The opening ceremony of the 2024 Olympics has garnered significant attention for its portrayal of Leonardo Da Vinci’s “The Last Supper,” which some have interpreted in a controversial manner.
Following a surge of outrage, the organizers of the event acknowledged their excesses and offered an apology to the Christian community.
However, this apology was merely a deception by the Evil One. It was during these Paris Olympics that world rulers revealed their true nature, which proved to be the whisper of the Devil. Indeed, the most renowned grimoires have historically been French.
The official poster for the 2024 Paris Olympics closing ceremony has recently been met with a surge of criticism and controversy online.
Numerous social media users and several religious leaders have interpreted the imagery as containing symbolism associated with Satanism and the fall of Lucifer.
The closing ceremony poster for the Olympics, set against a black backdrop, features a radiant human figure descending onto a stylized globe. Emblazoned above this image are the large letters spelling “RECORDS,” accompanied by the Paris 2024 Olympic Games logo. This poster heralded a performance directed by Thomas Jolly, part of the closing ceremony at Stade de France on August 11, 2024.
Numerous online commentators have likened the poster’s imagery to the biblical account of Lucifer’s fall. Those more versed in symbolism perceived it as an intentional nod to satanic motifs, voicing their indignation over such a choice for an Olympic event.
The image, featuring stark black colors and a man descending from heaven to Earth, bears an uncanny resemblance to a familiar narrative. The photo, when flipped in an editor, elicited shock on social media, as it evoked images of Lucifer.
This portrayal could be likened to “an icon of the Devil,” paralleling the depiction of Satan’s fall in the Old Testament.
Here is an excerpt from the book of the prophet Isaiah:
“How you have fallen from heaven, O Lucifer, son of the dawn! You were hurled to the earth, you who laid low the nations” (Isaiah 14:12). This passage could be directly referencing the biblical narrative.
The Paris Olympic Games organizers have not issued an official statement on this issue.
The performance
The show opened with the concept of a Flat Earth: angular landmasses emerged through smoke and dust, with lightning striking the world’s outer edge. Suddenly, a bright light flashed in the sky, and from it descended a creature, either a lizard or an insect, which started to oversee the archaeological excavation:
Thus, led by a creature resembling a reptile or insect, individuals lifted an odd device from the earth, which initially ascended and subsequently transformed into Olympic rings:
Then the “Silver Knight,” already known to us from the ceremony’s start, made his appearance, accompanied by a peasant dressed in 18th-century attire. Accompanied by a reptile or insect, they hoisted the Greek flag, and then the visitor from the distant stars departed for pressing matters.
Additionally, during the rituals, it is presumed that the Nike of Samothrace was unearthed and elevated from its original location. However, for some reason, it appeared to many observers to resemble something different:
The most ardent conspiracy theorists naturally expected more, assuming that a dramatic event such as a ritualistic sacrifice would occur at the stadium. However, this did not transpire: instead, Kavinsky and a blonde performer sang an upbeat song, prompting the audience to start leaving:
Tracing the thought processes of directors of modern avant-garde ballets can be challenging, as it may require engaging in potentially harmful and costly practices. However, broadly speaking, these ballets appear to depict the advent of extraterrestrial beings, portrayed as either reptilian or insectoid in nature. Under their sagacious direction, humanity is envisioned to construct a celestial bridge. It is speculated that such a project may already be underway at a place like CERN, unbeknownst to the public.
Acknowledging that we do not possess the ultimate truth, we concede that we may have misinterpreted the abstract ballet, having initially dismissed it without viewing. Upon reflection, the ballet was simply beautiful, devoid of any implications, a true artistic masterpiece that eludes our understanding due to our limited perception.
During the Paris Olympics, the so-called dark leaders revealed their true nature, which proved to be quite sinister. Now, we understand precisely who we are dealing with and who is manifesting their desires on Earth. Time, it is often said, reveals all things.
