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Proof of heaven popular, except with the church

By John Blake, CNN

“God, help me!”

Eben Alexander shouted and flailed as hospital orderlies tried to hold him in place. But no one could stop his violent seizures, and the 54-year-old neurosurgeon went limp as his horrified wife looked on.

That moment could have been the end. But Alexander says it was just the beginning. He found himself soaring toward a brilliant white light tinged with gold into “the strangest, most beautiful world I’d ever seen.”

Alexander calls that world heaven, and he describes his journey in “Proof of Heaven,” which has been on The New York Times bestseller list for 27 weeks. Alexander says he used to be an indifferent churchgoer who ignored stories about the afterlife. But now he knows there’s truth to those stories, and there’s no reason to fear death.

“Not one bit,” he said. “It’s a transition; it’s not the end of anything. We will be with our loved ones again.”

Heaven used to be a mystery, a place glimpsed only by mystics and prophets. But popular culture is filled with firsthand accounts from all sorts of people who claim that they, too, have proofs of heaven after undergoing near-death experiences.

Yet the popularity of these stories raises another question: Why doesn’t the church talk about heaven anymore?

Preachers used to rhapsodize about celestial streets of gold while congregations sang joyful hymns like “I’ll Fly Away” and “When the Roll is Called up Yonder.” But the most passionate accounts of heaven now come from people outside the church or on its margins.

Most seminaries don’t teach courses on heaven; few big-name pastors devote much energy to preaching or writing about the subject; many ordinary pastors avoid the topic altogether out of embarrassment, indifference or fear, scholars and pastors say.

“People say that the only time they hear about heaven is when they go to a funeral,” said Gary Scott Smith, author of “Heaven in the American Imagination” and a history professor at Grove City College in Pennsylvania.

Talk of heaven shouldn’t wait, though, because it answers a universal question: what happens when we die, says the Rev. John Price, author of “Revealing Heaven,” which offers a Christian perspective of near-death experiences.

“Ever since people started dying, people have wondered, where did they go? Where are they now? Is this what happens to me?” said Price, a retired pastor and hospital chaplain.

A little girl’s revelation

Price didn’t always think heaven was so important. He scoffed at reports of near-death experiences because he thought they reduced religion to ghost stories. Besides, he was too busy helping grieving families to speculate about the afterlife.

His attitude changed, though, after a young woman visited his Episcopal church one Sunday with her 3-year-old daughter.

Price had last seen the mother three years earlier. She had brought her then-7-week-old daughter to the church for baptism. Price hadn’t heard from her since. But when she reappeared, she told Price an amazing story.

She had been feeding her daughter a week after the baptism when milk dribbled out of the infant’s mouth and her eyes rolled back into her head. The woman rushed her daughter to the emergency room, where she was resuscitated and treated for a severe upper respiratory infection.

Three years later, the mother was driving past the same hospital with her daughter when the girl said, “Look, Mom, that’s where Jesus brought me back to you.”

“The mother nearly wrecked her car,” Price said. “She never told her baby about God, Jesus, her near-death experience, nothing. All that happened when the girl was 8 weeks old. How could she remember that?”

When Price started hearing similar experiences from other parishioners, he felt like a fraud. He realized that he didn’t believe in heaven, even though it was part of traditional Christian doctrine.

He started sharing near-death stories he heard with grieving families and dejected hospital workers who had lost patients. He told them dying people had glimpsed a wonderful world beyond this life.

The stories helped people, Price said, and those who’ve had similar experiences of heaven should “shout them from the rooftops.”

“I’ve gone around to many churches to talk about this, and the venue they give me is just stuffed,” he said. “People are really hungry for it.”

Why pastors are afraid of heaven

Many pastors, though, don’t want to touch the subject because it’s too dangerous, says Lisa Miller, author of “Heaven: Our Enduring Fascination with the Afterlife.”

Miller cites the experience of Rob Bell, one of the nation’s most popular evangelical pastors.

John Price ignored heaven until he met a woman with an amazing story.

Bell ignited a firestorm two years ago when he challenged the teaching that only Christians go to heaven in “Love Wins: A Book About Heaven, Hell, and the Fate of Every Person Who Ever Lived.”

The book angered many members of Bell’s church as well as many in the evangelical establishment. He subsequently resigned.

“Farewell, Rob Bell,” one prominent evangelical tweeted.

