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Mankind’s Forbidden History Holds The Answer For The “Missing Link”

It is perhaps the most convoluted puzzle to ever exist, a timeline which pits some of today’s most dominant dogmas, whether scientific or theological, in an unrelenting war against one another. The history of human civilization and evolution. Today most would refute the Christian story of Genesis, dubbing it a fictional parable clouded by fantasy and nonsense.

Infamous proponents of Evolution Theory or natural selection, such as Richard Dawkins, are keen on discrediting the creationist theory, yet even with the powerful backing of the science community evolutionists fall short to provide us with the proper narrative that explains our leap from Homo-erectus (our ape-like ancestors) to Homo-sapiens  (modern man). The missing link – our biggest conundrum.

Today there exists many alternative theories that aim to explain mankind’s speedy evolution. The Ancient Astronaut Theory is perhaps one of the most controversial of the bunch. This theory takes researchers back in time to the cradle of civilization in the Middle-East, the ancient land of Mesopotamia. The Sumerian Cuneiform tablets, uncovered in the 17th century, provide modern man with a new understanding of our history.

This lost knowledge has been slow to make its way into mainstream thought and is just now beginning to air on television on both the History and Discovery Channels. Accurately decoding the complicated language of the past has taken archaeologists many decades, but fortunately today these ancient scriptures have come to light for all the public to view.

Access to scripts such as the Book of Enoch, the Nag Hamadi Gospels, the Book of Jubilees, among other historical texts help to broaden our knowledge base relative to the writings in the Canonical Bible; many of these documents predate the Canonical Bible by thousands of years, shedding light on the origins and influences of the familiar stories told therein having an immense influence on Western thought.

Many would be shocked to discover the great Deluge hero Noah was actually a Sumerian King. In the Epic of Gilgamesh, one of the longest known stories involving the King of a Sumerian city called Uruk, Noah is visited by a King and told of the coming cataclysm, the great flood.

Sadly, the funding for early archaeological inquiries was closely controlled and channelled by early church authorities, in particular the Roman Catholic Church. A mandate was issued to fund only the archaeological explorations that perpetuated the story told in the canonical Bible, established by the same institution at the Council of Nicea, 343 CE.

Due to the majority who were uneducated in the past, the task of knowing the truth was often delegated to authorities. Fortunately today knowledge and information distribution is rampant among the internet, and the power is now left in our hands as the efforts of past decoders is finally being disseminated to the world.

When one realizes that the God from the Old Testament Yahweh, was none other than the local deity of the Sumerian city of Ur, Enlil, the truth is revealed. Enlil and his various relatives were venerated as gods in various temples from Nineveh to Assur to the Sumerian city of Ur to name just a few.

Similarly, his brother Enki and his children Nannar and Innana also had temples in prominent cultural and trade portals within the region. More importantly, Enlil was not acting alone, but rather in consort with others referred to as the Anunnaki.

Enlil and his brother, Enki, are mentioned in the Genesis and the more historical Clay Tablets as participating in genetic trials to produce a primitive worker, Homo sapiens.

A very detailed account is provided of a clinical trial that results in the archetype for the human race, “Adam,” being birthed. The trial was conducted by Enlil’s half-sister, Ninmah, and his half-brother Enki, in an African laboratory.

The historical records appeal to even the most scrutinizing scientist who readily recognized the threshold of knowledge required to discuss a topic such as genetic engineering in a document almost 5000 years old which provides a more detailed account of the creation of man, one that makes sense technically and historically versus the précis version provide by the Bible, although in many cases complementary.

This would perhaps explain the age of Noah, who was said to be 600 years old at the time of the great flood. Noah was the son of a “deity” according to the Bible. Could this father “deity” really be an extra-terrestrial being which gave rise to Noah’s lengthy lifespan?

Various deities in Sumerian and Egyptian records had also known as (AKA) names which seemed to span long periods of time and were found throughout various ancient texts. For example, the Akkadian god Sin was also known as the moon god Nannar, son of Enlil. His sister, Inanna also sported the symbol of the crescent moon and had temples throughout Mesopotamia. She was known as Ishtar to the Akkadians.

The Greek historian Herodotus lived in the 5th century BCE and hailed from Ionia; he delineated the Egyptian civilization into three dynasties and the model is still used by Egyptologists today. Mantheo, the Egyptian priest-historian agrees with the three dynasties, except adds one more dynasty which was ruled by the “gods” alone.

