the Abruzzo region and gives a postmodern twist to the classic nativity scene.

In a conversation with a local newspaper, Italian art historian Andrea Chionchi asked if it was “a nightmare or a masterpiece.”

“Forget the sweet face of the Madonna, the tender radiant incarnation of the Child Jesus, the paternal sweetness of Saint Joseph and the pious miracle of the shepherds. For the first time in the middle of the colonnade, Bernini, the Vatican erected a work of the sixties in a brutal postmodern style.

The figures resemble the masks of the ancient and ferocious Samnites, the ancestors of the Abruzians, who professed a pantheistic, animistic, fetishistic and magical religion, somewhat reminiscent of the Andean goddess of fertility, Pachamama.

Castelli’s “Nativity Scene” is an outdated work, the product of a strongly ideological art school. The work offers a depiction of Castelli ceramics that is definitely not true, given that this remarkable art is renowned for its formal elegance and refined, subtle decorative inspiration, which are completely absent here.

References to Greek, Egyptian, and Sumerian character sculptures suggest a liberal historical-critical method of interpreting Scripture. Liberal Bible scholars have hypothesized about various aspects of the Bible as an adaptation of pagan cultures, and not as a result of divine revelation.

Although “ugliness” is subjective, this nativity scene almost tries its best to be as unpleasant to the eye as possible, which in turn is unpleasant to the soul. At least one could say that this scene is anti-Christian. I mean, who’s actually going to pray to this thing? You just can’t. And that’s kind of a target for the twisted minds behind this thing.

Moreover, in addition to its general ugliness, the nativity scene also contains many symbols and historical references that convey a rather egregious message: it is actually an anti-Christmas scene.

Anti Christmas

Usually in the center of the nativity scene is the baby Jesus. However, in this case, Baby Jesus is essentially a random toddler who just stands there and looks like a giant cork.

Occult symbolism of the 2020 Vatican nativity scene 104

WORSHIP ME

The focus of this play is not Jesus, but rather the angel Gabriel. It is surrounded by a massive halo, while Jesus still stands there like a giant cork. In addition, the angel rises above everything on a ribbed pillar. The overall shape of this column closely resembles an important symbol of Ancient Egypt: the Jed Column.

Occult symbolism of the 2020 Vatican nativity scene 105
Right: A Jed Column dedicated to the goddess Hathor.

Jed is a common symbol in Ancient Egypt believed to represent the god Osiris, or rather his spine. While this symbol probably has an esoteric meaning in relation to the chakras (which are said to be based on the spine), the Jed also has a phallic character and is associated with fertility rites. In fact, the “erection of the Jed” was an important ceremony in ancient Egypt.

The erection of the Jedi ceremony is to symbolize Osiris’ triumph over Set. During the ceremony, the pharaoh uses ropes to lift the pole with the help of the priests. This coincided with the time of year when the agricultural year began and the fields were planted. This was only part of a 17-day celebration dedicated to Osiris. In general, the ceremony of the erection of the Jed personified both the resurrection of Osiris and the strength and stability of the monarch.

– Ancient origins, sacred symbol of the Jed Pillar

Did the Vatican trick its believers into witnessing the Jed Ascension ceremony? One thing is for sure: the Egyptian influence of this den sit well with what is immediately behind it.

Occult symbolism of the 2020 Vatican nativity scene 106
Immediately behind the nativity scene is the obelisk of St. Peter (originally from Egypt).

The general plan of the Vatican is Egyptian magic in plain sight. The phallic obelisk (representing Osiris and the masculine) faces the womb-like dome of St. Peter’s Basilica (representing Isis and the feminine). The same exact layout can be found in various power centers of the world, including Washington, DC.

Occult symbolism of the 2020 Vatican nativity scene 107

In Washington DC, an obelisk (Washington Monument) faces the dome of the US Capitol.

In Egyptian magic, the union of masculine and feminine principles (Osiris and Isis) gives birth to a “star child” (Horus). From an esoteric point of view, this star child is a powerful magical energy.

Occult symbolism of the 2020 Vatican nativity scene 108

The hieroglyph representing Sirius, the most important star of occult symbolism (read my article on this here), consists of three elements of the Egyptian trinity: an obelisk, a dome and a star.

So, the Vatican has an obelisk and a dome. Where is the star completing this trinity? It is there, but you have to look from above.

Occult symbolism of the 2020 Vatican nativity scene 109

The Obelisk of St. Peter is located right in the center of the eight-pointed star, also known as the Ishtar Star.

Occult symbolism of the 2020 Vatican nativity scene 110

The eight-pointed star also adorns the Christmas tree that stands next to the nativity scene this year.

Speaking of cosmic things, the Vatican nativity scene also depicts an astronaut. Why? God knows.

Occult symbolism of the 2020 Vatican nativity scene 111

It seems that the astronaut is holding / giving birth to something. There is also an eight-pointed star on the helmet.

Given the fact that this figure was created between 1965 and 1975, this may be a reference to the 1969 moon landing. But why in 2020 did the Vatican choose this thing to stand next to Jesus?

It is even more incomprehensible why an executioner in a horned mask is standing next to Jesus?

Occult symbolism of the 2020 Vatican nativity scene 112
Even he thinks to himself: “What am I doing here?”

In ancient times, executioners carried out death sentences for lawful convicts by chopping off their heads. In some cases, they wore grotesque masks with dark and menacing features to further intimidate prisoners, depersonalizing them as a person. In short, it is an odd figure to be placed next to the newborn baby Jesus, especially considering the fact that Jesus himself was ultimately sentenced to death.

Apparently this guy is here to represent the “Vatican’s opposition to the death penalty.” This is a rather weak argument that makes little sense. I mean, I’m pretty sure the Vatican is also against methamphetamine. Should they also add a methamphetamine dealer to the nativity scene?

In the scene literally called “Christmas,” this horned figure represents death. This is the complete opposite of “Christmas”. I don’t think Satanists would have done better by desecrating the scene depicting the birth of Jesus.

Finally

In a sense, this year’s nativity scene is a sad reflection of 2020. This is a collection of expressionless and socially detached figures who do not interact with each other, standing under the neon lights of phones and computers.

It also reflects how the occult elite has raised their ugly head this year, poisoning every aspect of our lives with their toxic program. Through their outspoken anti-Christian demonstration, the elite sought to prove that its toxic ideology was also ingrained in the Vatican.

Although the Monumental Nativity scene was created several decades ago, it was chosen for the Christmas scene in 2020 for a special reason: it contains certain symbols, conveying a certain energy. Like everything else that has happened this year, this scene demonstrates the control of the elite and the demoralization of the masses.

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