“It’s a tough topic for a pastor,” said Miller, a former religion columnist for the Washington Post. “If you get too literal, you can risk sounding too silly. If you don’t talk about it, you’re evading one of the most important questions about theology and why people come to church.”

If pastors do talk about stories of near-death experiences, they can also be seen as implying that conservative doctrine – only those who confess their faith in Jesus get to heaven, while others suffer eternal damnation – is wrong, scholars and pastors say.

Many of those who share near-death stories aren’t conservative Christians but claim that they, too, have been welcomed by God to heaven.

“Conservative Christians aren’t the only ones going to heaven,” said Price, “and that makes them mad.”

There was a time, though, when the church talked a lot more about the afterlife.

Puritan pastors in the 17th and 18th centuries often preached about heaven, depicting it as an austere, no fuss-place where people could commune with God.

African-American slaves sang spirituals about heaven like “Swing Low, Sweet Chariot.” They often depicted it as a place of ultimate payback: Slaves would escape their humiliation and, in some cases, rule over their former masters.

America’s fixation with heaven may have peaked around the Civil War. The third most popular book in 18th century America – behind the Bible and “Uncle Tom’s Cabin” – was “Gates Ajar,” written in the wake of the war, Miller says.

The 1868 novel was “The Da Vinci Code” of its day, Miller says. It revolved around a grieving woman who lost her brother in the Civil War. A sympathetic aunt assures her that her brother is waiting in heaven, a bucolic paradise where people eat sumptuous meals, dogs sun themselves on porches and people laugh with their loved ones.

“This was a vision of heaven that was so appealing to hundreds of thousands of people who had lost people in the Civil War,” Miller said.

Americans needed heaven because life was so hard: People didn’t live long, infant mortality was high, and daily life was filled with hard labor.

“People were having 12 kids, and they would outlive 11 of them,” said Smith, author of “Heaven in the American Imagination.” “Death was ever-present.”

The church eventually stopped talking about heaven, though, for a variety of reasons: the rise of science; the emergence of the Social Gospel, a theology that encouraged churches to create heaven on Earth by fighting for social justice; and the growing affluence of Americans. (After all, who needs heaven when you have a flat-screen TV, a smartphone and endless diversions?)

But then a voice outside the church rekindled Americans’ interest in the afterlife. A curious 23-year-old medical student would help make heaven cool again.

The father of near-death experiences

Raymond Moody had been interested in the afterlife long before it was fashionable.

He was raised in a small Georgia town during World War II where death always seemed just around the corner. He constantly heard stories about soldiers who never returned from war. His father was a surgeon who told him stories of bringing back patients from the brink of death. In college, he was enthralled when he read one of the oldest accounts of a near-death experience, a soldier’s story told by Socrates in Plato’s “Republic.”

His fascination with the afterlife was sealed one day when he heard a speaker who would change his life.

The speaker was George Ritchie, a psychiatrist. Moody would say later of Ritchie, “He had that look of someone who had just finished a long session of meditation and didn’t have a care in the world.”

Moody sat in the back of a fraternity room as Ritchie told his story.

It was December 1943, and Ritchie was in basic training with the U.S. Army at Camp Barkeley, Texas. He contracted pneumonia and was placed in the hospital infirmary, where his temperature spiked to 107. The medical staff piled blankets on top of Ritchie’s shivering body, but he was eventually pronounced dead.

“I could hear the doctor give the order to prep me for the morgue, which was puzzling, because I had the sensation of still being alive,” Ritchie said.

He even remembers rising from a hospital gurney to talk to the hospital staff. But the doctors and nurses walked right through him when he approached them.

He then saw his lifeless body in a room and began weeping when he realized he was dead. Suddenly, the room brightened “until it seemed as though a million welding torches were going off around me.”

He says he was commanded to stand because he was being ushered into the presence of the Son of God. There, he saw every minute detail of his life flash by, including his C-section birth. He then heard a voice that asked, “What have you done with your life?”

After hearing Ritchie’s story, Moody decided what he was going to do with his life: investigate the afterlife.

Raymond Moody revived interest in heaven by studying near-death experiences.

He started collecting stories of people who had been pronounced clinically dead but were later revived. He noticed that the stories all shared certain details: traveling through a tunnel, greeting family and friends who had died, and meeting a luminous being that gave them a detailed review of their life and asked them whether they had spent their life loving others.

Moody called his stories “near-death experiences,” and in 1977 he published a study of them in a book, “Life after Life.” His book has sold an estimated 13 million copies.