He states the first dynastic rulers of Egyptian gods ruled for 12 300 years [1]. It is interesting to note that in the Sumerian texts, Enki was assigned the regions of Egypt and Africa by his father Anu, on or before 3760 BCE. It just so happens that the Jewish calendar, whose origins are from the Sumerian city of Nippur, begins its count in 3760 BCE as well.

The Sumerians claimed that all aspects of civilization were taught to them by the deities that were worshipped in the temples of Mesopotamia. Detailed knowledge about the Earth’s orbital plane, tilt axis, spherical shape, and precession behaviour of its equinox were known by the Sumerian deities, who were also credited for the construction of the Zodiac.

Contrast this detailed level of knowledge in Sumer with that possessed in Europe during the Middle-Ages. Scientists and church authorities in Europe were at odds whether the Earth was round or flat while the people of Sumeria and the surrounding region had advance mathematics, metallurgy, law codes, and produced many civilization first inventions and advanced achievements. [2]

The correlation between the God of the Old Testament and the Sumerian god are apparent; the Sumerian storm God, Enlil, can be considered the God of wrath and vengeance in the Old Testament. When discussing religious truth, there is what the ruling party or superpower believes and what the subordinated cultures believe which is given a derogatory label as pagan or occult.

An example of this is taking place and manifesting presently in the Middle East where religious factions representing Christianity, Judaism, and Islam are waging war in the ancient land of Canaan, near Mount Megiddo located south of Israel. Warring factions whose genealogy originates from Sumer are still in conflict today.

The devotees of Enlil, AKA Yahweh the God of the Old Testament, stand toe to toe with the followers of Enki, still at odds with each other of the domination of the Earth. Could the conflicts involving the countries of Iran, Iraq, Syria, and Israel be a result of the past wars that took place between the “gods” Enlil and Enki and their offspring as written about in  “War of Gods and Men” by Zecharia Sitchin ?

According to Sumerologists, the term AN.UNNA.KI literally is interpreted as those who from “heaven to Earth came.” The key point to note early on is the affiliation of the term “heaven” with the claimed planet of Anunnaki origin, namely  Nibiru  as detailed in “The 12th Planet” by Sitchin.

Additionally, from the list of characters detailed as “deities” in Mesopotamian literature we know that the head of the Anunnaki council of 12 was chaired by Anu, the father of the two key players and half-brothers Enlil and Enki.

NI.BI.RU is composed from the now digitized cuneiform script, listed in Unicode as 1224C, 12249, and 12292. Thus, a more accurate interpretation of the word Anunnaki is those who from Anu to the Earth came or were sent.

Equating the planet Nibiru with the word Heaven, as used in the Bible, is an important detail when re-examining prayers like “Our father who art in Heaven…,” shining a whole new light on who the Father in Heaven actually was, namely Anu (ruler of the Anunnaki and father of Enlil and Enki). Thus, the prayers must have originated from Anu’s extra-terrestrial children on Earth.

What was the reason the Anunnaki left Nibiru to come to Earth? According to Sitchin and other authors on the subject, Nibiru, located beyond Pluto, is trapped in a 3600 year retrograde elliptical orbit around our Sun.

According to Sumerian maps and reports from 1983 IRAS Naval Observatory by Dr. Harrington, discovery of a large planet in the region Nibiru was reported to reside near where the Sumerians indicated, beyond Pluto.[8] In short, the Anunnaki home planet is real and inbound to perihelion circa 1400 years from now.

Brown dwarf planets, as we know, do not receive significant solar radiation to keep the surface temperature habitable. The atmosphere on Nibiru was generated either artificially or from gases and released steam from the geothermal heated planet.

According to Sitchin’s published history timeline [6] approximately 450,000 years ago, life on Nibiru was facing extinction due to a deteriorating atmosphere and the subsequent exposure to radiation, especially at close Perihelion with the Sun.

One of the leaders of Nibiru traveled inwards and landed on Earth, discovering Earth’s surplus of gold. Because of their advancements in technology, the Anunnaki could use gold to save the failing atmosphere of Nibiru by dispersing the ionized particles into the planet’s atmosphere.

Anu and his two sons Enlil and Enki eventually came to excavate Earth for the gold as well, however, Enlil and Enki kept their distance due to a rivalry. According to Niburian inheritance rules, Enlil was the rightful heir due to his position as son of Anu and Anu’s Sister.

