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Ancient

Nuclear War In Ancient Times

Nuclear war already occurred on Earth in remote times, and these Sanskrit epics and desert minerals are here to prove it.

While presenting a lecture at Rochester University, Dr. Robert Oppenheimer, known as “the father of the atomic bomb,” was asked during the Q&A session by one of the students if the bomb which exploded at Alamogordo during the Manhattan Project was the first one to be detonated. Oppenheimer’s reply was: “Well, yes! In modern times of course.”

His belief that nuclear tests were performed previous to the first detonations in modern times stemmed from Hindu texts describing ravaging events which occurred in remote ages.

Although Oppenheimer never referred to himself as a Hindu, nor abode to Hinduism, he gave much praise to their sacred texts, particularly to the Ramayana and Mahabharata.

He claimed that “access to the Vedas is the greatest privilege this century may claim over all previous centuries,” and often gave as a gift to his friends the Bhagavad Gita, the 6th book of the Mahabharata.

He quoted a very powerful verse from the Hindu scripture right after he saw the yellowish-orange mushroom cloud rise from the detonation of the atomic bomb at the Trinity site in Los Alamos, New Mexico:

Now, I am become Death, the destroyer of worlds.”

This line made much sense to him, as he understood that previous civilizations had also achieved the splitting of the atom in an effort to bring weapons of mass destruction to life.

The Hindu Vedas stand testimony to such achievements, and depict how atomic weapons were blown off in remote times causing tremendous havoc and destruction.

The Mahabharata reads:

Gurkha, flying a swift and powerful vimana hurtled a single projectile charged with the power of the Universe. An incandescent column of smoke and flame, as bright as ten thousand suns, rose with all its splendor. It was an unknown weapon, an iron thunderbolt, a gigantic messenger of death, which reduced to ashes the entire race of the Vrishnis and the Andhakas. The corpses were so burned as to be unrecognizable. Hair and nails fell out; Pottery broke without apparent cause, and the birds turned white…After a few hours all foodstuffs were infected…to escape from this fire the soldiers threw themselves in streams to wash themselves and their equipment.”

The events described are said to originate some 24,000 years ago, although the text itself is dated to 7,300 BC. Their date of origin is however subject to great debate, since no organic material was found at the sites where the Ramayana and Mahabharata texts were uncovered.

But dating the texts is not as relevant as the correlation with modern-day events, as well as the evidence attesting their controversial content that can be traced to various sites across the globe.

To start with, let’s have a look at these curious glass fragments scattered throughout various deserts on our planet. They were first brought into discussion by Patrick Clayton in 1932, long before the modern-day nuke was invented.

Sand turns into glass at temperatures of 1,800 degrees Celsius (3,300 Fahrenheit), and because of this researchers have attributed the dead to a meteorite of comet fragment that had collided with the surface. This however was easily disproved for the following reasons:

Desert glass scattered across the Lybian desert

A meteorite impact would surely leave behind a sizeable crater, and although some have argued that the shifting sands would have swallow any impact traces, tests performed on the pieces of glass revealed its composition was 99 percent pure. Then, if the glass occurred as a result of a meteorite, it would have fused with iron particles, silicon and other impurities.

Decades after Clayton’s controversial discovery, researchers visiting the atomic testing grounds in New Mexico have remarked an astounding similarity between the desert glass and the glass that formed inside the impact crater. With this new hypothesis on the table, scientists have estimated that a nuclear blast 10,000 more powerful would have been needed to produce the amount of glass found in the desert.

This is exactly what the Ramayana describes:

It was a weapon so powerful that it could destroy the earth in an instant. A great soaring sound in smoke and flames, and on it sits death…”

It’s unknown how many locations on Earth were affected, but there seems to have been quite a few engulfed by these ancient weapons of mass destruction.

The Mahabharata further reads:

Dense arrows of lame, like a great shower, issued forth upon creation, encompassing the enemy. A thick gloom swiftly settled upon the Pandava hosts. All points of the compass were lost in darkness. Fierce wind began to blow upward, showering dust and gravel.