Today, he is a psychiatrist who calls himself “an astronaut of inner space.” He is considered the father of the near-death-experience phenomenon.

He says science, not religion, resurrected the afterlife. Advances in cardiopulmonary resuscitation meant that patients who would have died were revived, and many had stories to share.

“Now that we have these means for snatching people back from the edge, these stories are becoming more amazing,” said Moody, who has written a new book, “Paranormal: My Life in Pursuit of the Afterlife.”

“A lot of medical doctors know about this from their patients, but they’re just afraid to talk about it in public.”

Ritchie’s story was told through a Christian perspective. But Moody says stories about heaven transcend religion. He’s collected them from Jews, Muslims, Buddhists and atheists.

“A lot of people talk about encountering a being of light,” he said. “Christians call it Christ. Jewish people say it’s an angel. I’ve gone to different continents, and you can hear the same thing in China, India and Japan about meeting a being of complete love and compassion.”

It’s not just what people see in the afterlife that makes these stories so powerful, he says. It’s how they live their lives once they survive a near-death experience.

Many people are never the same, Moody says. They abandon careers that were focused on money or power for more altruistic pursuits.

“Whatever they had been chasing, whether it’s power, money or fame, their experience teaches them that what this (life) is all about is teaching us to love,” Moody said.

Under ‘the gaze of a God’

Alexander, the author of “Proof of Heaven,” seems to fit Moody’s description. He’s a neurosurgeon, but he spends much of time now speaking about his experience instead of practicing medicine.

He’d heard strange stories over the years of revived heart attack patients traveling to wonderful landscapes, talking to dead relatives and even meeting God. But he never believed those stories. He was a man of science, an Episcopalian who attended church only on Easter and Christmas.

That changed one November morning in 2008 when he was awakened in his Lynchburg, Virginia, home by a bolt of pain shooting down his spine. He was rushed to the hospital and diagnosed with bacterial meningitis, a disease so rare, he says, it afflicts only one in 10 million adults.

After his violent seizures, he lapsed into a coma — and there was little hope for his survival. But he awakened a week later with restored health and a story to tell.

He says what he experienced was “too beautiful for words.” The heaven he describes is not some disembodied hereafter. It’s a physical place filled with achingly beautiful music, waterfalls, lush fields, laughing children and running dogs.

In his book, he describes encountering a transcendent being he alternately calls “the Creator” or “Om.” He says he never saw the being’s face or heard its voice; its thoughts were somehow spoken to him.

“It understood humans, and it possessed the qualities we possess, only in infinitely greater measure. It knew me deeply and overflowed with qualities that all my life I’ve always associated with human beings and human beings alone: warmth, compassion, pathos … even irony and humor.”

Holly Alexander says her husband couldn’t forget the experience.

“He was driven to write 12 hours a day for three years,” she said. “It began as a diary. Then he thought he would write a medical paper; then he realized that medical science could not explain it all.”

“Proof of Heaven” debuted at the top of The New York Times bestseller list and has sold 1.6 million copies, according to its publisher.

Alexander says he didn’t know how to deal with his otherworldly journey at first.

“I was my own worst skeptic,” he said. “I spent an immense amount of time trying to come up with ways my brain might have done this.”

Conventional medical science says consciousness is rooted in the brain, Alexander says. His medical records indicated that his neocortex — the part of the brain that controls thought, emotion and language — had ceased functioning while he was in a coma.

Alexander says his neocortex was “offline” and his brain “wasn’t working at all” during his coma. Yet he says he reasoned, experienced emotions, embarked on a journey — and saw heaven.

“Those implications are tremendous beyond description,” Alexander wrote. “My experience showed me that the death of the body and the brain are not the end of consciousness; that human experience continues beyond the grave. More important, it continues under the gaze of a God who loves and cares about each one of us.”

Skeptics say Alexander’s experience can be explained by science, not the supernatural.

They cite experiments where neurologists in Switzerland induced out-of-body experiences in a woman suffering from epilepsy through electrical stimulation of the right side of her brain.

Michael Shermer, founder and publisher of Skeptic magazine, says the U.S. Navy also conducted studies with pilots that reproduced near-death experiences. Pilots would often black out temporarily when their brains were deprived of oxygen during training, he says.

These pilots didn’t go to heaven, but they often reported seeing a bright light at the end of a tunnel, a floating sensation and euphoria when they returned to consciousness, Shermer says.