Enki was only son of Anu, his mother wasn’t of royal blood. The female contribution to genetic material includes mitochondrial DNA which the male does not. Enki was assigned mining operation in Africa, Enlil in Mesopotamia, and a granddaughter named Inanna was given the Indus Valley region. The division took place and was finalized in 3760 BCE.

To increase efficiency, the higher ranking members of the Anunnaki brought several subservient workers to help with gold mining labour (known as Watchers or Igigi). The Igigi worked hard for some time, but inevitably grew tiresome of their slave conditions and revolted against the Anunnaki.

This forced the Anunnaki to establish a new plan, one that developed a hybrid being, a primitive worker, to replace the Igigi gold diggers. The Homo-sapiens.

The Formation of Our Solar System According to Sumerian Text

The following is a summary of the formation of our solar system according to the Sumerian epoch, Enuma Elish. According to the text, told in an allegory of celestial warriors, ten planets composed our solar system.

Earth was not yet formed, as it was then part of a larger planet called Tiamut, which eventually crashed into Nibiru during the initial formation of the planet’s orbits, leaving behind an immense trail of debris from which the Earth formed, along with the asteroid belt.

During this cataclysm the mass of the forming Earth also captured Nibiru’s moon. It is theorized that this initial disaster transferred the original seeds of life to Earth, a form of accidental Panspermia.

The significance of the Sumerian’s Epic of Creation specifies one additional planet in our solar system, the Anunnaki’s home planet Nibiru, who’s aphelion is positioned  beyond Pluto in a 3600 year retrograde orbit around the Sun. Dr. Robert S. Harrington, chief of the U.S. Naval Observatory used an infra-red satellite, IRAS, to locate a large planetary body which was causing wobbles in the orbital paths of Uranus and Neptune.

The IRAS produced results indicating a large brown dwarf, four times larger than the size of Earth, had been located without question. Harrington and Van Flandern of the Naval Observatory, published  their findings and opinion that a tenth planet had been located in our solar system, even calling it an intruder planet. [3]

Harrington met with Sitchin to correlate the IRAS findings with the Babylonian Epic of Creation, the Enuma Elish. Given the evidence reported by IRAS, other space probes like Pioneer 10 and 11, Voyager, and the corroborating orbital path, planet size, and retrograde characteristics of the tenth planet, Harrington agreed with Sitchin that it was Nibiru. [3]

As so, the passage of a tenth planet the magnitude of Nibiru between Mars and Jupiter would certainly have a noticeable impact every 3600 years. With this in mind, it is highly probable that Nibiru’s passage may be responsible for pole shifts and reversals, changes in the Earth’s precession about its axis, and potentially dangerous meteors and space debris drug along from the asteroid belt inbound to Perihelion.

Unusual artifacts found around the world, those that seem to contradict the know abilities of the civilization under analysis, are not hard to find. Examples include hieroglyphs from the Egyptian temple of Abydos, depicting rockets, airplanes, submarines, and even an advanced helicopter.

There is also an Iraqi battery find, precision stone masonry and architecture using megalithic stones. Of all the material accessible to a culture, why use the most difficult material as possible? Massive 1000 ton blocks.

Findings from around the world to include model airplanes, incredibly sophisticated solar and lunar temples aligned to solstice and equinox alike, along with tens of thousands of advanced beings teaching civilizing technologies to indigenous peoples points overwhelmingly to the fact that the Anunnaki were here on Earth.

Sitchin was instrumental in getting the Sumerian details about the Anunnaki records for the world to see. It has taken over 100 years for the information to be accepted thus far. Tablets are now digitized for translation speed and accuracy. [4]

An important point to mention is that the Sumerian flood account was clearly copied and modified to create the Genesis account, written by Hebrew priests being held captive in Babylon, where they had access to the true story of the great flood but chose to placate Enlil as their chosen monotheistic ancient astronaut god.

After all, they were scared to death of Enlil’s wrath. Genesis 6 describes the background scene to the great flood, leaving out all references to the other members of the Anunnaki council in the Torah narrative.

Please take notice of the cross necklaces worn by the Anunnaki,

thousands of years before Christ’s crucifixion — What does this imply?

Genesis 6:1-8 (NIV)

When human beings began to increase in number on the earth and daughters were born to them,the sons of God saw that the daughters of humans were beautiful, and they married any of them they chose. Then the Lord said, “My Spirit will not contend with humans forever, for they are mortal; their days will be a hundred and twenty years.”

The Nephilim were on the earth in those days—and also afterward—when the sons of God went to the daughters of humans and had children by them. They were the heroes of old, men of renown.

