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Ruins of Aleister Crowley’s Cursed House on Loch Ness for Sale

Ruins of Aleister Crowley's Cursed House on Loch Ness for Sale 86

You can buy the ruins of Boleskine House, where “the wickedest man in the world” carried out black magic rituals for years.

Aleister Crowley's Boleskine House is for sale
The ruins of Boleskine House. Photo by Mark Wallbank

The BBC reports that Boleskine House, former home of occultist Aleister Crowley, and later owned by Led Zeppelin guitarist Jimmy Page, is for sale. After a fire tore through the manor in 2015, though, there isn’t much left.

“The selling agent Galbraiths said echoes of its former splendour are all that remain of Boleskine House,” the BBC article says, “but added that there is an opportunity to restore it into an outstanding property.”

Aleister Crowley purchased Boleskine for the purpose of conducting a ritual that required very specific architecture. “The first essential is a house in a more or less secluded situation,” Crowley explained. “There should be a door opening to the north from the room of which you make your oratory. Outside this door, you construct a terrace covered with fine river sand. This ends in a ‘lodge’ where the spirits may congregate.”

Boleskine was the perfect location.

“The demons and evil forces had congregated round me so thickly that they were shutting off the light,” Crowley wrote of his experiments there. “It was a comforting situation. There could be no more doubt of the efficiency of the operation.”

Some believe those evil forces still linger.

Aleister Crowley in ceremonial dress
Aleister Crowley in ceremonial dress

“At Boleskine, Crowley was said to have summoned 115 spirits, including Lucifer,” the BBC wrote in an article about a film crew who experienced unexplained phenomena there while filming a documentary about Crowley. “The occultist also embarked on a complicated, six-month ‘power-giving’ black magic ceremony called Abra Melin. But he was interrupted in the middle of the ritual by his grand master, the head of the Golden Dawn, who called him to Paris. It is claimed Crowley didn’t have time to banish the spirits he brought to Boleskine.”

“The Rites of Abramelin the Mage require prior months of preparation, celibacy and abstinence from alcohol and include, among much else, ‘the summoning of the 12 Kings and Dukes of Hell,’ the Scottish Daily Mail wrote. “Crowley’s subsequent orgiastic ceremonies and ‘sacraments’ are too disgusting to detail in a family newspaper. But, fatefully, he was interrupted. Amidst all his chanting, sodomy and the sacrifice of terrified cats and goats, the sorcerer was called away to Paris – and Boleskine folk believe he never got round to banishing the dreadful forces he had summoned to the house.”

While Crowley’s activities certainly didn’t help, Boleskine already had a bizarre reputation long before the “Great Beast” conducted his rituals there.

The Boleskine Kirk once stood on the shady shore of Scotland’s Loch Ness where the manor is now. If the land is cursed, it may have begun with the church.

According to historical writings, an early minister of the parish had to fend off a pesky wizard who was reanimating the dead.

Boleskine cemetery overlooking Loch Ness
Boleskine cemetery overlooking Loch Ness

In An Account of the Kirk of Boleskine, Alan Dawson wrote that “Thomas Houston (1648 -1705)
was noted as having to contend with a notorious wizard – AN CRUINAIR FRISEAL (the Fraser Crowner or maker of circles, as wizards do) who had raised the bodies in the churchyard and Thomas had to make haste to lay them to rest again.”

Sometime later the church is said to have burned to the ground during a sermon, killing everyone inside.

When a bishop visited the old kirk in 1762, he wrote that it was “the poorest edifice of any kind I ever
looked upon as is also the Manse. The Church-yard is quite open without any walls where you see plenty of human bones above ground and the Floor of the Kirk is overspread with them…..Dogs are seen carrying away the human bones in their teeth.

Soon after, Colonel Archibald Fraser built Boleskine House on the charred remains of the church.

“Colonel Fraser was a firm Jacobite,” The Scottish Daily Mail wrote, “but all the land surrounding his pocket had belonged to Simon Fraser, the 11th Lord Lovat, who flip-flopped once too often on the Stuart cause and (after the failure of the ’45) was the last person in Britain to be executed by beheading. Boleskine House, then, was the equivalent of two jabbed fingers at the lake Lovat.”

