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Ruins Of ANCIENT CITY Found In ANTARCTICA…?

A California TV crew missing since November 2002, a video they left behind and a mission by U.S. Navy SEALs are the key elements in a story that claims extensive ancient ruins have been found under the ice of Antarctica. That’s according to archaeologist and adventurer Jonathan Gray of World Education Research Ltd in his free newsletter Archaeology News Flash.

A spokesman for the company is reported to have said at the time that “The U.S. government said it will seek to block the airing of a video found by Navy rescuers in Antarctica that purportedly reveals that a massive archaeological dig is underway two miles (3,200 meters) beneath the ice.”

“The AtlantisTV production crew that shot the video is still missing.” reports Gray.

Attorneys for the Beverly Hills-based AtlantisTV stressed at the time that the company’s primary concern was for the safety and welfare of the crew.

But they stated they would vigorously oppose any attempts to censor material that is clearly in the public interest and public domain.

The icy continent of Antarctica, they pointed out, belongs to no nation. The U.S. has no jurisdiction there.”

“That video is the property of AtlantisTV, said a company spokesman, We shot it. It’s ours. And as soon as it is rightfully restored to us, were going to air it. End of story.”

WATCHED BY NAVY OFFICERS

“Two Navy officers who saw the tape described its contents to National Science Foundation (NSF) researchers upon their return to the Amundsen-Scott Station at the South Pole,” asserts Gray in his recent newsletter.

Amundsen-Scott Station

south_pole_ds

So reported sources at McMurdo Station, the main American base in Antarctica.”

They said it showed spectacular ruins and other things they couldn’t go into, an NSF scientist reported.

“We chalked it up to some kind of subzero-induced delusion,” he said, “until a helicopter full of Navy SEALs landed and picked them up and took off. Now, were scratching our heads.”

Officials of the U.S. Naval Support Task Force in Antarctica predictably denied the story or the possession of any video shot by the missing AtlantisTV crew.

Navy sources said they found the video in an abandoned supply dump 100 miles (160 kilometers) west of Vokstok Station.

Are you keeping up with the astonishing secrets of our past?

At least four YouTube posters think there just may be a lost city on the continent of Antarctica.

A team of researchers are claiming that they have discovered three ancient pyramids on the ice covered continent of Antarctica. Exact details are sketchy, but the team have released three intriguing pictures of their discovery. according to Stephen Hannard ADGUK

The international team comprises researchers from the United States, and several other, are from various European countries. Two of the huge pyramid structures were found approximately 10 miles inland, the third one not far from the coastline, clearly visible from ocean.

The team are currently planning an expedition to reach one of the pyramids to find out if it is a natural or an artificial structure. No further Details have been reported from the team as of 29 August 2012. More news is pending. Im undecided on this one guys until further confirmation, so as always you decide.

Explorer and archaeologist Jonathan Gray discussed discoveries that demonstrate advanced ancient technology with George Noory on Coast To Coast A.M. Because such artifacts don’t match current academic beliefs they are often suppressed, with evidence destroyed or hidden, he said, citing the Smithsonian Institution, and countries such as Peru, America, Israel, New Zealand, France, and Australia as being involved in covering-up evidence.
Some of the suppressed ancient discoveries he highlighted:

  • A kind of glassware in Egypt and Peru that can be bent like plastic.
  • Screen projectors used in Egyptian temples, with movement and sound simulation.
  • Artifacts and buildings left on the moon– Chinese records speak of trips to the moon.
  • The ‘Black Knight’ satellite– ancient races talked about putting up satellites.
  • An ancient underground complex discovered in Southern California that included star charts on aluminum sheets.
  • Micro-techology found in Russia, with some objects as small as 1/1000th of an inch.
  • Maps of the ancient world that showed Antarctica as free of ice and populated.

Gray also spoke about his challenge to the work of Zecharia Sitchin, who contends that an ET race, the Annunaki, visited Earth from the planet Nibiru. Sitchin’s translations of Sumerian cuneiform does not match the accepted dictionary meanings, he commented.

Biography:

International explorer, archaeologist and author Jonathan Gray has traveled the world to gather data on ancient mysteries. Over the past 37 years, he has penetrated some largely unexplored areas, including parts of the Amazon headwaters. He has also led expeditions to the bottom of the sea and to remote mountain and desert regions of the world.

