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The mystery of the ancient Chinese “magic mirrors”, over the solution of which scientists are still racking their brains

The mystery of the ancient Chinese "magic mirrors", over the solution of which scientists are still racking their brains 86

In the Ancient East, for more than two thousand years, there are expensive and rare mirrors, which are called magic to this day. Not for nothing, because the bronze from which they are made can become completely transparent. In China they were called “light-transmitting mirrors”, and in the West – simply “magic mirrors”. These artifacts are still a mystery to scientists around the world.

For more than ten centuries, this rare artifact from China has puzzled all researchers. This mirror is made of bronze, which has been carefully polished. On the back there is a molded pattern. 

The polished surface looks completely normal and can be used like a regular mirror. But when a bright light hits the surface of the mirror and it is reflected and projected onto the surface, then the pattern decorating the back side mysteriously appears in the projected reflection. 

It looks as if a solid bronze mirror suddenly became completely transparent. The Chinese name for these mirrors literally means “light transmitting mirrors.” In the rest of the world, they are called differently: “translucent mirrors” or “magic mirrors”.

Various magic mirrors.
Various magic mirrors.

The mystery of these mysterious ancient artifacts has plagued scientists since the 19th century. It took researchers a century before they figured out the technology for making these mirrors. Even in the homeland of these historical wonders, the technique of their production was considered lost. 

The secret was solved thanks to the ancient Chinese manuscript “Records of Ancient Mirrors”. Subsequently, the book was irretrievably lost. Now in the world there is only one master who owns the art of making these magic mirrors – this is Yamamoto Akihisa from Japan.

There is only one master left in the world who owns the secret of making a magic mirror.
There is only one master left in the world who owns the secret of making a magic mirror.

Master Akihisa learned about this mysterious art from his father. In their family, these secrets were passed down from generation to generation. Despite this, many of the manufacturing nuances were lost. I had to experimentally find out various details.

Many of the nuances of this ancient craft have been lost.
Many of the nuances of this ancient craft have been lost.

The mystery of the reflection of the image of the back of the mirror was solved in 1932 by Sir William Bragg. To do this, at the very beginning, patterns are created on the back of the mirror, then the desired bulges are made by scraping and engraving. 

At the end, it is all polished and coated with a special mercury alloy. As a result of all these actions, bulges and bends invisible to the eye remain on a smooth mirror surface. They faithfully reproduce the pattern of the reverse side.

Light on the surface of the mirror is reflected and refracted in such a way that the bronze appears transparent.
Light on the surface of the mirror is reflected and refracted in such a way that the bronze appears transparent.

For many years, various researchers have tried to recreate the “magic mirror”. For this, the materials were subjected to pressure and high temperatures. Nothing worked. All this only spoiled the mirror, and the desired effect did not appear.

Modern scientists have failed to comprehend the secret of the magical effect of the ancient Chinese mirror.
Modern scientists have failed to comprehend the secret of the magical effect of the ancient Chinese mirror.

Scientists have written dozens of books and scientific articles on the topic of studying these artifacts. Back in the 11th century, a Chinese scientist, Shen Gua, in his book “Reflections on the Lake of Dreams” wrote the following about this: if a bright ray of sunlight hits, then all these inscriptions become clearly visible and readable. “

Western scholars have tried to reproduce the effect of an ancient Eastern magic mirror using a compressor.
Western scholars have tried to reproduce the effect of an ancient Eastern magic mirror using a compressor.

The reflection of sunlight occurs on the uneven surface of the mirror as follows: convex parts scatter light, and concave ones collect it. As a result, the “magic mirror” effect is formed.

The art of making magic mirrors dates back to the Han Dynasty (206 BC - 24 AD).
The art of making magic mirrors dates back to the Han Dynasty (206 BC – 24 AD).

