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Scientists Capture Rare Photographs of Red Lightning

Scientists Capture Rare Photographs of Red Lightning 100

Jason Ahrns, a graduate student at the University of Alaska-Fairbanks, and other scientists from the U.S. Air Force Academy and Fort Lewis College—all part of a project sponsored by the National Science Foundation—have been on a mission. This summer, the group has taken to the skies in the National Center for Atmospheric Research’s Gulfstream V research aircraft, logging a total of 30 hours over multiple flights, in search of sprites.

Sprites, also known as red lightning, are electrical discharges that appear as bursts of red light above clouds during thunderstorms.Because the weather phenomenon is so fleeting (sprites flash for just milliseconds) and for the most part not visible from the ground, they are difficult to observe and even more difficult to photograph, rather like the mischievous air spirits of the fantasy realm that they’re named for. Ahrns and his colleagues, however, have captured extremely rare photographs of the red lightning, using DSLR cameras and high speed video cameras positioned in the plane’s window. The researchers hope to learn more about the physical and chemical processes that give rise to sprites and other forms of upper atmospheric lightning.

What’s it like to capture images of some of nature’s most short-lived and erratic features? I questioned Ahrns over email, and he explained what sprites are, why they occur, how scientists find them and why he’s so interested in the elusive phenomena.

First of all, what is a sprite? 

A sprite is a kind of upper atmosphere electrical discharge associated with thunderstorms. A large electric field, generated by some lightning strokes, ionizes the air high above the cloud, which then emits the light we see in the pictures. They obviously beg comparison to the regular lightning bolts we see all the time, but I like to point out that the sprites are much higher, with the tops reaching up to around 100 kilometers, and higher. A lightning bolt might stretch around 10 kilometers from the cloud to the ground, but a sprite can reach 50 kilometers tall.

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A “jellyfish” sprite captured over Republic County, Kansas, on August 3, 2013. Image courtesy of Jason Ahrns via Flickr.

Under what conditions do they occur?

They’re associated with positive lightning strokes, which is when the cloud has a buildup of positive charge and releases a bolt of lightning. Negative strokes, from a buildup of negative charge, are about 10 times more common, so sprites aren’t strongly associated with the most common kind of lightning, but it’s not really that uncommon either. More than just a positive stroke, the more charge that was moved during the stroke, the better the chances for a sprite. So we look for a large positive charge-moment-change, which is basically the positive strokes weighted by how much charge was moved. Most large thunderstorms seem to produce the conditions that lead to sprites, but some more than others. We just look for a storm with a history of lots of large positive charge-moment-change and go look at it.

What’s your scientific background? And how did you get interested in sprites?

I’m primarily an aurora researcher, that’s what I’m doing my thesis on at UAF. I got involved in sprites because one of my graduate committee members is organizing these campaigns and needed some extra help. I thought sprites were fascinating, and my advisor was supportive of me branching out a bit, so I hopped aboard the team.

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Sprites over Red Willow County, Nebraska, on August 12, 2013. Image courtesy of Jason Ahrns via Flickr.

From what I understand, not much is known about red lightning, discovered just 25 years or so ago. With the NSF project, what are you and the other scientists hoping to learn? What are the biggest questions you have?

With this campaign we’re focusing on three questions. First, what basic physical and chemical processes are occurring? It’s still not clear what exactly is happening in a sprite, and why there are different kinds of sprites, and what conditions give you a column sprite vs. a carrot sprite, for example. (All the sprite names just refer to their shape.) Next, do sprites have a large scale impact on the middle atmosphere? Sprites clearly represent some kind of transfer of energy, but is it on a scale that has a significant effect on the weather and climate? We can’t answer that without studying them. And, then, what can we learn about basic streamer physics? The tendrils coming off the bottom of the sprites are ‘streamers’—little balls of ionization—moving about. Streamer speed and lifetime is related to air density, so studying sprites in the very low density upper atmosphere is like looking at streamers with a magnifying glass in slow motion, though they’re still quite fast!

How many sprite-hunting missions have you been on?

Personally, this is my second aerial campaign. The first, in 2011, flew a total of 40 airborne hours, and this campaign did another 30 hours. It’s probably around 15ish total flights. The same crew, minus me, did one other aerial campaign in 2009.

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Ahrns captured these blue jets, which look like flames from a butane lighter, over Republic County, Kansas, on August 3, 2013. Unlike sprites, blue jets aren’t directly triggered by lightning, but seem to be somehow related to the presence of hail storms. Image courtesy of Jason Ahrns via Flickr.

What conditions, times of the day, areas of the country and altitudes are ideal for these flights?

The midwest is productive, mostly because it gets these powerful thunderstorms that last all night. Obviously, we need it to be dark, but other than that the time of night doesn’t seem to matter much, only how strong the storm is and how much powerful positive lightning it’s producing. We do notice that when the storm is going good it produces the column sprites and carrot sprites, but as it dies off it seems to switch over to less frequent, but bigger and brighter, jellyfish sprites. We fly as high as we can get, usually between 41,000 and 45,000 feet, but that’s simply to get a view over the clouds. We’re still below the sprites.