The Lord saw how great the wickedness of the human race had become on the earth, and that every inclination of the thoughts of the human heart was only evil all the time. The Lord regretted that he had made human beings on the earth, and his heart was deeply troubled.

So the Lord said, “I will wipe from the face of the earth the human race I have created—and with them the animals, the birds and the creatures that move along the ground—for I regret that I have made them.” But Noah found favour in the eyes of the Lord.

Enlil (God in the Hebrew Genesis) did not create man, but rather, his half-brother Enki and their sister Ninmah were more so involved in the genetic manipulation, as evidenced in the Atrahasis, predating the Genesis account by 1700 years.

Enlil apparently wiped out man because of their incessant noise, although this motive seems bleak, and considering the animosity between Enlil and Enki, one must only consider that Enlil’s motive behind wiping out mankind had something to do with the fact that Homo sapiens were seeds of Enki and thus had the potential to rise up against Enlil. Enlil was a ghost writer of the Bible, and consequently the truth was distorted to benefit the latter.

Furthermore, the “plant of knowledge of good and evil”, the “forbidden fruit”, was present in Enki’s first outpost city of Eridu. Enlil (AKA Jehovah/God) tells Adapa (Adam) in Eridu’s Garden of Eden that if he eats the fruit he will die. Enki counteracts this lie and tells Adapa he will surely not die but instead become “like one of us, the gods”.

Thus, there seems to be a transformational effect produced by this plant that changes human consciousness. In any event, Enki tells the truth and is demonized and symbolized as a snake, while Enlil lies, and promotes himself as God.

This lie, the fact that Adam did not die but rather became aware of his nakedness, attests to not want the plant of the knowledge of good and evil consumed. It was about controlling the access to higher consciousness, frowned upon by Enlil.

Mankind was Enki’s proud creation with the help of his relative Ninharsag, which successfully alleviated the Anunnaki’s toils of gold mines just as he promised. Enlil said he was tired of man’s noise, and wanted Enki to release some form of disease to wipe them out.

Of course, Enki defied his brother and offered guidance and protection of man. Enlil continued to order the death of the Homo sapiens, and afflicted man with sickness, headaches, and other disease. [7] To finalize the death of man, Enlil orders Enki to conjure up a great flood. Enki refuses, and the tension continues to build between the two brothers.

Although the Anunnaki had the technological means to manipulate the weather, it is unclear whether the great flood to come was caused by the Anunnaki themselves or by the gravitational forces wrought by Nibiru’s passing of Earth, enroute to a 3600 year solar perihelion.

Regardless of the cause, Enlil took credit to establish his perceived power to punish. Hence the correlation to the Old Testament’s God of Wrath and Enlil’s genocidal attributes.

Enki decided to modify an oath made to withhold knowledge of the impending watery disaster from the people, and instructs his son Atrahasis to build a boat. Enki helps Atrahasis relocate the boat to Mr. Ararat.

Also important to note, the idea that Noah housed a number of animal species on the boat is a misconception. It was animal DNA that was collected and saved. [7]

Thus, Atrahasis is the biblical Noah. Also noted, Ninharsag is later to be called “Isis” in ancient Egypt.

Engineering Humans

According to Sumerian records, one of Enki’s sons, Thoth, was the creator of and key proponent of mankind becoming the “Sons of God” through the awakening of the energy bodies (chakras) and subsequent consciousness, which he designed to be sensitive to the various frequencies affiliated with the radial distance and frequencies caused by a spherical resonator, i.e., the Earth.

One can read the Emerald Tablets to get a sense of the advanced energy knowledge Thoth possessed. Also, as evidenced by his staff the Caduceus, he was an adept geneticist.  Lawrence Gardner in his pre-eminent book Genesis of the Grail Kings , discusses the meaning of the ancient symbol associated with Thoth. Knowledge of energy, matter, and the  human pineal gland  were at play as a function of human consciousness connected to DNA.

Enki designed primitive workers with highly scientific abilities: genetic functional mappings with a human energy body composed of 7 chakras. The chakras provide access to an evolutionary means that allow mankind to continue on its path of conscious expansion.

These seven quantized energy states were intentionally designed by Enki providing mankind an interface for future evolution of consciousness. Enki did not seem comfortable accepting the concept of slavery versus creating a primitive worker that just got a genetic jumpstart with the potential of becoming one of the gods. To the Anunnaki, the mechanism of evolution of consciousness was highly classified.