“Whatever experiences these people have is actually in their brain. It’s not out there in heaven,” Shermer said.

Some people who claim to see heaven after dying didn’t really die, says Shermer, author of “Why People Believe Weird Things.”

“They’re called near-death experiences for a reason: They’re near death but not dead,” Shermer said. “In that fuzzy state, it’s not dissimilar to being asleep and awakened where people have all sorts of transitory experiences that seem very real.”

The boy who saw Jesus

Skeptics may scoff at a story like Alexander’s, but their popularity has made a believer out of another group: the evangelical publishing industry.

While the church may be reluctant to talk about heaven, publishers have become true believers. The sales figures for books on heaven are divine: Don Piper’s “90 Minutes in Heaven” has sold 5 million copies. And “Heaven is for Real: A Little Boy’s Astounding Story of His Trip to Heaven and Back” is the latest publishing juggernaut.

Colton Burpo says he saw heaven and describes the color of Jesus’ eyes.

“Heaven is for Real” has been on The New York Times bestseller list for 126 consecutive weeks and sold 8 million copies, according to its publisher.

The story is told from the perspective of Colton Burpo, who was just 4 when he slipped into unconsciousness while undergoing emergency surgery for a burst appendix.

Colton says he floated above his body during the operation and soared to heaven, where he met Jesus. Todd Burpo, Colton’s father, says he was skeptical about his son’s story until his son described meeting a great-grandfather and a miscarried baby sister — something no one had ever told him about.

Todd Burpo is a pastor, but he says he avoided preaching about heaven because he didn’t know enough about the subject.

“It’s pretty awkward,” he said. “Here I am the pastor, but I’m not the teacher on the subject. My son is teaching me.”

Colton is now 13 and says he still remembers meeting Jesus in heaven.

“He had brown hair, a brown beard to match and a smile brighter than any smile I’ve ever seen,’’ he said. “His eyes were sea-blue, and they were just, wow.”

Colton says he’s surprised by the success of his book, which has been translated into 35 languages. There’s talk of a movie, too.

“It’s totally a God thing,” he said.

Alexander, author of “Proof of Heaven,” seems to have the same attitude: His new life is a gift. He’s already writing another book on his experience.

“Once I realized what my journey was telling me,” he said, “I knew I had to tell the story.”

He now attends church but says his faith is not dogmatic.

“I realized very strongly that God loves all of God’s children,” he said. “Any religion that claims to be the true one and the rest of them are wrong is wrong.”

Central to his story is something he says he heard in heaven.

During his journey, he says he was accompanied by an angelic being who gave him a three-part message to share on his return.

When he heard the message, he says it went through him “like a wind” because he instantly knew it was true.

It’s the message he takes today to those who wonder who, or what, they will encounter after death.

The angel told him:

“You are loved and cherished, dearly, forever.”

“You have nothing to fear.”

“There is nothing you can do wrong.”

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Spirituality

Taj Mahal – An Amazing Love Story

The construction of the Taj Mahal (literally translated from the Persian language as “Crown of the Mughals”) was associated with the name of the beautiful woman – Arjumand Bano Begum, or Mumtaz – “Queen of the Soul”.

At 200 kilometers from the capital of India, Delhi, on the high bank of the Ganges tributary – the Jamna – is the five-domed Taj Mahal mausoleum. The white-stone structure surprises and delights with its perfect proportions, an elegant mosaic of colored precious and semiprecious stones, and skillful carving.

The Taj Mahal is a whole complex of buildings. Taj – white, and around the fortress and minarets of red sandstone. The mausoleum has absolute proportions: on the base and height – an exact square, each side of which is 75 meters. Several paths stretch to the Taj Mahal, between them there is water in the pools, first the entire mausoleum is reflected in it, and as it approaches, its individual details.

Local architects worked together with artists from Damascus, gardeners from Constantinople and Samarkand to create the Indian pearl. When creating the interior, interior decoration of the mausoleum, the craftsmen used the best varieties of white, occasionally yellow and black marble, mother of pearl, jasper, agate, emeralds, aquamarines, pearls and hundreds of other stones.