The lightning lasts just milliseconds, so I’m especially curious about how you photograph it. What equipment do you use?

For the still photographs, I just set my camera (a Nikon D7000 and a fast lens) facing out the window and set an intervalometer so the camera just constantly snaps pictures. Then I go through later and delete everything that doesn’t have a sprite in it. It’s the same principle as lightning photography; it seems like you’d have to get the timing just right but it’s really just statistical, if you snap a bunch of pictures one of them is going to get something sooner or later. I probably snap on the order of 1,000 pictures for every sprite I come away with.

For the high speed video cameras, the camera has a buffer that constantly cycles through the previous however many frames of video, and when I see a sprite I hit a trigger that tells the camera to stop and save whatever it just recorded. When we’re running at 10,000 frames per second, the buffer fills up in about a second, so that’s how long I have to recognize a sprite and hit the button. This can be pretty taxing on a slow night when you have to watch nothing happen for 45 minutes straight and still be ready with that less than one second reaction time.

Can you describe the setup? How do you actually take photographs from the plane window?

A picture is worth a thousand words, right?

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Ahrns’s setup near the plane’s window. Image courtesy of Jason Ahrns via Flickr.

And for the high speed video…

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His setup for capturing high speed video. Image courtesy of Jason Ahrns via Flickr.

We have an internet connection aboard the plane so we can watch weather conditions in real time. We just point the above cameras at the most productive looking part of the storm and wait for sprites.

How rare are photos like these that you have taken?

As far as I can tell, they’re pretty rare. There are some sprite images taken with meteor cameras and webcams out there, but they’re usually low resolution due to being very far away and using a wide angle lens. I’ve seen two or three sprite images taken with a DSLR, but they’re still from the ground and a good distance away, and usually shots of something else that got lucky with a sprite in the background. I have the advantage of being up in the air, close to the sprite producing region, with a good guess of where the sprites will appear, so I can use a lens with a narrower field of view to capture the sprite up close.

As for the images I got of blue jets, as far as I can tell they’re actually the first images of jets taken with a DSLR. That makes some sense, because the jets are a lot closer to the top of the clouds than sprites so much harder to see from the ground. Being in the air is a major advantage.

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Taken over Red Willow County, Nebraska, on August 12, 2013. Image courtesy of Jason Ahrns via Flickr.

What do you find artful about the images, if anything?

I think there’s a really otherwordly starkness about them. Take this one (above), for example. You’ve got this nice serene starfield, and some cool, calming blue light coming up from the lightning below. Then BLAM! This weird, menacing, totally alien looking sprite just takes over the whole scene, like ‘I’m here, what are you gonna do about it?’

Hans Nielsen, the principal investigator on the campaign (and my previously mentioned committee member), says this one (below) reminds him of the classic Dutch paintings, with its sepia tones and slight blurring from the atmospheric haze.

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Taken over Canadian County, Oklahoma, on August 6, 2013. Image courtesy of Jason Ahrns via Flickr.

What have you learned thus far about sprites by participating in this project?

Personally? When I joined the 2011 campaign I knew nothing about sprites beyond the Wikipedia entry. I learn more every night of the campaigns, listening to the others talk about conditions beforehand, what we’re seeing during the flights and our ‘what we did right, what we did wrong’ discussions over post-flight beer. I’m still a newbie compared to the other guys, but I’m now at the point where I can field most general public questions about sprites and sprite hunting.

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The goal of human civilization is to create AI and disappear?

The goal of human civilization is to create AI and disappear? 120

Various sources often talk about civilizations that lived long before us. They all developed, prospered for a while, and then disappeared in an incomprehensible way. 

What is the reason for their decline, we probably will not know. All we can do is admire the remains of stone buildings, over which time has almost no power.

While looking for an answer, we somehow accidentally stumbled upon an interesting saying about the life of Japanese samurai: “A samurai has no goal, but a path.” In the end, the “path of the samurai” ended in what is known – death. The path of any civilization ended in the same way.

If you look at the issue through the prism of a samurai saying, then there is no point in looking for why and how civilization ended its existence. Probably, the process itself and its result are important here. But to whom is it important and what result does it expect?

Mysterious director

Apparently, behind the curtains of this “ancient theater” there is a mysterious “director” who periodically makes necessary adjustments to the history of civilization.

To figure out what’s what, you need to look at current trends in science. Where does a person strive with such an irresistible desire to “play God.” This attracts him and at the same time frightens him, but in no way turns him away from the intended path. Most likely, artificial intelligence (AI) is the purpose of our civilization’s existence.