The house remained in the Fraser family until 1899 when they sold it to then 23-year-old Aleister Crowley. Several tragedies took place during his time there.

“The black magician also took pleasure in the suffering that his sinister practices apparently brought to local villagers,” The Guardian wrote when a piece of the land was put up for sale in 2009. “He bragged about how an employee of the Boleskine estate got drunk one night – after 20 years of abstinence – and attempted to kill his wife and children. The family of Crowley’s lodge keeper, Hugh Gillies, also suffered a series of tragedies. First his 10-year-old daughter died suddenly at her school desk and a year later his 15-month-old son died of convulsions on his mother’s knee.”

Crowley sold Boleskine House in 1913.

Boleskine House in 1912
Boleskine House in 1912

In 1960, then owner Major Edward Grant killed himself with a shotgun in Crowley’s former bedroom. The housekeeper, 78-year-old Anna MacLaren, had a premonition of the suicide. She had been alone picking vegetables in the garden when she heard a gunshot from the house. She went into the house, but there was no one there. Seven days later, though, at about the same time of day, she found her boss dead.

“I went in and found him with most of his head blown off,” she recalled. “The family dog was playing with a bone. Police told me later the bone was part of the major’s skull.”

A young couple later moved in. The wife was blind, and within a few months her husband abandoned her there.

Filmmaker Kenneth Anger spent the summer of 1969 in the house. During that time he witnessed a heavy painting float off the wall and come to rest on the floor.

Jimmy Page bought the house the following year.

Jimmy Page at Boleskine House in 1973
Jimmy Page at Boleskine House in 1973

In a January 1975 Rolling Stone interview, the interviewer said, “You live in Aleister Crowley’s home. Crowley was a poet and magician at the turn of the century and was notorious for his black magic rites.”

Page was fascinated by Crowley, but he was interested in the house for the rest of its history, as well.

“Strange things have happened in that house that had nothing to do with Crowley,” Page responded in the interview. “The bad vibes were already there.”

Page, who spent no more than 6 weeks at Boleskine in the 20 years he owned it, asked his childhood friend Malcolm Dent to move in and restore it.

“Jimmy Page caught me at a time in my life when I wasn’t doing a great deal and asked me to come up and run the place,” Dent told the Inverness Courier in 2006. “I never did establish why he fixed on me.”

Dent lived at Boleskine for a long time and raised his family there.

“All the main rooms look out across the loch and you’re 300 feet up so you have some dramatic views,” he said. “We loved living there. It was a great house to raise children in and they loved it there, in spite of its history and in spite of the peculiar happenings that went on there.”

Dent knew nothing of Boleskine’s history or Crowley when he moved in.

“I arrived a total skeptic, to a degree I still am, but there are things at the house you can’t explain,” he said.

Mortuary house in the Boleskine cemetery
Mortuary house in the Boleskine cemetery

“A girl who stayed for the night awoke screaming that she had been attacked ‘by some kind of devil,’” the Scottish Daily Mail writes. “Another night, Dent was roused by what sounded like a wild animal clawing and snorting by his bedroom door: he dared not open it till daybreak. There was nothing there, ‘but whatever was there was pure evil.’”

Doors would suddenly spring open as if someone was running through them, and slam in the middle of the night, and rugs would be found piled up the following morning.

“We just used to say that was Aleister doing his thing,” Dent said.

“One of the most famous stories is that the head of Simon Lord Lovat, beheaded for treason following the 1745 Jacobite rebellion, can be heard rolling around the floor at Boleskine,” the Inverness Courier wrote, “even though the house dates only from the 1760s.”

“At the time of his death, he was supposedly casting his mind back to the heart of the Highlands,” Dent explained. “Just above us is Errogie, which is the geographical centre of the Highlands, and the nearest consecrated ground is Boleskine.”

Another story that Dent says everyone loves involves seven chairs Page bought from the Cafe Royal in London.

“Jimmy got those chairs specifically because one of them had Aleister Crowley’s name on it,” Dent said. “Each of the chairs belonged to a famous person and had a nameplate on the back and front – Marie Lloyd, Billy Butlin, James Agate, Ruldolph Valentino, William Orpen and Jacob Epstein.”

