Colossal Sculptures and Rock-cut Architecture Around the World – Europe
This is a list of colossal sculptures and rock-cut artchitecture that were carved in situ (or “in place”), sometimes referred to as “living rock”. Most of these were carved in ancient times.
The Hypogeum of Paola, Malta
The Hypogeum of Paola, Malta, literally meaning “underground” in Greek, is a subterranean structure dating to the Saflieni phase (3000-2500 BC) in Maltese prehistory. Thought to have been originally a sanctuary, it became a necropolis in prehistoric times, as is proven by the remains of more than 7,000 individuals that have been discovered during the course of the excavation. It is the only prehistoric underground temple in the world. The Hypogeum was depicted on a 2 cents 5 mils stamp issued in the Maltese Islands in 1980 to commemorate the acceptance by UNESCO of this unique structure in the World Heritage Site list. It was closed to visitors between 1992 and 1996 for restoration works; since it reopened only 60 people per day are allowed entry.
It was discovered by accident in 1902 when workers cutting cisterns for a new housing development broke through its roof. The workers tried to hide the temple at first, but eventually it was found. The study of the structure was first entrusted to Father Manuel Magri of the Society of Jesus, who directed the excavations on behalf of the Museums Committee. Magri died in 1907, before the publication of the report. Following Magri’s sudden death, excavation resumed under Sir Temi Zammit.
|There is an account that in the 1940s a British embassy worker, Miss Lois Jessup, went on a tour of the Hypogeum and persuaded a guide to let her explore a 3 ft. square “burial chamber” next to the floor of the lowest room in the last [3rd] sub-level. She claims that after squeezing through this chamber she came into a large room; where she was standing there was a large cliff with a steep drop and the floor of the cavern could not be seen. Across the cavern there was a small ledge with an opening in the wall. According to Ms. Jessup, a number of “humanoid beings” that were covered in white hair and hunched over came out of this opening. They raised their palms in her direction and a large gust of wind filled the cavern, extinguishing the light of her candle. She then claimed that she felt something brush past her. When she went back to the Hypogeum on another occasion, she was told no such tour guide had ever worked on the site. Sometime after Miss Jessup’s first visit, a group of school children and their teacher visited the Hypogeum on an outing and entered the same burial chamber, which then collapsed while they were inside. Search parties could not conduct a thorough search for the children or their teacher due to the cave-in. The parents of the children claimed that, for weeks, they could hear the voices of their young children coming from under the ground in several parts of the island. According to National Geographic’s Ancient X-Files there are no local newspaper reports or accounts from residents about the missing children, making it more likely this was an invented story.
Lion Monument, Switzerland
The Lion Monument, or the Lion of Lucerne, is a sculpture in Lucerne, Switzerland, designed by Bertel Thorvaldsen and hewn in 1820–21 by Lukas Ahorn. It commemorates the Swiss Guards who were massacred in 1792 during the French Revolution, when revolutionaries stormed the Tuileries Palace in Paris, France.
Lion Monument, Luzern, Switzerland The giant sculpture is 6 m [20 ft] high and 10 m [33 ft] long. The upright wall of rock is the remains of a quarry exploited over centuries to build the town.
Mark Twain praised the sculpture of a mortally-wounded lion as “the most mournful and moving piece of stone in the world.”
The Lion lies in his lair in the perpendicular face of a low cliff — for he is carved from the living rock of the cliff. His size is colossal, his attitude is noble. His head is bowed, the broken spear is sticking in his shoulder, his protecting paw rests upon the lilies of France. Vines hang down the cliff and wave in the wind, and a clear stream trickles from above and empties into a pond at the base, and in the smooth surface of the pond the lion is mirrored, among the water-lilies. Around about are green trees and grass. The place is a sheltered, reposeful woodland nook, remote from noise and stir and confusion — and all this is fitting, for lions do die in such places, and not on granite pedestals in public squares fenced with fancy iron railings. The Lion of Lucerne would be impressive anywhere, but nowhere so impressive as where he is. — Mark Twain, A Tramp Abroad, 1880
From the early 17th century, a regiment of Swiss mercenaries had served as part of the Royal Household of France. On 6 October 1789, King Louis XVI had been forced to move with his family from the Palace of Versailles to the Tuileries Palace in Paris. In June 1791 he tried to flee abroad. In the 1792 10th of August Insurrection, revolutionaries stormed the palace. Fighting broke out spontaneously after the Royal Family had been escorted from the Tuileries to take refuge with the Legislative Assembly. The Swiss Guards ran low on ammunition and were overwhelmed by superior numbers. A note written by the King has survived, ordering the Swiss to retire and return to their barracks, but this was only acted on after their position had become untenable.