Birds croaked madly…the very elements seemed disturbed. The earth shook, scorched by the terrible violent heat of this weapon. Elephants burst into flame and ran to and from the frenzy over a vast area, other animals crumpled to the ground and died. From all points of the compass the arrows of flame rained continuously and fiercely.”

Another puzzling item is the yellowish scarab-shaped gem embedded on one of Tutankhamun’s necklaces displayed at the Egyptian Museum in Cairo.

After Italian mineralogist Vicenzo de Michele had performed tests on the jewel, he realized it was made of glass, but it was far older than the earliest Egyptian civilization.

The only way for this desert glass to have formed was due to a meteorite impact, but no convenient crater has been detected that would have explained the pieces of glass in the Egyptian desert, not even scouting via satellite.

The only lead they could come up with was the 1908 Tunguska explosion in Syberia which flattened over 80 million trees, leaving no traces of an impact crater. A correlation was indeed established between these two enigmas, but were both lacking a plausible explanation.

An extraterrestrial device of sorts is believed to have exploded over this region of Syberia

Two ancient civilizations in the Indus Valley located on territories of modern day Pakistan an India have intrigued archaeologists ever since their discovery.

Although highly advanced and democratic societies, with irrigation and drainage systems, multi-leveled  houses, communal and even individual baths, these two cities of Mohenjo Daro and Harappa have been deserted simultaneously for no apparent reason.

This civilization spanned across 500 acres (200 hectares), and housed a population anywhere between 20,000 to 40,000 inhabitants. Coincidentally or not, their mysterious demise happened at the same time the Great Pyramid of Giza was allegedly built, around 2,500 B.C.

3D model of Mohenjo Daro before its destruction

What brought these two cities in the ancient nuclear war equation were the skeletal remains discovered holding hands, sign of a sudden death caused by a violent cataclysm. Accounts also speak of a layer of radioactive ash that was discovered in the soil during the excavation of the sites, but these claims are somehow subject to debate due to lack of additional evidence.

Because the two cities were leveled to the ground at the same time, although there was a considerable distance between them, but were part of the same culture, further hints at events described in the Mahabharata, particularly in the 7th book entitled Drona Parva after the leader of a great army participating in the Kurukshetra War.

We beheld in the sky what appeared to us to be a scarlet cloud resembling the fierce flames of a blazing fire. From that mass many blazing missiles flashed, and tremendous roars, like the noise of a thousands drums beaten at once. And from it fell many weapons  winged with gold and thousands of thunderbolts, with loud explosions, and many hundreds of fiery wheels.”

We can only speculate if the Vedas text describes an atomic bomb explosion, or a different weapon of mass destruction the ancients possessed. But, the not-so-few accounts and abnormal objects encountered in the desert speak in favor of a past that we have barely discovered and even less have understood.

Were there really flying vessels similar to our own back then? Were these “gods” described in the Hindu scriptures mortal men that have reached a higher level of technological evolution? Or rather o group of extraterrestrial beings that have descended upon the Earth in archaic times?


References:

  1. https://alienpolicy.com/this-curious-desert-glass-emphasizes-the-idea-of-ancient-nuclear-warfare/
  2. http://news.bbc.co.uk/2/hi/science/nature/5196362.stm
  3. https://www.gaia.com/lp/content/do-hindu-texts-describing-the-flying-vimanas-also-detail-a-nuclear-war/?utm_source=facebook%2Borganic&utm_medium=gaia&utm_term=lp&utm_campaign=evergreen&ch=st
  4. https://www.quora.com/How-old-are-the-Mahabharata-and-Ramayana
  5. http://blog.world-mysteries.com/science/ancient-weapons-of-mass-destruction-and-the-mahabharata/

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Ancient

The Janibekov effect and other indirect evidence of the existence of antediluvian civilization

Recently, in the northeast of Siberia, archaeologists have discovered the sites of ancient people thirty thousand years old. Before that, it was believed that the first people appeared there fourteen, fifteen millennia ago, that is, approximately when mammoths, cave lions and woolly rhinos disappeared. 