About 50 years ago it would have seemed nonsense, but to someone, perhaps even now. However, if you trace the last 100 years of the life of our civilization, you get the feeling that most of the discoveries were given to mankind at the same time. A powerful leap has taken place in a hundred years. Why did it happen?

At the beginning of the last century, scientists recognized the existence of fields that have memory and the ability to store and transmit information. It is very likely that such or a similar field can be around the Earth and, more interesting, possess intelligence. Isn’t this the same “Director” hiding behind the screen of the “ancient theater”?

If this is so, then at a certain moment the “Director” gives the selected scientist “access” to certain knowledge (perhaps even in a dream, like Mendeleev), and another scientific breakthrough occurs in the world. Step by step, discovery after discovery, humanity is steadily moving towards the creation of AI. The trend is already well visible.

The goal of human civilization is to create AI and disappear? 121

AI is probably the next “Babylon”, which will combine all the knowledge, culture and accumulated experience of civilization. In the future, the neural network will enter into a connection with the general information field and leave humanity without knowledge, technology, and even a spoken language. This will be the next decline of civilization. And the “Director” will receive another array of new data (experience) in order to start creating a new civilization.

If someone believes that past civilizations ended in large-scale conflicts, then most likely this is already the consequences of “turning off” AI.

Co-founder of Skype talked about the threat of AI to humanity

One of the creators of the Skype internet call service, Jaan Ta

The goal of human civilization is to create AI and disappear? 122
Photo: 
© still from the movie “Terminator 2: Judgment Day”

llinn, said that the development of artificial intelligence (AI) threatens humanity. According to him, humans face three key threats, but it is AI that should be feared most of all, the expert said. 

Tallinn explained that at the moment, no one can predict what development AI will achieve in the next decades. In addition, the fact that scientists are creating artificial intelligence that can form a new AI without human intervention is also a cause for concern.

In addition, as the co-founder of the popular video calling service noted, the development of synthetic biology also causes concern. According to him, this direction in science allows the creation of artificial DNA sequences and biological systems that may not exist in nature.

Tallinn also drew attention to the fact that he fears we are entering an era of “unknown unknowns”, things that people are not even able to imagine right now.

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Volkswagen robot will autonomously charge cars: a working prototype presented

Volkswagen robot will autonomously charge cars: a working prototype presented 123
Copyright: © VW

The renowned German car manufacturer announced a new development. This time, engineers have created a unique robot capable of autonomously charging electric vehicles. 

For more than a year, specialists have been developing this project, but only now the concern was ready to demonstrate the first working prototype. The robot is ready to charge electric vehicles and has shown the high efficiency of this process.

It is called the Mobile Charging Robot, and experts have already compared it to the R2-D2 droid from Star Wars, including squeaks and clangs. Indeed, there is a similarity. Before implementing this idea, the engineers decided that robots should be allowed to charge cars parked in large residential complexes.

This will save their owners from leaving in order to find a gas station. Another advantage is that large parking lots and garages do not have to contain several expensive charging points for electric cars. The car company said in a press release that the robot works exclusively autonomously.

It independently controls and interacts with the vehicle being charged. It opens the cover of the charging socket and independently connects the power plug, then disconnects it. The robot looks like a trailer, which is a mobile energy storage.

It is capable of charging multiple electric vehicles at the same time. Despite the fact that the manufacturer confidently praises its concept, experts saw inefficiency in the fact that first it is necessary to charge the robot’s battery, which is then used to recharge electric cars.

Volkswagen Group Components CEO Thomas Schmall noted that creating an efficient charging infrastructure for the cars of the future is an important step in the company’s development.

Its engineers focus on finding solutions to avoid costly do-it-yourself measures. The mobile robot is only part of the concept that will continue to be developed.

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This video will forever change the way you think about time

This video will forever change the way you think about time 124

Business Insider, one of the world’s leading news portals, made a three-minute video that depicted the Earth’s timeline as a journey from Los Angeles to New York.

So, the beginning of the journey is 4.54 billion years ago, when the Earth was formed from the accumulation of gases and stardust. After some time, a significant event occurs – a giant space body crashes into the still not cooled Earth, as a result of which the breakaway part becomes its satellite – the Moon.

Further, the route runs through the mountains of Arizona, formed about 3.95 billion years ago. A few more kilometers to the east and we are at the 3.8 billion year mark. This is where the first evidence of life in the form of replicating molecules appears.

The next “stop” Kansas – 2.7 billion years ago. Cyanobacteria that produce oxygen appeared on Earth. It took the next 200 million years for the atmosphere of our planet to accumulate sufficient reserves of this most important gas.

Halfway through, we reach Pennsylvania. We are separated from it “only” by 660 million years. Life is developing rapidly: the Earth is covered with vegetation, amphibians are evolving. Unusual time travel is coming to an end – to the point “Now”. By the time the dinosaurs become extinct, we finally reach the outskirts of New York.

And where is the most important thing – people? To find out, you need to carve out three minutes and watch the entire video.

Source: Business Insider

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