Dent says Crowley’s chair was always placed at the head of the table. But, after the chairs underwent repairs, they kept finding Crowley’s chair switched with Marie Lloyd’s.

“The kids couldn’t have done it and we didn’t know why this was happening,” Dent said. “Then I realized the guy who did the repairs didn’t know which plaque went with which chair and hadn’t put them back on the right ones.”

But, according to Dent, the strangest thing about the house may have been its visitors.

“I had them from every corner of the world,” he said. “A lot of them were nutters. A lot of them were downright dangerous lunatics. They will still be turning up today. The house is on the map as an occult centre and you’re not going to get rid of Crowley’s legacy that easily.”

Jimmy Page sold Boleskine to Ronald and Annette MacGillivray in 1992. The couple turned it into a guest house. They despised any mention of Crowley, and insisted nothing unusual ever happened there. Locals say the MacGillivrays tried to erase Crowley’s presence, whitewashing the interior and covering the stone floor with carpet to hide the magical symbols painted there. Their efforts failed several times, villagers claimed, alleging the symbols would reappear as the paint dried.

While filming a 2000 BBC documentary called The Other Loch Ness Monster, a priest and minister blessed the project, and clerics were called in to keep the crew safe…just in case. Still, they experienced their share of unexplained happenings.

“The film crew working on the BBC documentary were attacked by a plague of beetles, suffered repeated equipment failures and experienced strangely similar nightmares about Crowley,” the Sunday Mail wrote.

Photos taken at the graveyard just down the hill (where a rumored tunnel from the house was said to lead) were ruined by “a strange circular halo of fog” according to producer Garry Grant. “It wasn’t lens flare or a fault in the camera,” he said. “I’d never seen anything like it before.”

In another incident, lights exploded, fuses burned out and camera stands fell over during a late-night shoot in the graveyard, showering the crew in glass. One crew member’s phone kept ringing intermittently, while another’s alarm clock would go off at the same time every day.

The MacGillivrays sold Boleskine in 2002 to new Dutch owners who used it as a vacation home. They were not there on December 23, 2015 when a fire scorched Boleskine, leaving nothing but the external walls by the time firefighters arrived. They determined the fire began in the kitchen, but the cause was never identified.

Ruins of Boleskine House

Today, the burned out ruins are all that remain of Boleskine House. The shell of Aleister Crowley’s unholy home and nearly 23 acres of cursed land on Loch Ness can be yours for £510,000.

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The remains of “witches” burned at the stake for killing children in the 17th century were found by archaeologists

The remains of "witches" burned at the stake for killing children in the 17th century were found by archaeologists 99

In the Polish city of Bochnia, archaeologists unearthed the charred remains of two women. The discovery was made during restoration work in the local market.

They are believed to have lived approximately 300 years ago. According to scientists, it is known that in 1679 three women were burnt in this place. So far, two skeletons have been found, but experts have no doubt that they will soon find a third one, according to Express.

Researchers believe that the victims were accused of witchcraft and murder of children. After that, they were probably burned in the city market. Such punishment was common in the Middle Ages, from the 5th to the 15th centuries. Historians believe that the public burning allegedly showed “witches” going to hell.

Archaeologists will continue to investigate the remains, but they have already stated that the women were buried right at the place of execution. According to experts, in that era it was customary: people convicted of such a crime could not be buried near the church.

According to historical sources, at least 13 women accused of witchcraft were executed in Bochnia. Before the execution of the sentence, they were kept in the neighboring town hall and, most likely, tortured in order to get a confession of their deeds. In addition, the archives contain the names and crimes of the “witches”.

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Which castle in Europe is considered the most mystical: you will be surprised

Which castle in Europe is considered the most mystical: you will be surprised 100

Many castles have survived in Europe, which to modern people seem incredibly beautiful and majestic. Their main purpose was to deter enemies if necessary.

That is why such factors as a good location, a moat, a rampart and other opportunities to repel potential enemies played a strategic role.

However, there is one architectural object that does not fit into the traditional framework.

Which castle in Europe is considered the most mystical: you will be surprised
Photo: Pixabay

The majestic is one of the most famous landmarks in the Italian region of Apulia. Moreover, it will not be an exaggeration to say that this is the most mystical castle in the world.