People were still considered to be responsible for the disappearance of these animals. Allegedly, the ancient people, who lived by hunting and gathering, mercilessly exterminated these animals for several centuries until they completely destroyed their population.

The decline in the number of rhinos and other animals does not coincide with the appearance of humans in this region, said the professor of evolutionary genetics at the Center for Paleogenetics Love Dalen.

New archaeological data refute this theory and testify in favor of some kind of global catastrophe that happened about 13 thousand years ago.

According to one of the versions, regular global cataclysms on Earth occur due to a regular change of poles (the Janibekov effect).

The Janibekov effect is the intermediate axis theorem, or the tennis racket theorem in classical mechanics – a statement about the instability of the rotation of a rigid body about the second principal axis of inertia. (Wikipedia)

The Janibekov effect and other indirect evidence of the existence of antediluvian civilization
The Janibekov effect and other indirect evidence of the existence of antediluvian civilization

It is believed that periodically, in the interval from 600 to 650 thousand years, the earth’s poles change, which is accompanied by global catastrophes. This is usually accompanied by powerful volcanic eruptions, intensified seething of mud springs, increased degassing, earthquakes and tsunamis, which ultimately leads to fatal changes in the climate and topography of the planet’s surface.

These practically proven facts about the global catastrophe that happened on Earth 13 thousand years ago also indirectly confirm the possible existence of an ancient (antediluvian) civilization in the northern part of the planet.

There is almost no intelligible evidence of the high development of antediluvian civilizations. There are controversial and unrecognized by science artifacts, legends, myths, traditions, strange anomalous areas, the poorly explored bottom of the ocean, probable places for mining stone and other minerals. 

All of this is either poorly researched or deliberately rejected and declared falsification. There are unique ancient structures made of stone, and their design features, construction methods and quality of stone processing are so high that sometimes they even surpass the capabilities of modern civilization.

The Janibekov effect and other indirect evidence of the existence of antediluvian civilization
The Janibekov effect and other indirect evidence of the existence of antediluvian civilization

According to the testimony of some enthusiastic researchers, namely, they are trying to unravel the mysteries of history and return historical science itself to the mainstream of truth, traces of some ancient civilization have been preserved on the Kola Peninsula. 

Most likely – Atlantis, (or Hyperborea), because somewhere in this area supposedly was the legendary island of Atlantis.

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Ancient

A fierce embodiment of Earth: The Mayan structure used for direct dialogue with the gods

Scientists at the Smithsonian Tropical Research Institute (STRI) working in Guatemala have found evidence of the ritual significance of the classic Maya pairings. They found a structure the likes of which had never been found in Mesoamerica.

According to EurekAlert, archaeologists visited the city of Ksultun, where an ancient bathhouse was found earlier. She received the name Los Sapos. Scientists have long known that the Maya built a kind of steam room – their baths, according to their principle of operation, were designed for profuse sweating.

These baths were believed to have religious significance. They also sent here for treatment, brought women in labor. However, new research showed that the importance of such structures was even more important. The fact is that the Los Sapos bath, dating from the early classical period (250-550 AD), turned out to be unlike any other ancient Mesoamerican bath.

The researchers concluded that this was not just a place for direct dialogue with the gods. The Maya considered this bath itself an amphibian goddess. Outside, near the entrance to it, scientists found an image of this little-known deity. The goddess is depicted squatting with legs on which iguanas and reed toads sit.

“No other structure in Mesoamerica – a bathhouse or anything else – is like this building,” says STRI archaeologist Ashley Sharp. the amphibian that personified this bath.”

According to lead author of the study, Mary Clarke, the name of this goddess remains undeciphered, although it is written next to the image. Preliminary analysis of the inscription led scientists to speculate that this goddess was responsible for the cycles of pregnancy. The connection between the ideas of the birth of children and the figures of reptiles is often traced in the Maya of the classical period.