Science knows cases when such a mirror had one pattern on its reverse side, and reflected a completely different one! Scientists assume in this case that the front side of the mirror is polished, and then a certain pattern is etched on it with acid, and then polished again. It becomes quite obvious that there are a lot of recipes for making such items. Most likely, each master discovered and kept his secrets, which are now lost.

In China, the method of making a bronze alloy has been known since about 2000 BC.
In China, the method of making a bronze alloy has been known since about 2000 BC.

The bronze, from which the famous mirrors are made, was invented by the Chinese more than four thousand years ago! The oldest “magic mirror” found by archaeologists is more than one and a half thousand years old. The fact that it was unheard of in those days, a rarity and luxury is clear from the fact that such objects were found during excavations of the tombs of very noble nobles and emperors.

Mirrors ceased to be a rarity in the Middle Ages, during the reign of the Ming dynasty. Most of the discovered artifacts belong to these times.

This item was extremely rare and expensive.
This item was extremely rare and expensive.

Over the past century and a half, many researchers and scientists have puzzled over the mystery of the “magic mirror”. Methods for producing the artifact that would have been equal to ancient craftsmanship have never been discovered. World science offers the following options:

1. When casting, those parts that are thinner cool faster and the surface is deformed. Only it is very difficult to achieve this effect: only two or three mirrors out of a hundred can reproduce a magical effect.
2. A pattern is engraved on the mirror, then it is filled with bronze of a different kind and polished.
3. Drawing is done on the front side, and then covered with a special alloy of mercury and polished.
4. The patterns on the mirror are etched with acid, then polished.
5. The pattern is cut on the back of the mirror, resulting in bumps in the front.
6. The front side patterns are stamped onto the surface and then polished.

It is believed that it all works, but so far no one has been able to reproduce it. “Magic mirrors” were also made in Japan. There they were called makkyo. It is there that the last master who owns this art lives.

There is one interesting detail of these mirrors that makes them similar to modern disk storage media.
There is one interesting detail of these mirrors that makes them similar to modern disk storage media.

With all the variety of these artifacts, there is one detail that makes them all in common: a convex pattern element in the center. It becomes clear that this element must carry a certain function. Presumably in order to install and fix the mirror in the required place. Crazy assumption: is it really an ancient disk storage medium?

In fact, there is a lot in common. After all, the discs also have a certain pattern on the back. Information there is written in the form of spiral tracks, depressions that are squeezed out. These paths absorb light, and the base reflects it. 

Information is read from the disc media using a laser beam. Interestingly, someone tried to illuminate the “magic mirror” with a laser? For sure. It is believed that in ancient times they used the technology of steam generation, which made it possible to create real volumetric holographic images. While these are all theories, perhaps in the future, scientists will still be able to unravel the mystery of “magic mirrors”.

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Ancient

Ancient papyrus “Book of the Dead” and hundreds of other artifacts found in Egypt

Ancient papyrus "Book of the Dead" and hundreds of other artifacts found in Egypt 99

Ancient sarcophagi, statues, toys, funerary masks and other artifacts, including papyrus from the Book of the Dead, were discovered during the excavation of the necropolis in Saqqara, 30 kilometers south of Cairo. According to experts, the finds are about four thousand years old.

The Egyptian Ministry of Tourism and Antiquities announced that the sarcophagi were found in 22 burial mounds at a depth of 10 to 12 meters.

Among the finds was a four-meter scroll of papyrus from the Book of the Dead. The ancient Egyptians believed that hymns and texts from the Book of the Dead helped the recently deceased walk through the underworld.

According to the famous Egyptologist Zaha Hawass, the finds date back to the Sixth Dynasty, which ruled Egypt from 2323 BC to 2150 BC. e. More than 50 wooden coffins dating from the later “New Kingdom”, between 1570 and 1069. BC e., were also opened on Sunday.

He also believes the artifacts will help bring back tourists to Egypt who have almost stopped arriving due to the pandemic. The country has previously stimulated the tourism sector with the help of new archaeological finds. Later this year, authorities are planning to open the Great Egyptian Museum, also known as the Giza Museum.