Unlike other mystical places, this amazing castle is not hidden from prying eyes behind the mountains and forests. On the contrary, it is visible from afar. You drive along the freeway and see it, towering on top of the hill.  It doesn’t matter that the name of the building is translated as “castle on the mountain”, only those who have never seen real mountains in their life can literally take the name Castel del Monte. 

It was built on a castle on the very spot where the Maria del Monte monastery was located until the thirteenth century, hence the first name of the building, which few people remember today – castrum Sancta Maria de Monte.

Today, crowds of people frequently visit Castel del Monte. For this, many thanks to the magical world of cinema and the Italian director Matteo Garrone in particular, because it was in the unusual halls of this monumental structure that he settled the characters of his “Scary Tales” – the king who raised a flea, and the princess whom the eccentric father married to a cannibal. Curiously, until the twentieth century, the castle was in an abandoned state, and shepherds spent the night there. 

Today, the architectural structure is in the care of UNESCO, as a result, it was cleaned and put in order, but the interior decoration of the halls was not preserved – for that reason, Matteo Garrone had to hastily fill the space of the premises with the props brought to the castle.

Garrone chose Castel del Monte for the film adaptation of the tales of the Neapolitan Giambattista Basile for a reason, because this place is incredibly mysterious. Although located 16 kilometers from the city of Andria, Castel del Monte bears the honorary title of one of the most famous medieval castles in the world, in essence it is not a castle.

The fact is that in the understanding of a normal person of the Middle Ages, a castle could only be built for one of two purposes. The first goal, it is also the main one – defense and terrain control. In this case, one or another lord erected a small fortress, as a rule, on the top of a mountain, which helped to repel enemy attacks, and at the same time to influence the situation in the region as a whole. The second task is a fortified place to live. Sometimes castles grew to the size of cities, take, for example, the same Carcassonne, but their powerful walls, again, made it possible to hold back hordes of enemies.

But Castel del Monte is not intended for defense at all. Where are the walls and the moat with water? Where are there any decent defenses? 

This place also seems to be of little use for life. Of course, even Walter Scott in his “Ivanhoe” wrote that the concept of “comfort” did not exist in the Middle Ages, but this castle, even by medieval standards, is far from the home of a self-respecting lord. It’s okay that all the rooms inside are connected to each other, but, most importantly, there is no place for a stable and there is no kitchen. 

So, most of all, the castle looks like a kind of an old art object, built for the sake of ideas, such houses are sometimes designed by modern architects who have received absolute carte blanche for the implementation of their creative ideas coupled with an unlimited budget.

This association is quite appropriate if you know who built Castel del Monte. The castle was built on the mountain by the Emperor Frederick II Staufen – a legendary person in all respects. He not only managed to win the title of Emperor of the Holy Roman Empire from competitors and lead the sixth crusade, but was also considered one of the most educated people of his time. 

He knew Greek, Latin and Arabic, founded a university in Naples, where not only Christians, but also Jews and Arabs taught, and this, by the way, is the height of tolerance by medieval standards. Frederick II as a whole was very far from Christian prejudices, here are illustrative examples: the emperor insisted that doctors study anatomy on corpses, and Frederick also had a warm attitude towards Fibonacci and even organized mathematical tournaments.

The emperor also had a penchant for writing: he is credited with writing an essay on falconry, and at his court he created a Sicilian school of poetry. At the same time, like all progressive people of his time, Frederick II was an admirer of a wide variety of mystical teachings, studied astronomy and astrology. 

With the personal life of the emperor, everything was also interesting, he earned the reputation of Bluebeard, because he was married four times, however, the church did not recognize his last marriage with his permanent mistress Bianca Lancia. Frederick II spawned a great many children – 20 legitimate, but for obvious reasons, no one scrupulously counted the bastards.

Historians still cannot solve the riddle of the Italian Castel del Monte, to which scientists have many questions

Castel del Monte was built by Frederick II from 1240 to 1250, that is, in the last decade of his life. The name of the architect is unknown, but many historians, not without reason, believe that he was the emperor himself – a painfully intricate design was the result. 

The fact is that, like many medieval mystics, Frederick was obsessed with the number eight, which symbolizes infinity, and it is constantly traced in the structure of the castle.