She also noted that the Los Sapos baths have been actively used by the Sultun community for about 300 years. But then something important and frightening happened. The fact is that in the “doorway” archaeologists unearthed the remains of an adult man who was buried there around 600 AD.

The analysis showed that after that no one used the bath for another 300 years. Only three centuries after the funeral, someone re-entered this structure. It is interesting that this person or several people had a strictly defined goal – they dug out a burial place and took with them part of the remains.

The rest of them they put in another place, and in the vacated grave they lit a fire. Subsequently, they repeatedly put various offerings to the gods in this grave. Dogs, birds, reed toads and iguanas were sacrificed. Archaeologists found the remains of a child in this pit, as well as numerous stone tools and ceramic shards.

“Archaeologists often find clusters of artifacts that were probably dedicated to places of worship, but rarely is there such an obvious connection between artifacts and objects,” Sharpe says. “From the image on the outer wall of Los Zapos, we know it was a ‘steam room’ “It was a rare occasion for us to associate offerings with the role that this structure played in the life of the community.”

According to the authors of the work, the offerings were probably an attempt to seek help from the goddess who personified Los Sapos. Moreover, it could even be the last attempt to please a supernatural being and prevent the loss of their lands, which were abandoned shortly after the Mayan collapse in 900 AD.

“This supernatural figure is the fierce embodiment of Earth,” Clarke concludes. “When she is unhappy, she can take revenge or deny people the things they need to survive. they negotiated with this goddess for their survival. “

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Ancient

Secrets of the Forbidden City are being solved by modern archaeologists

If we compare the millennia during which palaces were built and restored in China with an epic novel, then the Forbidden City in Beijing is its last impressive chapter.

An exhibition celebrating the 600th anniversary of the completion of the Forbidden City opened in Beijing on September 10.  Photo: Jiang Dong / CHINA DAILYAn exhibition celebrating the 600th anniversary of the completion of the Forbidden City opened in Beijing on September 10. Photo: Jiang Dong / CHINA DAILY

The previous pages of this story, although no less amazing, were partially or even almost completely lost during the rise and fall of dynasties and turned into ruins, similar to archaeological puzzles. Experts are still solving them. However, in the heart of Beijing, there is a 720,000-square-meter palace complex built of wood and clay bricks – the last surviving structure of its kind in the world. This area, which served as an imperial palace from 1420 to 1911 and where 24 emperors once lived, celebrates 600 years since the completion of construction this year.

In honor of this event, the Umen Gate galleries at the entrance to the Imperial Palace Museum became a kind of lobby, where visitors to the exhibition “Eternal Splendor: Six Centuries in the Forbidden City” enter. It will run until November 15th.

“There is so much that has happened in 600 years that can be said,” says Zhao Peng, director of the museum’s architectural heritage department and chief curator of the exhibition. “It is best to focus on the ‘city’ itself, that is, on architecture: to understand how this place was formed and modified … This is the crystallized wisdom and talent of the ancient Chinese. “

Yet it is not easy to select just 450 items, including structural elements and imperial relics, to reveal a panorama of such architectural splendor. In order to chronologically show how the complex originated, expanded and developed with the help of the exhibits, 18 significant years were selected from the entire centuries-old history. 

“These time periods help to see a fuller historical picture,” Zhao says.

In 1406, Zhu Di, the third emperor of the Ming Dynasty (1368-1644), proposed to move the capital from Nanjing (today it is the administrative center of Jiangsu Province) to Beijing in order to better guard the northern borders. Zhu Di himself lived in Beijing as a prince.The Forbidden City was built according to rules derived from centuries of Chinese history.

The construction was completed in 1420, after almost ten years of preparation and three years of active work. The following year, the capital was officially moved to Beijing.

“A striking feature of the Forbidden City is how, despite the changing eras, certain architectural forms are strictly adhered to,” Zhao says. “This reflects traditional Chinese thought that emphasizes the importance of ritual and harmony between people and the sky.”