Could the Sumerian Narrative be the Answer?

Extensive, detailed, and controversial, the Sumerian Creation Epic stands as both an opponent and an adversary to theories of modern science as well as today’s most prominent religious doctrines, a subject of volatile discourse.

These ancient writings help to broaden our knowledge of the origin of mankind while challenging the well-established account told from the Bible.

The Ancient Astronaut Theory may test the beliefs of the majority, as depictions and dramatizations of extra-terrestrial beings in mainstream culture have stifled people’s understanding of the latter, yet one cannot deny the enigma that surrounds the innovations and knowledge that the Sumerians possessed.

Moreover, evolution’s biggest puzzle has yet to be completed – the miraculous leap from Homo-erectus to Homo-sapien. However, the Sumerians offer detailed scientific clarification on this matter.

The fact that numerous indigenous cultures world-wide built monuments which looked to worship the sky, and shared similar stories of “gods” ascending from the “heavens” should beg the question of an extra-terrestrial presence during those times.

There is an uncanny correlation between the stories and knowledge-base of the ancient cultures and the timeline in which they acquired a deeper understanding of astrology, technology, biology, and spirituality, subjects which only gained proper comprehension in the last few centuries.

The Sumerian records stand as one of mankind’s most important collections of history to date. With proper analysis, these writings not only offer insight into our humble beginnings, but they also offer answers about our ultimate fate as human beings.

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By Jeff Roberts,  Collective Evolution ; |  Related article: The REAL Builders of the Pyramids ;

References:

1. Clark, Gerald. The Anunnaki of Nibiru: Mankind’s Forgotten Creators, Enslavers, Destroyers, and Hidden Architects of the New World Order (Book).

2. Sitchin, Zecharia. The Earth Chronicles (Book).

3. Gods, Demons, and Symbols of Ancient Mesopotamia. Jeremy Black and Anthony Green, University of Texas, 2003.

4. Freer, Neil. The Anunnaki and the Myth of a 12th Planet. 2006,  http://www.redicecreations.com/specialreports/2006/01jan/annunaki.html

5. Roug, Louise, Digitizing Cuneiform, LA Times, http://www.ancientsites.com/aw/Post/148092

6. Chew, Feeland. Zecharia Sitchin and a New Synthesis.

7.  http://www.ancienttexts.org/library/mesopotamian/gilgamesh/tab11.htm

8.  http://yowusa.com/planetx/2007/planetx-2007-08b/1.shtml  – See more at: http://humansarefree.com/2014/04/mankinds-forbidden-history-holds-answer.html#sthash.QGASfaLT.uxuhyAGA.dpuf

*Information from this article is taken from Gerald R. Clark’s The Anunnaki of Nibiru: Mankind’s Forgotten Creators, Enslavers, Destroyers, Saviors, and Hidden Architects of the New World Order. For more information regarding the subject please check out his book.*

About author: Just another soul searcher like you my friends, trying to make sense of our human experience. You can email Jeff here.

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Spirituality

Taj Mahal – An Amazing Love Story

The construction of the Taj Mahal (literally translated from the Persian language as “Crown of the Mughals”) was associated with the name of the beautiful woman – Arjumand Bano Begum, or Mumtaz – “Queen of the Soul”.

At 200 kilometers from the capital of India, Delhi, on the high bank of the Ganges tributary – the Jamna – is the five-domed Taj Mahal mausoleum. The white-stone structure surprises and delights with its perfect proportions, an elegant mosaic of colored precious and semiprecious stones, and skillful carving.

The Taj Mahal is a whole complex of buildings. Taj – white, and around the fortress and minarets of red sandstone. The mausoleum has absolute proportions: on the base and height – an exact square, each side of which is 75 meters. Several paths stretch to the Taj Mahal, between them there is water in the pools, first the entire mausoleum is reflected in it, and as it approaches, its individual details.

Local architects worked together with artists from Damascus, gardeners from Constantinople and Samarkand to create the Indian pearl. When creating the interior, interior decoration of the mausoleum, the craftsmen used the best varieties of white, occasionally yellow and black marble, mother of pearl, jasper, agate, emeralds, aquamarines, pearls and hundreds of other stones.