To begin with, the castle, when viewed from above, is a regular octagon, and an octagonal tower is erected at each corner of the structure. The shape of the inner courtyard of the castle also repeats the octagon. The castle has only two floors, the roof is flat, and the main entrance to Castel del Monte looks strictly to the east, because, as it was believed in the Middle Ages, the good news came from the east.

There are 8 rooms on each floor of the castle, all of them are connected to each other, so that Castel del Monte can be easily walked around the perimeter. The rooms are made in the form of trapezoids, and windows are cut through the walls. Toilets, wardrobes and spiral staircases are located in the corner turrets. 

By the way, the castle has a separate story with the stairs – usually in all castles they are “twisted” to the right, since this is optimal for the defense of the object, but in Castel del Monte, on the contrary, they are “turned” to the left, that is, the way it does nature, because it is to the left that the shells of mollusks or snail shells are twisted.

All rooms of the castle are exactly the same, the rooms differ from each other only in the location of the doors and the number of windows. In the decorative elements, the number eight again dominates: on the capitals of the columns there are eight leaves each, on the bas-reliefs in the rooms there are eight leaves or clover flowers.

Another interesting thing is that direct rays of sunlight fall into the windows of the second floor twice a day (with the first floor, this rule works only in the summer), so many assume that the mysterious castle is nothing more than a huge sundial, and at the same time astronomical device. 

In addition, twice a year, during the summer and winter solstice, sunlight is evenly distributed among all rooms on the ground floor. This, of course, is also no coincidence, so many historians suggest that the first floor of Castel del Monte is a kind of analogue of the solar calendar.

Here’s another curious reason for thinking – twice a year, on April 8 and October 8, the sun’s rays pass through the windows of the castle into the courtyard in such a way that they fall strictly on the part of the wall where in the time of Frederick II a certain bas-relief was carved, now lost. 

Well, and to make everything quite difficult, it is worth remembering that October in the thirteenth century was considered the eighth month of the year.

The castle bears the title of the most mysterious at all because there are many ghosts or other manifestations of mysticism

Frederick II died before he could finish the construction of the castle – the building of Castel del Monte was completed, but the interior decoration was not completed to the end. After the death of the emperor, there were legends in Europe that Frederick did not die, but disappeared in an unknown direction in order to reform the church and establish universal brotherhood and peace.

 A certain symbolism is seen in this, because the octagon, repeated in the structure of Castel del Monte, in the Middle Ages symbolized the transition from the world of the living to the kingdom of the dead, and at the same time the union of heaven and earth.

Everything is very simple here – a square was considered a symbol of the earth, a circle was a symbol of the sky, and an octagon was an intermediate figure that signified both unity and transition. However, scientists far from mysticism believe that the repeated use of the octagon is simply a reference to the Dome of the Rock in Jerusalem, because Frederick II saw the dome over the cornerstone during his crusade.

Historians are confused by the dubious architecture of the object – in such a castle there was not a single chance to hide from an armed attack. No protective mechanisms were used during the construction.

In addition, the building itself boasts the ideal shape of a real octagon. The castle has also 8 turrets.

Scientists did not fit the theory that this castle was used by noble people in order to rest there after hunting. Castel del Monte looks too monumental and luxurious for this.

Some historians suggest that the purpose of the mysterious castle was to comprehend the secret sciences

Castel del Monte has encrypted and biblical symbols. The fact is that the castle has exactly five drainage basins and five fireplaces, many associate this with the phrase of the Baptist John from the Gospel of Luke:

“I baptize you in water for repentance, but the One who follows me is stronger than me; I am not worthy to bear His shoes; He will baptize you with the Holy Spirit and fire.”

 So, it is easy to assume that Castel del Monte was for Frederick II an analogue of the temple, built according to his personal project, and this fully meets the ambitions of the emperor.

By the way, this hypothesis is confirmed by another curious detail. If you look closely at the entrance to the castle, you can see a giant letter F encrypted there. If inside the tomb of Frederick II, associations with the pyramids would be inevitable, and so Castel del Monte seems to be a kind of personal portal of the emperor, erected according to his plan and in his honour. 

At least when you stand in the courtyard of the castle and, with your head raised, look at the sky, imprisoned in an octagon of powerful limestone walls, even the most inveterate materialists have a feeling of belonging to the medieval magical tradition. 