Earlier excavations at Saqqara focused on the step pyramid of Djoser, one of the first in ancient Egypt. Egyptian Antiquities Minister Khaled al-Anani notes that “the finds of Saqqara are not yet exhausted.”

In 2020, more than a hundred sarcophagi, about 2500 years old, were found in Saqqara. Saqqara 3000 years ago was actively used for burials and was the main necropolis of Memphis – the capital of Ancient Egypt. Now it belongs to the UNESCO World Heritage Sites.

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Ancient

Tibetan Secrets Vaults and Aircraft Weapons

Tibetan Secrets Vaults and Aircraft Weapons 100

From the Mahabharata, an ancient Indian poem of unusual volume, we learn that someone named Asura Maya possessed a vimaana of about 6 m in circumference, equipped with four strong wings.

 This poem is a treasure trove of information pertaining to conflicts between gods who resolved their differences using weapons that are obviously as deadly as those we can use. In addition to “bright missiles”, the poem describes the use of other deadly weapons. “Indra’s dart” is operated with a round “reflector”. When turned on, it gives off a beam of light, which, being focused on any target, immediately “devours it with its power.” In one particular case, when the hero, Krishna, pursues his enemy, Salva, in the sky, Saubha made Shalva’s vimana invisible. Unafraid

Astra – means weapons of mass destruction and many other types of terrible weapons are described quite authentically in the Mahabharata, but the most terrible of them was used against Vrish. The narration says:

“Gurkha, flying on his fast and powerful vimaana, threw a single projectile charged with all the power of the Universe at the three cities of Vrishi and Andhak. A red-hot column of smoke and fire, bright as 10,000 suns, rose in all its splendor. An unknown weapon, the Iron Thunderbolt, a gigantic messenger of death who turned to ashes the entire race of the Vrishis and the Andhaks.”

It is important to note that these types of records are not isolated. They correlate with similar information from other ancient civilizations. The effects of this iron lightning contain an ominously recognizable ring. Obviously, those who were killed by her were burned so that their bodies were not recognizable.

Astra: weapon of mass destruction of the gods

Tibetan Secrets Vaults and Aircraft Weapons

Astra appears before us as a supernatural weapon used by a particular deity. The mastery or use of a weapon required the knowledge of a mantra or invocation,

Each Astra had special terms of use, and violation of the terms could be fatal. Due to the gigantic destructive power of this weapon, his knowledge was passed from teacher to student exclusively orally.

Astra will play a very important role in both the Ramayana and the Mahabharata, where they are used in great battles by archers such as Rama, Karna or Bhishma. In fact, there is a suspicion that, as in the case of the Vimanas, some Asters work on the basis of mercury, or very similar liquids, which can circulate, rotating almost at the speed of light.

There are several dozen different Astra, according to their “operating model” and characteristics. Each main god had his own Astra, endowed with a certain power. For example, Devastra was the mythical equivalent of the modern traditional rocket; The asurastra that destroyed the asuras was the mythical equivalent of modern biological missiles.

Many say that 30,000 years ago the gods destroyed the asuras with nuclear weapons – but this is most likely a matter of opinion and interpretation of ancient texts in the modern sense. Also mentioned is the fearsome and destructive Brahmastra, the gift of Brahma (the Creator), the mythical equivalent of modern nuclear weapons. As mentioned in the epic sagas of India, the power of Brahmaster is capable of destroying the entire world.

This is how the Mahabharata (Vanaparvan, chapters 168-173) describes the battle in which the warrior Arjuna – the great hero – fought against the horde of Asuras:

Indra, the lord of heaven, demanded that Arjuna destroy the entire army of Asuras. These thirty million demons lived in fortresses located in the depths of the seas . Indra, the lord of the heavens, gave his own vimana to Arjuna, piloted by his clever assistant Matali.