QUEEN OF THE SOUL

Arjumand Bano Begum was only 19 years old when she became the second wife of Prince Guram (future Shah-Jahan). And although the prince had several more wives and many concubines, Mumtaz won the heart of her husband and undividedly owned him until the end of his days. It was an unusually romantic and poetic love. Mumtaz was not only his most beloved wife, but his most faithful companion since the turbulent times when Prince Guram wandered around the world, pursued by his father Jahangir, when he obtained his throne in a fierce struggle with his brothers. In 1627, Guram, having gained a final victory over them and seized his father’s throne, assumed the title of emperor, Shah-Jahan – “ruler of the world”. Mumtaz finally became the queen of India.

Shah Jahan adored his wife and each time he honored her, held lavish receptions and grandiose celebrations in her honor, without her any important ceremony would begin, and not a single state act would be adopted. Mumtaz was present at the meetings of the State Council; her opinion was almost never disputed by anyone.

The portrait of the queen, painted by her contemporary, has been preserved. Violating one of the strictest prohibitions of Islam – to draw portraits of animals and people, an unknown artist skillfully conveyed the beauty of Mumtaz, a white-faced Persian, a pearl of the East.

A happy life together ended abruptly. In the spring of 1636, Mumtaz suddenly fell ill: before dying, she turned to her husband with a request to take care of their eldest daughter, Jahanara Begum, and took an oath from him – to build a tomb worthy of their love, their joint nineteen-year-old married life. Mumtaz’s death shocked Jahan.

WHITE AND BLACK PALACES

Widowed, he commanded the construction of an unprecedentedly beautiful mausoleum. Shah was presented with many different projects, the authors of which were the best of the best architects of the East. Of these, he chose a project created by Indian architect Ystad Khan Effendi. Following this, a twenty-thousand army of builders was driven into Agra: masons, marble cutters, jewelers and handymen. Marble was brought from Makran near Jaipur, sandstone from Sikri, gems from India, Afghanistan, Persia and Central Asia.

The entire complex of the mausoleum was created over twenty two years. Having fulfilled the mandate of “the queen of her soul”, Jahan proceeded to a new, no less grandiose construction – exactly the same mausoleum, but only of black marble, for himself – on the other (left) bank of the Jamna River. According to the Shah’s plan, both mausoleums, like marital chambers, were to be connected by a high lace bridge of black and white marble. Preparatory work has already begun, but this plan, unfortunately, was not destined to come true.

While Shah Jahan was building a new tomb, his sons fought among themselves. Having defeated the brothers, one of them – Aurangzeb – seized power in 1658, killed the brothers, arrested his father and imprisoned him in the Red Fort under reliable guard along with his beloved daughter Jahanara Begum. Shah Jahan spent the last years of his life in the marble palace that he had once built for Mumtaz, from where he could constantly see the Taj Mahal. Here he died on January 23, 1666. Fulfilling the last will of his father, Aurangzeb the next day ordered his body to be transported to the Taj Mahal and to be buried next to Mumtaz without any ceremony or honor.

UNSOLVED SECRET

The Taj Mahal mausoleum stands alone in its inexpressible beauty on the banks of the blue Jamna, reflecting its clean, proud appearance. He appears as a vision from another, better, cleaner world. “The Taj Mahal has a secret that everyone feels, but no one can interpret.”

“The Taj Mahal attracts you like a magnet. You can stand for hours and all look and look at this marvel, at this fabulous ghost, ascending into a bottomless azure sky. The illumination of the Taj Mahal changes like a mirage. It glows from the inside, changing hues depending on the position of the sun: it suddenly turns light pink, then bluish, then pale orange. At night, under the moon, against a black sky, it looks dazzling white. Just coming very close, you notice that he is covered in the finest patterns woven over white marble, the marble blocks are encrusted with gems and seem to shine through, emitting a flickering light.”

The dazzling white walls of the mausoleum are covered with mosaics – garlands of flowers made of precious stones. Branches of white jasmine from mother-of-pearl shimmer with red pomegranate flower from carnelian and delicate tendrils of grapevine and honeysuckle, and delicate oleanders peek out from the lush green foliage. Each leaf, each petal is a separate emerald, yacht, pearl or topaz; sometimes there are up to one hundred of such stones for one branch of flowers, and there are hundreds of similar ones on the panels and grids of the Taj Mahal!

DEATH NOT SHARED

In the central hall of the mausoleum are two sarcophagi sculpted from white-pink rocks of marble, decorated with floral ornaments. These are the cenotaphs of the dead, symbolic projections of those who are in the lowest part of the mausoleum. There, in the underground vaulted room, dusk reigns. Both tombs with the remains of the royal spouses, Mumtaz and Jahan, like a screen, are surrounded by a white marble carved fence about two meters high, decorated with fabulous flowers – red, yellow, blue, along with green garlands, interlacing of marble leaves and flowers.