The energy of this place is special, in the style of those “Scary Tales” by Matteo Garrone.

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Occult symbolism of the 2020 Vatican nativity scene

Occult symbolism of the 2020 Vatican nativity scene 101

On December 11, the Vatican unveiled its 2020 nativity scene in St. Peter’s Square. And as soon as the red drapery covering the stage was removed, the crowd found a towering, brutal and totem-like angel Gabriel watching them, along with an astronaut and a masked executioner (yes, those guys who kill people on death row).

Let’s say the applause after the opening was “polite”. Here are some images of the nativity scene.

An ominous angel looks down at the crowd while Jesus remains in the red cloth for a while (not sure why). Behind the figures is a neon light that should probably look like mountains on the horizon. However, at first glance, it looks like a lightning strike in a nativity scene.

Occult symbolism of the 2020 Vatican nativity scene 102
An astronaut and a masked executioner are also included in the nativity scene.

In a press release, the Vatican Governorate announced that the nursery “is intended to be a sign of hope and faith for the entire world, especially during this difficult time due to the health emergency related to COVID-19.”

But this did not bring “hope and faith” at all. In fact, almost all observers hated it.

Occult symbolism of the 2020 Vatican nativity scene 103

It is as if the Vatican purposely created something so ugly that devout Christians hate the play depicting the birth of Jesus. Satanists couldn’t have done better.

Ugliness with weapons

This nativity scene, titled “Monumental Christmas”, was originally created between 1965 and 1975 by students and teachers of the F.A. Grue art school in Castelli, Italy. The original work contained over 50 pieces, but only a few were selected for the Nativity scene at the Vatican, and they chose the horned-masked executioner.

The “Monumental Nativity Scene” is considered a tribute to the world-renowned pottery works of the Abruzzo region and gives a postmodern twist to the classic nativity scene.

In a conversation with a local newspaper, Italian art historian Andrea Chionchi asked if it was “a nightmare or a masterpiece.”

“Forget the sweet face of the Madonna, the tender radiant incarnation of the Child Jesus, the paternal sweetness of Saint Joseph and the pious miracle of the shepherds. For the first time in the middle of the colonnade, Bernini, the Vatican erected a work of the sixties in a brutal postmodern style.

The figures resemble the masks of the ancient and ferocious Samnites, the ancestors of the Abruzians, who professed a pantheistic, animistic, fetishistic and magical religion, somewhat reminiscent of the Andean goddess of fertility, Pachamama.

Castelli’s “Nativity Scene” is an outdated work, the product of a strongly ideological art school. The work offers a depiction of Castelli ceramics that is definitely not true, given that this remarkable art is renowned for its formal elegance and refined, subtle decorative inspiration, which are completely absent here.

References to Greek, Egyptian, and Sumerian character sculptures suggest a liberal historical-critical method of interpreting Scripture. Liberal Bible scholars have hypothesized about various aspects of the Bible as an adaptation of pagan cultures, and not as a result of divine revelation.

Although “ugliness” is subjective, this nativity scene almost tries its best to be as unpleasant to the eye as possible, which in turn is unpleasant to the soul. At least one could say that this scene is anti-Christian. I mean, who’s actually going to pray to this thing? You just can’t. And that’s kind of a target for the twisted minds behind this thing.

Moreover, in addition to its general ugliness, the nativity scene also contains many symbols and historical references that convey a rather egregious message: it is actually an anti-Christmas scene.

Anti Christmas

Usually in the center of the nativity scene is the baby Jesus. However, in this case, Baby Jesus is essentially a random toddler who just stands there and looks like a giant cork.

Occult symbolism of the 2020 Vatican nativity scene 104

WORSHIP ME

The focus of this play is not Jesus, but rather the angel Gabriel. It is surrounded by a massive halo, while Jesus still stands there like a giant cork. In addition, the angel rises above everything on a ribbed pillar. The overall shape of this column closely resembles an important symbol of Ancient Egypt: the Jed Column.

Occult symbolism of the 2020 Vatican nativity scene 105
Right: A Jed Column dedicated to the goddess Hathor.