QUEEN OF THE SOUL

Arjumand Bano Begum was only 19 years old when she became the second wife of Prince Guram (future Shah-Jahan). And although the prince had several more wives and many concubines, Mumtaz won the heart of her husband and undividedly owned him until the end of his days. It was an unusually romantic and poetic love. Mumtaz was not only his most beloved wife, but his most faithful companion since the turbulent times when Prince Guram wandered around the world, pursued by his father Jahangir, when he obtained his throne in a fierce struggle with his brothers. In 1627, Guram, having gained a final victory over them and seized his father’s throne, assumed the title of emperor, Shah-Jahan – “ruler of the world”. Mumtaz finally became the queen of India.

Shah Jahan adored his wife and each time he honored her, held lavish receptions and grandiose celebrations in her honor, without her any important ceremony would begin, and not a single state act would be adopted. Mumtaz was present at the meetings of the State Council; her opinion was almost never disputed by anyone.

The portrait of the queen, painted by her contemporary, has been preserved. Violating one of the strictest prohibitions of Islam – to draw portraits of animals and people, an unknown artist skillfully conveyed the beauty of Mumtaz, a white-faced Persian, a pearl of the East.

A happy life together ended abruptly. In the spring of 1636, Mumtaz suddenly fell ill: before dying, she turned to her husband with a request to take care of their eldest daughter, Jahanara Begum, and took an oath from him – to build a tomb worthy of their love, their joint nineteen-year-old married life. Mumtaz’s death shocked Jahan.

WHITE AND BLACK PALACES

Widowed, he commanded the construction of an unprecedentedly beautiful mausoleum. Shah was presented with many different projects, the authors of which were the best of the best architects of the East. Of these, he chose a project created by Indian architect Ystad Khan Effendi. Following this, a twenty-thousand army of builders was driven into Agra: masons, marble cutters, jewelers and handymen. Marble was brought from Makran near Jaipur, sandstone from Sikri, gems from India, Afghanistan, Persia and Central Asia.

The entire complex of the mausoleum was created over twenty two years. Having fulfilled the mandate of “the queen of her soul”, Jahan proceeded to a new, no less grandiose construction – exactly the same mausoleum, but only of black marble, for himself – on the other (left) bank of the Jamna River. According to the Shah’s plan, both mausoleums, like marital chambers, were to be connected by a high lace bridge of black and white marble. Preparatory work has already begun, but this plan, unfortunately, was not destined to come true.

While Shah Jahan was building a new tomb, his sons fought among themselves. Having defeated the brothers, one of them – Aurangzeb – seized power in 1658, killed the brothers, arrested his father and imprisoned him in the Red Fort under reliable guard along with his beloved daughter Jahanara Begum. Shah Jahan spent the last years of his life in the marble palace that he had once built for Mumtaz, from where he could constantly see the Taj Mahal. Here he died on January 23, 1666. Fulfilling the last will of his father, Aurangzeb the next day ordered his body to be transported to the Taj Mahal and to be buried next to Mumtaz without any ceremony or honor.

UNSOLVED SECRET

The Taj Mahal mausoleum stands alone in its inexpressible beauty on the banks of the blue Jamna, reflecting its clean, proud appearance. He appears as a vision from another, better, cleaner world. “The Taj Mahal has a secret that everyone feels, but no one can interpret.”

“The Taj Mahal attracts you like a magnet. You can stand for hours and all look and look at this marvel, at this fabulous ghost, ascending into a bottomless azure sky. The illumination of the Taj Mahal changes like a mirage. It glows from the inside, changing hues depending on the position of the sun: it suddenly turns light pink, then bluish, then pale orange. At night, under the moon, against a black sky, it looks dazzling white. Just coming very close, you notice that he is covered in the finest patterns woven over white marble, the marble blocks are encrusted with gems and seem to shine through, emitting a flickering light.”

The dazzling white walls of the mausoleum are covered with mosaics – garlands of flowers made of precious stones. Branches of white jasmine from mother-of-pearl shimmer with red pomegranate flower from carnelian and delicate tendrils of grapevine and honeysuckle, and delicate oleanders peek out from the lush green foliage. Each leaf, each petal is a separate emerald, yacht, pearl or topaz; sometimes there are up to one hundred of such stones for one branch of flowers, and there are hundreds of similar ones on the panels and grids of the Taj Mahal!

DEATH NOT SHARED

In the central hall of the mausoleum are two sarcophagi sculpted from white-pink rocks of marble, decorated with floral ornaments. These are the cenotaphs of the dead, symbolic projections of those who are in the lowest part of the mausoleum. There, in the underground vaulted room, dusk reigns. Both tombs with the remains of the royal spouses, Mumtaz and Jahan, like a screen, are surrounded by a white marble carved fence about two meters high, decorated with fabulous flowers – red, yellow, blue, along with green garlands, interlacing of marble leaves and flowers.