In the course of his explorations, Jonathan began to uncover evidence of surprising out of place artifacts. According to what he was taught at school, these were impossible! They simply should not exist! And these were not just isolated anomalies. There was a global pattern to them, suggesting an ancient worldwide civilization of astonishing proportions.

His book, Dead Men’s Secrets, catalogues more than a thousand pieces of evidence of a lost super science and technology, including dozens of achievements ahead of our day.

The Book
Archaelogist Jonathan Gray stumbled upon something that shocked him: a whole cache of “out of place” items that should not exist. And they weren’t just in one place. There was a global pattern to them. This pattern showed a lost science and technology. This content was of tremendous value.

MACHINERY: Did you know that the Egyptians bored into granite rock with drills that turned 500 times faster than modern power drills?

ANCIENT AMERICA: Did you know that a Chinese mapping survey of North America in 2200 BC described a sunrise over the Grand Canyon, black opals and gold nuggets in Nevada, and seals frolicking in San Francisco Bay?

Dead Men’s Secrets is an assemblage of astonishing discoveries… A lost super science emerges from the sea floor, jungle and desert sands of our planet… over 1,000 forgotten secrets. See this world as you’ve never seen it before.

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Ancient

The Janibekov effect and other indirect evidence of the existence of antediluvian civilization

Recently, in the northeast of Siberia, archaeologists have discovered the sites of ancient people thirty thousand years old. Before that, it was believed that the first people appeared there fourteen, fifteen millennia ago, that is, approximately when mammoths, cave lions and woolly rhinos disappeared. 

People were still considered to be responsible for the disappearance of these animals. Allegedly, the ancient people, who lived by hunting and gathering, mercilessly exterminated these animals for several centuries until they completely destroyed their population.

The decline in the number of rhinos and other animals does not coincide with the appearance of humans in this region, said the professor of evolutionary genetics at the Center for Paleogenetics Love Dalen.

New archaeological data refute this theory and testify in favor of some kind of global catastrophe that happened about 13 thousand years ago.

According to one of the versions, regular global cataclysms on Earth occur due to a regular change of poles (the Janibekov effect).

The Janibekov effect is the intermediate axis theorem, or the tennis racket theorem in classical mechanics – a statement about the instability of the rotation of a rigid body about the second principal axis of inertia. (Wikipedia)

The Janibekov effect and other indirect evidence of the existence of antediluvian civilization
The Janibekov effect and other indirect evidence of the existence of antediluvian civilization

It is believed that periodically, in the interval from 600 to 650 thousand years, the earth’s poles change, which is accompanied by global catastrophes. This is usually accompanied by powerful volcanic eruptions, intensified seething of mud springs, increased degassing, earthquakes and tsunamis, which ultimately leads to fatal changes in the climate and topography of the planet’s surface.

These practically proven facts about the global catastrophe that happened on Earth 13 thousand years ago also indirectly confirm the possible existence of an ancient (antediluvian) civilization in the northern part of the planet.

There is almost no intelligible evidence of the high development of antediluvian civilizations. There are controversial and unrecognized by science artifacts, legends, myths, traditions, strange anomalous areas, the poorly explored bottom of the ocean, probable places for mining stone and other minerals. 

All of this is either poorly researched or deliberately rejected and declared falsification. There are unique ancient structures made of stone, and their design features, construction methods and quality of stone processing are so high that sometimes they even surpass the capabilities of modern civilization.

The Janibekov effect and other indirect evidence of the existence of antediluvian civilization
The Janibekov effect and other indirect evidence of the existence of antediluvian civilization

According to the testimony of some enthusiastic researchers, namely, they are trying to unravel the mysteries of history and return historical science itself to the mainstream of truth, traces of some ancient civilization have been preserved on the Kola Peninsula. 

Most likely – Atlantis, (or Hyperborea), because somewhere in this area supposedly was the legendary island of Atlantis.

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Ancient

A fierce embodiment of Earth: The Mayan structure used for direct dialogue with the gods

Scientists at the Smithsonian Tropical Research Institute (STRI) working in Guatemala have found evidence of the ritual significance of the classic Maya pairings. They found a structure the likes of which had never been found in Mesoamerica.

According to EurekAlert, archaeologists visited the city of Ksultun, where an ancient bathhouse was found earlier. She received the name Los Sapos. Scientists have long known that the Maya built a kind of steam room – their baths, according to their principle of operation, were designed for profuse sweating.