Jed is a common symbol in Ancient Egypt believed to represent the god Osiris, or rather his spine. While this symbol probably has an esoteric meaning in relation to the chakras (which are said to be based on the spine), the Jed also has a phallic character and is associated with fertility rites. In fact, the “erection of the Jed” was an important ceremony in ancient Egypt.

The erection of the Jedi ceremony is to symbolize Osiris’ triumph over Set. During the ceremony, the pharaoh uses ropes to lift the pole with the help of the priests. This coincided with the time of year when the agricultural year began and the fields were planted. This was only part of a 17-day celebration dedicated to Osiris. In general, the ceremony of the erection of the Jed personified both the resurrection of Osiris and the strength and stability of the monarch.

– Ancient origins, sacred symbol of the Jed Pillar

Did the Vatican trick its believers into witnessing the Jed Ascension ceremony? One thing is for sure: the Egyptian influence of this den sit well with what is immediately behind it.

Occult symbolism of the 2020 Vatican nativity scene 106
Immediately behind the nativity scene is the obelisk of St. Peter (originally from Egypt).

The general plan of the Vatican is Egyptian magic in plain sight. The phallic obelisk (representing Osiris and the masculine) faces the womb-like dome of St. Peter’s Basilica (representing Isis and the feminine). The same exact layout can be found in various power centers of the world, including Washington, DC.

Occult symbolism of the 2020 Vatican nativity scene 107

In Washington DC, an obelisk (Washington Monument) faces the dome of the US Capitol.

In Egyptian magic, the union of masculine and feminine principles (Osiris and Isis) gives birth to a “star child” (Horus). From an esoteric point of view, this star child is a powerful magical energy.

Occult symbolism of the 2020 Vatican nativity scene 108

The hieroglyph representing Sirius, the most important star of occult symbolism (read my article on this here), consists of three elements of the Egyptian trinity: an obelisk, a dome and a star.

So, the Vatican has an obelisk and a dome. Where is the star completing this trinity? It is there, but you have to look from above.

Occult symbolism of the 2020 Vatican nativity scene 109

The Obelisk of St. Peter is located right in the center of the eight-pointed star, also known as the Ishtar Star.

Occult symbolism of the 2020 Vatican nativity scene 110

The eight-pointed star also adorns the Christmas tree that stands next to the nativity scene this year.

Speaking of cosmic things, the Vatican nativity scene also depicts an astronaut. Why? God knows.

Occult symbolism of the 2020 Vatican nativity scene 111

It seems that the astronaut is holding / giving birth to something. There is also an eight-pointed star on the helmet.

Given the fact that this figure was created between 1965 and 1975, this may be a reference to the 1969 moon landing. But why in 2020 did the Vatican choose this thing to stand next to Jesus?

It is even more incomprehensible why an executioner in a horned mask is standing next to Jesus?

Occult symbolism of the 2020 Vatican nativity scene 112
Even he thinks to himself: “What am I doing here?”

In ancient times, executioners carried out death sentences for lawful convicts by chopping off their heads. In some cases, they wore grotesque masks with dark and menacing features to further intimidate prisoners, depersonalizing them as a person. In short, it is an odd figure to be placed next to the newborn baby Jesus, especially considering the fact that Jesus himself was ultimately sentenced to death.

Apparently this guy is here to represent the “Vatican’s opposition to the death penalty.” This is a rather weak argument that makes little sense. I mean, I’m pretty sure the Vatican is also against methamphetamine. Should they also add a methamphetamine dealer to the nativity scene?

In the scene literally called “Christmas,” this horned figure represents death. This is the complete opposite of “Christmas”. I don’t think Satanists would have done better by desecrating the scene depicting the birth of Jesus.

Finally

In a sense, this year’s nativity scene is a sad reflection of 2020. This is a collection of expressionless and socially detached figures who do not interact with each other, standing under the neon lights of phones and computers.

It also reflects how the occult elite has raised their ugly head this year, poisoning every aspect of our lives with their toxic program. Through their outspoken anti-Christian demonstration, the elite sought to prove that its toxic ideology was also ingrained in the Vatican.

Although the Monumental Nativity scene was created several decades ago, it was chosen for the Christmas scene in 2020 for a special reason: it contains certain symbols, conveying a certain energy. Like everything else that has happened this year, this scene demonstrates the control of the elite and the demoralization of the masses.

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