In the fierce battle that unfolded, the Asuras caused crushing rains, but Arjuna marched against them with a divine weapon that managed to drain all the water … Arjuna fired a deadly projectile that destroyed the entire city of the proud.

Tibetan Secrets Vaults and Aircraft Weapons

Information about a number of ancient artifacts was obtained in 1929 during the interrogation of the Trotskyist Y. Blumkin, who had previously participated in the NKVD expeditions to Tibet, in connection with the sale of secret information about the weapons of the “civilization of the gods” to German and Japanese intelligence services. Y.Blyumkin’s betrayal in fact allowed the leadership of the Third Reich to use the high technologies of the “civilization of the gods”, which were later used by the Nazis to create a secret base in Antarctica, as well as to create various types of “weapons of retaliation.”

“As I already told my investigator, on a business trip to Tibet in 1925, with the order of the head of the Tibetan state, the Dalai Lama 13, I was taken to underground halls and shown some so-called artifacts – weapons of the gods, preserved on Earth from 15-20 thousand years before our These weapons are kept in separate rooms. I wrote about this in detail in my reports …

The characteristics of the weapon are approximately as follows:

1. Giant forceps – “Wajaru”. With their help, precious metals are smelted. If you melt gold at the temperature of the sun’s surface (6 thousand degrees C), then the gold flares up and turns into powder for 70 seconds. This powder was used in the construction of huge mobile stone platforms. If this powder is poured onto the platform, then its weight is lost to a minimum. The powder was also used in medicine in the treatment of incurable diseases and for the elite – mainly the leaders used it for food to prolong their lives.

2. Bell – the so-called “Shu-tzu”, with the help of which you can blind for a while a large army or an entire army. Its mode of action consists in transforming electromagnetic waves at a certain frequency, which the human ear does not perceive, but acts directly on the brain. This is a very strange weapon. With his help, the Indian prophet Arjuna won big battles, causing his enemies to panic.

Tibetan Secrets Vaults and Aircraft Weapons

I have not seen how this weapon works. I saw the units themselves in the underground halls, and a member of the Council of Tibet gave me explanations about the technical characteristics that I passed on to the Germans, or rather to the representative of German military intelligence, Mr. von Stilhe. I met Shtilhe in Europe on a business trip abroad.

In addition to the technical characteristics of these two units, I also gave Shtilhe information about another weapon of the gods. This weapon remained from about 8-10 thousand years BC, it was discovered in underground cities under the ice of Antarctica in the area of ​​Queen Maud Land. As far as I know, in order to get there, you need a key and a rite of passage, since this place is guarded by guards.

These devices can move both under water and in the air, and they do it at great speed. They move on special round-shaped aircraft, which are not like airplanes and airplanes known to us. I also told their technical characteristics to Shtilhe …

I also informed Shtilhe about objects that are located in all parts of the world in the mountains. With the help of these objects, in one moment it is possible to destroy all cities and industrial centers of all countries on earth, regardless of the state and social system. As far as I understood from the explanations at the Headquarters and as I pointed out about this in my articles, in all parts of the world there are spheres dug into the mountains made of extra strong metal that cannot be sawed or blown up.

Within these spheres are certain mechanisms that, when activated, generate a cloud similar to the sun. This cloud erupts into the atmosphere, it is controllable, i.e. can move along a certain trajectory. It explodes in the right place.

The air defense system of ancient civilizations or civilizations is a separate huge mystery that we still have to solve.

Now it becomes quite understandable the “secret” stamp imposed on the official research of artifacts of ancient civilizations, as well as why, at the official level, all these research and the artifacts themselves are hushed up or denied. 

The targeted campaigns to falsify our real history are also becoming understandable. In addition, this information sheds light on the question of what kind of vehicles attacked the squadron of American Admiral Richard Byrd near Queen Maud Land in 1947.