The Forbidden City was built according to rules derived from centuries of Chinese history. The exhibition presents “Notes on the Study of Crafts” (Kaogongji) – a treatise that spells out the basics of building a palace. It was published during the Spring and Autumn Period (770-476 BC) and is part of the classic Chinese work Zhou Rituals (Zhouli) on rituals and notions of order.

“Notes on the Study of Crafts” regulate the symmetrical layouts of the capital cities, in the center of which on the north-south axis should be a palace. The historic districts of modern Beijing, including the Forbidden City, fully comply with this rule.

“Finally, this ideal layout, which has been guided for nearly 2,000 years, has been faithfully embodied in Beijing,” Zhao says.

Following the rituals is reflected in the architectural details.

For example, only the roof of the Hall of Higher Harmony – the most prestigious structure in the palace, where the most important ceremonies took place – can be decorated with ten figures of deified beings. The simpler the roof is decorated, the lower the status of the building.

The Hall of Supreme Harmony also has 11 rooms – more than any other building in the complex. (In ancient Chinese architecture, a room was a square space between four columns.)

Roof shape is another important indicator by which you can determine the status of a building. For example, the roof of the Hall of Higher Harmony is four-pitched and two-tier, its ends protrude and bend upwards. Only buildings of the highest status can have such a roof.

In 1734, Emperor Yongzheng of the Qing Dynasty (1644-1911) issued an official guide to the construction of palaces. The book, which is over 2,700 pages, spells out all the architectural criteria, including the size of the columns and the decoration of the roofs. According to Zhao, this is an important milestone in the history of the fusion of rituals with Chinese architecture.

The Forbidden City in Beijing has two older brothers. When Zhu Yuanzhang founded the Ming Dynasty and became emperor, he made the capital of his hometown, which is today in Fengyang County, Anhui Province. However, the construction of a huge palace complex for unknown reasons suddenly stopped, and Zhu Yuanzhang decided to build an imperial city in Nanjing.

The Gate of Supreme Harmony is one of the most visited attractions of the palace complex. Photo: Courtesy of CHINA DAILY

Both imperial cities fell into ruins, but some important details have survived to this day, such as stone fences and tiles in the galleries of the Umen Gate. They help to imagine what the early architecture of the Forbidden City might have looked like.

“The original appearance of buildings can often be seen in the paintings,” says the deputy director of the architectural heritage department of the museum, Di Yajing.

No matter how the new emperors followed the precepts of their ancestors, it is clear that they wanted to decorate their new home. “The Ming emperors preferred simple yet stately architecture, and therefore large buildings were built during their reign,” Di says. “However, the Qing emperors tended to be more sophisticated.”To understand whether the pictures correspond to historical reality, you need to conduct additional checks

Sometimes this was a forced decision, since it was difficult to find giant pieces of valuable timber to renovate the palace. However, the Qing emperors demonstrated their wealth and status with handicrafts of the most skillful work. Thanks to Emperor Qianlong (1711-1799), who adored fine arts, this trend reached its peak. In 1766, he ordered the construction of the Palace of Serenity and Longevity in the Forbidden City, where he planned to live after leaving the throne. The garden of this palace has become a real treasure trove of exceptional decorative objects.

The lacquered gauze fabric, which used to be placed on the window, allows visitors to appreciate its uniqueness, because the garden has never been opened to the public before. The decor of this silk combines techniques such as paper cutting, gilding, dyeing and varnishing. This means that several artisans worked on its creation at once. 12-ply fabric is paper thin.

“We tried to replicate this decor, but even modern manufacturing techniques did not help us,” Dee says. “This lost technique reminds us that cultural heritage must be carefully preserved.”

Complex renovation of the main buildings of the complex has been going on since 2002. Although it was originally planned to be completed by a round date this year, in the end the architects decided not to rush to complete the work with full responsibility and respect for history.

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