These baths were believed to have religious significance. They also sent here for treatment, brought women in labor. However, new research showed that the importance of such structures was even more important. The fact is that the Los Sapos bath, dating from the early classical period (250-550 AD), turned out to be unlike any other ancient Mesoamerican bath.

The researchers concluded that this was not just a place for direct dialogue with the gods. The Maya considered this bath itself an amphibian goddess. Outside, near the entrance to it, scientists found an image of this little-known deity. The goddess is depicted squatting with legs on which iguanas and reed toads sit.

“No other structure in Mesoamerica – a bathhouse or anything else – is like this building,” says STRI archaeologist Ashley Sharp. the amphibian that personified this bath.”

According to lead author of the study, Mary Clarke, the name of this goddess remains undeciphered, although it is written next to the image. Preliminary analysis of the inscription led scientists to speculate that this goddess was responsible for the cycles of pregnancy. The connection between the ideas of the birth of children and the figures of reptiles is often traced in the Maya of the classical period.

She also noted that the Los Sapos baths have been actively used by the Sultun community for about 300 years. But then something important and frightening happened. The fact is that in the “doorway” archaeologists unearthed the remains of an adult man who was buried there around 600 AD.

The analysis showed that after that no one used the bath for another 300 years. Only three centuries after the funeral, someone re-entered this structure. It is interesting that this person or several people had a strictly defined goal – they dug out a burial place and took with them part of the remains.

The rest of them they put in another place, and in the vacated grave they lit a fire. Subsequently, they repeatedly put various offerings to the gods in this grave. Dogs, birds, reed toads and iguanas were sacrificed. Archaeologists found the remains of a child in this pit, as well as numerous stone tools and ceramic shards.

“Archaeologists often find clusters of artifacts that were probably dedicated to places of worship, but rarely is there such an obvious connection between artifacts and objects,” Sharpe says. “From the image on the outer wall of Los Zapos, we know it was a ‘steam room’ “It was a rare occasion for us to associate offerings with the role that this structure played in the life of the community.”

According to the authors of the work, the offerings were probably an attempt to seek help from the goddess who personified Los Sapos. Moreover, it could even be the last attempt to please a supernatural being and prevent the loss of their lands, which were abandoned shortly after the Mayan collapse in 900 AD.

“This supernatural figure is the fierce embodiment of Earth,” Clarke concludes. “When she is unhappy, she can take revenge or deny people the things they need to survive. they negotiated with this goddess for their survival. “

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Ancient

Secrets of the Forbidden City are being solved by modern archaeologists

If we compare the millennia during which palaces were built and restored in China with an epic novel, then the Forbidden City in Beijing is its last impressive chapter.

An exhibition celebrating the 600th anniversary of the completion of the Forbidden City opened in Beijing on September 10.  Photo: Jiang Dong / CHINA DAILYAn exhibition celebrating the 600th anniversary of the completion of the Forbidden City opened in Beijing on September 10. Photo: Jiang Dong / CHINA DAILY

The previous pages of this story, although no less amazing, were partially or even almost completely lost during the rise and fall of dynasties and turned into ruins, similar to archaeological puzzles. Experts are still solving them. However, in the heart of Beijing, there is a 720,000-square-meter palace complex built of wood and clay bricks – the last surviving structure of its kind in the world. This area, which served as an imperial palace from 1420 to 1911 and where 24 emperors once lived, celebrates 600 years since the completion of construction this year.

In honor of this event, the Umen Gate galleries at the entrance to the Imperial Palace Museum became a kind of lobby, where visitors to the exhibition “Eternal Splendor: Six Centuries in the Forbidden City” enter. It will run until November 15th.

“There is so much that has happened in 600 years that can be said,” says Zhao Peng, director of the museum’s architectural heritage department and chief curator of the exhibition. “It is best to focus on the ‘city’ itself, that is, on architecture: to understand how this place was formed and modified … This is the crystallized wisdom and talent of the ancient Chinese. “

Yet it is not easy to select just 450 items, including structural elements and imperial relics, to reveal a panorama of such architectural splendor. In order to chronologically show how the complex originated, expanded and developed with the help of the exhibits, 18 significant years were selected from the entire centuries-old history. 

“These time periods help to see a fuller historical picture,” Zhao says.