What is the power of the impression made by the Taj Mahal? Where does the insurmountable impact on everyone who sees it come from?

“Neither marble lace, nor the thin carving covering its walls, nor mosaic flowers, nor the fate of the beautiful queen — none of this alone could make such an impression. There must be a reason for something else. However, something in the Taj Mahal fascinated me and thrilled me. … It seemed to me that the mystery of the Taj Mahal is connected with the secret of death, i.e. with that secret, regarding which, in the words of one of the Upanishads, “even the gods were at first in doubt.” Above the tomb, where the queen’s body lies, a light burns. I felt that this is where the beginning of the clue lies. For the light shimmering over the tomb, where its dust lies, this light … is a small transient earthly life. And the Taj Mahal is a future eternal life.”

PLACE OF PILGRIMAGE

The creation of the Taj Mahal dates back to the time of the conquest of India by Muslims. The grandson of padishah Akbar Jahan was one of those conquerors who changed the face of a vast country. A warrior and statesman, Jahan was at the same time a fine connoisseur of art and philosophy; his courtyard in Agra attracted the most prominent scientists and artists of Persia, which at that time was the center of culture throughout West Asia.

The son of Jahan Aurangzeb (“the beauty of the throne,” 1665-1706) was nothing like his father. He was a stern, withdrawn and ascetic-religious monarch. While still a prince, he disapproved of the useless and devastating, as he believed, activities of his father. Aurangzeb spent his entire long and hectic life in military campaigns aimed at maintaining power over the empire.

Aurangzeb raised a rebellion against his father, accusing him of spending all the state revenue on the mausoleum. He imprisoned the former lord in an underground mosque in one of the inner palaces of the Agra fortress. Shah Jahan lived in this underground mosque for seven years; sensing the approach of death, he asked him to be transferred to the so-called Jasmine pavilion in the fortress wall, to the tower of lace marble, where was the favorite room of Queen Arjumand Bano. There, on the balcony of the Jasmine Pavilion overlooking the Jamna, from where the Taj Mahal was visible at a distance, Shah Jahan died.

This is the brief history of the Taj Mahal. Since then, the mausoleum of Queen Mumtaz has gone through many vicissitudes. During the wars that continued in India in the 17th and 18th centuries, Agra repeatedly passed from hand to hand and was often plundered. The conquerors removed the large silver doors from the Taj Mahal, carried out precious lamps and candlesticks, and tore ornaments from precious stones from the walls. However, the building itself and most of the decoration remained intact. The Taj Mahal is now restored and carefully guarded.

But today, the Taj Mahal is partially dressed in scaffolding due to the fact that cracks appeared on the walls. The marble Taj Mahal weighs many hundreds of thousands of tons. A huge mass presses on the soil, and it gradually settles. Over the past centuries, as a result of soil displacement, the mausoleum leaned toward the river, although it is invisible with a simple eye. Once the high-water Jamna came close to the building, but then the river became shallow and receded. This last circumstance changed the structure of the soil and also affected the stability of the mausoleum. Now it is decided to plant trees on the banks of the Jamna in order to stop soil erosion.

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Spirituality

Image of the Antichrist on a 14th-century fresco – who painted it and why?

The Antichrist, unlike Christ, the Son of God, is not the son of Satan, but a simple man. In Christian ideology, the Antichrist will appear shortly before the end of the world. Antichrist will be descended from Dan. This is one of the so-called 12 Tribes of Israel – the descendants of the sons of Jacob, who formed the Israeli people.

Antichrist will become an authoritative ruler of people, will arrange persecution of the righteous. This period in the Revelation of John the Theologian is called the Great Tribulation.

There was no specifics in the Bible about the Antichrist, so all further assumptions are futurism based on treatises of symbols and various interpretations. In particular, Calvinist Anthony Hoekema in his book “The Bible and the Future” believes that up to 75% of people will die during the Great Tribulation and this period will last for seven years.

And then, all Christians are united in this, there will be the Second Coming of Jesus Christ and the Last Judgment. When all sinners – both living and dead – will get what they deserve, the righteous will receive eternal paradise.

Christians were afraid of the Antichrist, so he was like Voldemort in Harry Potter – the one whose name cannot be called. Well, to portray him was generally forbidden.