What is the power of the impression made by the Taj Mahal? Where does the insurmountable impact on everyone who sees it come from?

“Neither marble lace, nor the thin carving covering its walls, nor mosaic flowers, nor the fate of the beautiful queen — none of this alone could make such an impression. There must be a reason for something else. However, something in the Taj Mahal fascinated me and thrilled me. … It seemed to me that the mystery of the Taj Mahal is connected with the secret of death, i.e. with that secret, regarding which, in the words of one of the Upanishads, “even the gods were at first in doubt.” Above the tomb, where the queen’s body lies, a light burns. I felt that this is where the beginning of the clue lies. For the light shimmering over the tomb, where its dust lies, this light … is a small transient earthly life. And the Taj Mahal is a future eternal life.”

PLACE OF PILGRIMAGE

The creation of the Taj Mahal dates back to the time of the conquest of India by Muslims. The grandson of padishah Akbar Jahan was one of those conquerors who changed the face of a vast country. A warrior and statesman, Jahan was at the same time a fine connoisseur of art and philosophy; his courtyard in Agra attracted the most prominent scientists and artists of Persia, which at that time was the center of culture throughout West Asia.

The son of Jahan Aurangzeb (“the beauty of the throne,” 1665-1706) was nothing like his father. He was a stern, withdrawn and ascetic-religious monarch. While still a prince, he disapproved of the useless and devastating, as he believed, activities of his father. Aurangzeb spent his entire long and hectic life in military campaigns aimed at maintaining power over the empire.

Aurangzeb raised a rebellion against his father, accusing him of spending all the state revenue on the mausoleum. He imprisoned the former lord in an underground mosque in one of the inner palaces of the Agra fortress. Shah Jahan lived in this underground mosque for seven years; sensing the approach of death, he asked him to be transferred to the so-called Jasmine pavilion in the fortress wall, to the tower of lace marble, where was the favorite room of Queen Arjumand Bano. There, on the balcony of the Jasmine Pavilion overlooking the Jamna, from where the Taj Mahal was visible at a distance, Shah Jahan died.

This is the brief history of the Taj Mahal. Since then, the mausoleum of Queen Mumtaz has gone through many vicissitudes. During the wars that continued in India in the 17th and 18th centuries, Agra repeatedly passed from hand to hand and was often plundered. The conquerors removed the large silver doors from the Taj Mahal, carried out precious lamps and candlesticks, and tore ornaments from precious stones from the walls. However, the building itself and most of the decoration remained intact. The Taj Mahal is now restored and carefully guarded.

But today, the Taj Mahal is partially dressed in scaffolding due to the fact that cracks appeared on the walls. The marble Taj Mahal weighs many hundreds of thousands of tons. A huge mass presses on the soil, and it gradually settles. Over the past centuries, as a result of soil displacement, the mausoleum leaned toward the river, although it is invisible with a simple eye. Once the high-water Jamna came close to the building, but then the river became shallow and receded. This last circumstance changed the structure of the soil and also affected the stability of the mausoleum. Now it is decided to plant trees on the banks of the Jamna in order to stop soil erosion.

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Spirituality

Image of the Antichrist on a 14th-century fresco – who painted it and why?

The Antichrist, unlike Christ, the Son of God, is not the son of Satan, but a simple man. In Christian ideology, the Antichrist will appear shortly before the end of the world. Antichrist will be descended from Dan. This is one of the so-called 12 Tribes of Israel – the descendants of the sons of Jacob, who formed the Israeli people.

Antichrist will become an authoritative ruler of people, will arrange persecution of the righteous. This period in the Revelation of John the Theologian is called the Great Tribulation.

There was no specifics in the Bible about the Antichrist, so all further assumptions are futurism based on treatises of symbols and various interpretations. In particular, Calvinist Anthony Hoekema in his book “The Bible and the Future” believes that up to 75% of people will die during the Great Tribulation and this period will last for seven years.

And then, all Christians are united in this, there will be the Second Coming of Jesus Christ and the Last Judgment. When all sinners – both living and dead – will get what they deserve, the righteous will receive eternal paradise.

Christians were afraid of the Antichrist, so he was like Voldemort in Harry Potter – the one whose name cannot be called. Well, to portray him was generally forbidden.