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Ancient recipe books are like a panacea for modern diseases!

Ancient recipe books are like a panacea for modern diseases! 101

Six months ago, the world media reported that the mixture, created according to the Old English medical book of the 9th century, destroyed up to 90 percent of methicillin-resistant Staphylococcus aureus, one of the antibiotic-resistant strains of this bacterium that causes barley in the eyes. Only the antibiotic vancomycin, the main drug used in the treatment of MRSA, had the same effect.

And the drug, which was recently awarded the Nobel Prize in Medicine, would not have surprised the doctors of Ancient China.

Chinese pharmacologist Tu Yuyu discovered the drug artemisinin in the 70s, which cures malaria.

But the plant from which this substance is obtained, wormwood (Artemisia annua L), has been used to treat fevers, including those caused by malaria, as early as the 3rd or 4th centuries.

Tu Yuyu invented a cure for malaria after reading traditional Chinese medicine texts that described herbal recipes. The path to discovery and recognition was very difficult because hundreds of plant species had to be tested. In addition, the political atmosphere in China in the 70s was difficult. But her tenacity paid off. Artemisinin has now become an important antimalarial drug.

Her story is unusual in modern medicine. However, artemisinin is far from the only substance isolated from plants. Another malaria drug, quinine, is made from the bark of the officinalis L tree found in the rainforests of South America. The pain reliever morphine was isolated from the opium poppy (Papaver somniferum L), and the poison strychnine from the tree Strychnos nux-vomica L.

These plants were used in medicine for centuries and even millennia before chemists were able to isolate their most active components.

Is it possible that physicians can discover new drugs simply by studying ancient medical treatises, as did Tu Yuyu or English specialists? The answer to this question is ambiguous. Ancient pharmacological texts in Chinese, Arabic, Greek, or any other ancient language are not easy to study for a number of reasons.

Ancient recipe books

Ancient pharmacological texts are usually a list of recipes without explanation, whether they were used, and in what cases. Submit your favorite cookbook. You hardly cook all the recipes from it. If you do not make notes in it, then no one will know what recipes you tried, and so much you liked them. Commentaries are rarely found in ancient pharmacological books.

It is often difficult to determine which plants are listed in an ancient recipe. Nowadays, the Linnaean system is used to classify plants, where the genus and species of the plant are indicated. But before the Linnaean system became generally accepted, the classification of plants was extremely erratic.

Different local names could be used to denote the same plant. This means that it is not always possible to accurately determine which plants are discussed in the book. If we cannot accurately translate the names in old recipes, how can we evaluate their effectiveness?

Disease definitions also have links to local culture. This means that each nation has a different definition of the disease. For example, the ancient Greeks and Romans considered fever to be a disease, but in modern medicine it is seen as a symptom of the disease.

The millennial collection of recipes “Kitab al-tabih”, written by Ibn Sayar al-Warak.

In the Greek and Roman texts, there are many descriptions of wave-like fever, that is, a fever that repeats every few days.

In modern medicine, wave-like fever is a symptom of malaria, but it is also a symptom of other diseases. Should scientists searching for new cures for malaria test all ancient Greek and Roman remedies for “wave-like fever”?

Holistic Medicine

The most important aspect, according to medical historians, is that each medical system must be considered holistically. This means that it is wrong to focus only on those aspects of ancient medicine that are successful by modern standards, and brush aside everything else.

Although there are effective medicines in ancient medicine, many of them are useless or even harmful. For example, in our time, hardly anyone will dare to be treated by taking huge doses of hellebore, as the ancient Greeks did.

But even with these shortcomings, there is great potential in ancient medical books for new drug discovery. This requires collaboration between pharmacologists, historians and ethno-pharmacologists who study traditional medicine from different cultures.

Such cooperation is not an easy process, because each of the specialists feels that they speak different languages. But the great examples mentioned above remind us that the result can be outstanding, especially when looking for cures for common diseases.

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