The first image of the Antichrist appeared already in the XIV century. And its bold author – Vitale da Bologna – lived a transitional period from the Middle Ages to the Renaissance. It was during this period that it became possible to show freedom of creativity.

In northern Italy there is the Pomposa Monastery, which in the 9th century was founded by Benedictine monks. Over time, the monastery turned into a party place for people of art. The walls in the cathedral of this monastery were painted by Vitale da Bologna.


Even closer to the wall … Look at the bottom right … Take a closer look.


Here is the image of the Antichrist on the wall from an old Italian mural of the 14th century. 


Frescoes in the Cathedral of Pomposa, the image of the Antichrist is highlighted in red

Here lived the famous medieval musician Guido d’Arezzo. He reformed musical notation, prescribed a new scheme for the designation of keys and intervals. It’s d’Arezzo that we owe modern letter designations in music, for example C sharp major.

The famous Petr Damiani, a poet, philosopher and theologian, worked a lot in the monastery. Despite the fact that all art was saturated with Christianity (the culture of scholasticism of the Middle Ages!), creativity found its way. People tried to realize bold ideas for their time.

As often happens, where there is art and creativity, freedom of morals arises there. After all, art must be true. Art must find paradoxes in our reality, notice inconsistencies and vividly declare them! But art in the service of the state, in the strict framework of those in power, is already PR propaganda.

But back to our hero. He really wanted to add brightness to his religious canvases and he was drawn to ominous plots. After all, there you can truly imagine the whole storm of emotions!

The monks ordered the painting “The Last Judgment” from him. And Vitale da Bologna painted the walls of the cathedral at the request of the customer, and on the pretext of realism added the Antichrist there. And so this first image of the chief man who was in the service of Satan appeared.

However, customers demanded to depict it as disgusting as possible. The image of the Antichrist turned out to be some kind of fictional, phantasmagoric – more reminiscent of the devil from fairy tales. But the antichrist, as we recall, is a man!

Attempts to portray the Antichrist were made in the future, but these were more episodes. So, for example, the Antichrist was seen by another Renaissance artist Luca Signorelli.

Luca Signorelli. Fragment of the painting “The Sermon and Works of the Antichrist”, 1500

Here, the Antichrist looks like Christ, only with an ominous expression. And Satan whispers his thoughts, who looks like an ordinary petty demon.

And it is this picture of Signorelli, in our opinion, which better illustrates the real image of the Antichrist. He is an ordinary person. Which, most likely, will consider that it is doing the right thing and for the good of mankind. After all, logic is a double-edged weapon, it is always ready to justify any crime with great reasonable goals.

14th century fresco called “The Funeral of Satan”

In the Middle Ages, striped clothing was treated extremely negatively, there was even a case when a shoemaker was sentenced to death for wearing striped clothing. It happened in 1310 in the French city of Rouen. In those days, striped clothing was considered devilish.

Among the many excellent medieval frescoes in the Verona Cathedral, there is one especially curious. It is called “The Funeral of Satan” and depicts an enemy of the human race lying under a striped veil on his deathbed. Actually, it is the color of the veil and the appearance of Satan that attracts attention.

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Spirituality

A yogi who has lived for more than 70 years without food and water has passed away in India

In the Indian state of Gujarat, the yogi Prahlad Jani died at the age of 90, claiming to have discovered the “elixir of life,” which allows him not to eat food and water for at least 76 years, reports NDTV.

According to the assurances of the followers, and there was plenty of them at the holy hermit, Prahlad Jani died on May 26 in his native village of Charada, where he was brought at his personal request a few days ago. For two days, his body will be in the ashram so that followers can say goodbye to the mentor.

Prahlad Jani was known for statements that he has not eaten and has not drunk since childhood – according to some sources, from 8-9 years old, according to others, from 14. Doctors twice, in 2003 and 2010, conducted a comprehensive examination of Chunrival Mataji, as they called a yogi, and the second time he was two weeks under the supervision of employees of the Defense Institute of Physiology and Related Sciences of India. During this time, he did not eat a crumb, did not drink a drop, did not meet his natural needs, while his bladder was filled with a small amount of urine, but then it was absorbed into the walls.

“We still do not know how he survives,” said neurologist Sudhir Shah from a recent examination.

Jani himself assured that in childhood he was blessed by a goddess, after which he left his native home and refused food and water.

A number of foreign researchers questioned the findings of Indian colleagues, pointing to the imperfection of control systems.

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