In 1406, Zhu Di, the third emperor of the Ming Dynasty (1368-1644), proposed to move the capital from Nanjing (today it is the administrative center of Jiangsu Province) to Beijing in order to better guard the northern borders. Zhu Di himself lived in Beijing as a prince.The Forbidden City was built according to rules derived from centuries of Chinese history.

The construction was completed in 1420, after almost ten years of preparation and three years of active work. The following year, the capital was officially moved to Beijing.

“A striking feature of the Forbidden City is how, despite the changing eras, certain architectural forms are strictly adhered to,” Zhao says. “This reflects traditional Chinese thought that emphasizes the importance of ritual and harmony between people and the sky.”

The Forbidden City was built according to rules derived from centuries of Chinese history. The exhibition presents “Notes on the Study of Crafts” (Kaogongji) – a treatise that spells out the basics of building a palace. It was published during the Spring and Autumn Period (770-476 BC) and is part of the classic Chinese work Zhou Rituals (Zhouli) on rituals and notions of order.

“Notes on the Study of Crafts” regulate the symmetrical layouts of the capital cities, in the center of which on the north-south axis should be a palace. The historic districts of modern Beijing, including the Forbidden City, fully comply with this rule.

“Finally, this ideal layout, which has been guided for nearly 2,000 years, has been faithfully embodied in Beijing,” Zhao says.

Following the rituals is reflected in the architectural details.

For example, only the roof of the Hall of Higher Harmony – the most prestigious structure in the palace, where the most important ceremonies took place – can be decorated with ten figures of deified beings. The simpler the roof is decorated, the lower the status of the building.

The Hall of Supreme Harmony also has 11 rooms – more than any other building in the complex. (In ancient Chinese architecture, a room was a square space between four columns.)

Roof shape is another important indicator by which you can determine the status of a building. For example, the roof of the Hall of Higher Harmony is four-pitched and two-tier, its ends protrude and bend upwards. Only buildings of the highest status can have such a roof.

In 1734, Emperor Yongzheng of the Qing Dynasty (1644-1911) issued an official guide to the construction of palaces. The book, which is over 2,700 pages, spells out all the architectural criteria, including the size of the columns and the decoration of the roofs. According to Zhao, this is an important milestone in the history of the fusion of rituals with Chinese architecture.

The Forbidden City in Beijing has two older brothers. When Zhu Yuanzhang founded the Ming Dynasty and became emperor, he made the capital of his hometown, which is today in Fengyang County, Anhui Province. However, the construction of a huge palace complex for unknown reasons suddenly stopped, and Zhu Yuanzhang decided to build an imperial city in Nanjing.

The Gate of Supreme Harmony is one of the most visited attractions of the palace complex. Photo: Courtesy of CHINA DAILY

Both imperial cities fell into ruins, but some important details have survived to this day, such as stone fences and tiles in the galleries of the Umen Gate. They help to imagine what the early architecture of the Forbidden City might have looked like.

“The original appearance of buildings can often be seen in the paintings,” says the deputy director of the architectural heritage department of the museum, Di Yajing.

No matter how the new emperors followed the precepts of their ancestors, it is clear that they wanted to decorate their new home. “The Ming emperors preferred simple yet stately architecture, and therefore large buildings were built during their reign,” Di says. “However, the Qing emperors tended to be more sophisticated.”To understand whether the pictures correspond to historical reality, you need to conduct additional checks

Sometimes this was a forced decision, since it was difficult to find giant pieces of valuable timber to renovate the palace. However, the Qing emperors demonstrated their wealth and status with handicrafts of the most skillful work. Thanks to Emperor Qianlong (1711-1799), who adored fine arts, this trend reached its peak. In 1766, he ordered the construction of the Palace of Serenity and Longevity in the Forbidden City, where he planned to live after leaving the throne. The garden of this palace has become a real treasure trove of exceptional decorative objects.

The lacquered gauze fabric, which used to be placed on the window, allows visitors to appreciate its uniqueness, because the garden has never been opened to the public before. The decor of this silk combines techniques such as paper cutting, gilding, dyeing and varnishing. This means that several artisans worked on its creation at once. 12-ply fabric is paper thin.

“We tried to replicate this decor, but even modern manufacturing techniques did not help us,” Dee says. “This lost technique reminds us that cultural heritage must be carefully preserved.”

Complex renovation of the main buildings of the complex has been going on since 2002. Although it was originally planned to be completed by a round date this year, in the end the architects decided not to rush to complete the work with full responsibility and respect for history.

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