The first image of the Antichrist appeared already in the XIV century. And its bold author – Vitale da Bologna – lived a transitional period from the Middle Ages to the Renaissance. It was during this period that it became possible to show freedom of creativity.

In northern Italy there is the Pomposa Monastery, which in the 9th century was founded by Benedictine monks. Over time, the monastery turned into a party place for people of art. The walls in the cathedral of this monastery were painted by Vitale da Bologna.


Even closer to the wall … Look at the bottom right … Take a closer look.


Here is the image of the Antichrist on the wall from an old Italian mural of the 14th century. 


Frescoes in the Cathedral of Pomposa, the image of the Antichrist is highlighted in red

Here lived the famous medieval musician Guido d’Arezzo. He reformed musical notation, prescribed a new scheme for the designation of keys and intervals. It’s d’Arezzo that we owe modern letter designations in music, for example C sharp major.

The famous Petr Damiani, a poet, philosopher and theologian, worked a lot in the monastery. Despite the fact that all art was saturated with Christianity (the culture of scholasticism of the Middle Ages!), creativity found its way. People tried to realize bold ideas for their time.

As often happens, where there is art and creativity, freedom of morals arises there. After all, art must be true. Art must find paradoxes in our reality, notice inconsistencies and vividly declare them! But art in the service of the state, in the strict framework of those in power, is already PR propaganda.

But back to our hero. He really wanted to add brightness to his religious canvases and he was drawn to ominous plots. After all, there you can truly imagine the whole storm of emotions!

The monks ordered the painting “The Last Judgment” from him. And Vitale da Bologna painted the walls of the cathedral at the request of the customer, and on the pretext of realism added the Antichrist there. And so this first image of the chief man who was in the service of Satan appeared.

However, customers demanded to depict it as disgusting as possible. The image of the Antichrist turned out to be some kind of fictional, phantasmagoric – more reminiscent of the devil from fairy tales. But the antichrist, as we recall, is a man!

Attempts to portray the Antichrist were made in the future, but these were more episodes. So, for example, the Antichrist was seen by another Renaissance artist Luca Signorelli.

Luca Signorelli. Fragment of the painting “The Sermon and Works of the Antichrist”, 1500

Here, the Antichrist looks like Christ, only with an ominous expression. And Satan whispers his thoughts, who looks like an ordinary petty demon.

And it is this picture of Signorelli, in our opinion, which better illustrates the real image of the Antichrist. He is an ordinary person. Which, most likely, will consider that it is doing the right thing and for the good of mankind. After all, logic is a double-edged weapon, it is always ready to justify any crime with great reasonable goals.

14th century fresco called “The Funeral of Satan”

In the Middle Ages, striped clothing was treated extremely negatively, there was even a case when a shoemaker was sentenced to death for wearing striped clothing. It happened in 1310 in the French city of Rouen. In those days, striped clothing was considered devilish.

Among the many excellent medieval frescoes in the Verona Cathedral, there is one especially curious. It is called “The Funeral of Satan” and depicts an enemy of the human race lying under a striped veil on his deathbed. Actually, it is the color of the veil and the appearance of Satan that attracts attention.

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Spirituality

A yogi who has lived for more than 70 years without food and water has passed away in India

In the Indian state of Gujarat, the yogi Prahlad Jani died at the age of 90, claiming to have discovered the “elixir of life,” which allows him not to eat food and water for at least 76 years, reports NDTV.

According to the assurances of the followers, and there was plenty of them at the holy hermit, Prahlad Jani died on May 26 in his native village of Charada, where he was brought at his personal request a few days ago. For two days, his body will be in the ashram so that followers can say goodbye to the mentor.

Prahlad Jani was known for statements that he has not eaten and has not drunk since childhood – according to some sources, from 8-9 years old, according to others, from 14. Doctors twice, in 2003 and 2010, conducted a comprehensive examination of Chunrival Mataji, as they called a yogi, and the second time he was two weeks under the supervision of employees of the Defense Institute of Physiology and Related Sciences of India. During this time, he did not eat a crumb, did not drink a drop, did not meet his natural needs, while his bladder was filled with a small amount of urine, but then it was absorbed into the walls.

“We still do not know how he survives,” said neurologist Sudhir Shah from a recent examination.

Jani himself assured that in childhood he was blessed by a goddess, after which he left his native home and refused food and water.

A number of foreign researchers questioned the findings of Indian colleagues, pointing to the imperfection of control systems.

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