Of the Swiss Guards defending the Tuileries, more than six hundred were killed during the fighting or massacred after surrender. An estimated two hundred more died in prison of their wounds or were killed during the September Massacres that followed. Apart from about a hundred Swiss who escaped from the Tuileries, the only survivors of the regiment were a 300 strong detachment which had been sent to Normandy a few days before August 10. The Swiss officers were mostly amongst those massacred, although Major Karl Josef von Bachmann — in command at the Tuileries —was formally tried and guillotined in September, still wearing his red uniform coat. Two surviving Swiss officers achieved senior rank under Napoleon.
The initiative to create the monument was taken by Karl Pfyffer von Altishofen, an officer of the Guards who had been on leave in Lucerne at that time of the fight. He began collecting money in 1818. The monument was designed by Danish sculptor Bertel Thorvaldsen, and finally hewn in 1820–21 by Lukas Ahorn, in a former sandstone quarry near Lucerne. Carved into the cliff face, the monument measures a staggering ten meters in length and six meters in height.
The monument is dedicated Helvetiorum Fidei ac Virtuti (“To the loyalty and bravery of the Swiss“). The dying lion is portrayed impaled by a spear, covering a shield bearing the fleur-de-lis of the French monarchy; beside him is another shield bearing the coat of arms of Switzerland. The inscription below the sculpture lists the names of the officers and gives the approximate numbers of soldiers who died (DCCLX = 760), and survived (CCCL = 350).
The monument is described by Thomas Carlyle in The French Revolution: A History. The pose of the lion was copied in 1894 by Thomas M. Brady (1849–1907) for his Lion of Atlanta in the Oakland Cemetery in Atlanta, Georgia.
Source: Wikipedia, the free encyclopedia
Madara Rider, Bulgaria
The Madara Rider or Madara Horseman is an early medieval large rock relief carved on the Madara Plateau east of Shumen in northeastern Bulgaria, near the village of Madara. The monument is dated to about 710 AD and has been on the UNESCO World Heritage List since 1979. Three partially preserved texts in Medieval Greek, carved in the rock, can be found around the image of the rider.
The relief depicts a majestic horseman 23 m (75 ft) above ground level in an almost vertical 100 m (328 ft)-high cliff. The horseman, facing right, is thrusting a spear into a lion lying at his horse’s feet. An eagle is flying in front of the horseman and a dog is running after him. The scene symbolically depicts a military triumph. The monument was created during the rule of the Bulgar Khan Tervel, and is probably a portrayal of the khan himself and a work of the Bulgars, a nomadic tribe of warriors which settled in northeastern Bulgaria at the end of the 7th century AD and after merging with the local Slavs gave origin to the modern Bulgarians. Other theories connect the relief with the ancient Thracians, claiming it portrays a Thracian god.
Statue of Decebalus, Romania
The Statue of Dacian king Decebalus is a 40-m high statue that is the tallest rock sculpture in Europe. It is located on the Danube’s rocky bank, near the city of Or?ova, Romania. It was commissioned by Romanian businessman and historian Iosif Constantin Dragan and it took 10 years, from 1994 to 2004, for twelve sculptors to finish it.
The final cost was over one million dollars. Under the face of Decebalus there is a Latin inscription which reads “DECEBALUS REX—DRAGAN FECIT” (“King Decebal—Made by Dr?gan”). On the Serbian side facing Romania, there is an ancient memorial plaque (Tabula Traiana) commemorating the victories of the Roman Empire over the Dacian kingdom in 105.
Vardzia is a cave monastery site in southern Georgia, excavated from the slopes of the Erusheti Mountain on the left bank of the Mtkvari River, thirty kilometres from Aspindza. The main period of construction was the second half of the twelfth century. The caves stretch along the cliff for some five hundred metres and in up to nineteen tiers. The Church of the Dormition, dating to the 1180s during the golden age of Tamar and Rustaveli, has an important series of wall paintings. The site was largely abandoned after the Ottoman takeover in the sixteenth century. Now part of a state heritage reserve, the extended area of Vardzia-Khertvisi has been submitted for future inscription on the UNESCO World Heritage List.
Soviet-era excavations have shown that the area of Vardzia was inhabited during the Bronze Age and indicated the reach of Trialeti culture. Cave settlements such as Uplistsikhe are known along the Mtkvari River from at least the fifth century BC, while rock cut architecture in the context of Georgian Christianity is known from Zedazeni and Garedzhi from the sixth century AD, and more locally from Vanis Kvabebi, Cholta and Margastani from the eighth century. Four distinct building phases have been identified at Vardzia: the first during the reign of Giorgi III (1156-1184), when the site was laid out and the first cave dwellings excavated; the second between his death and the marriage of his successor Tamar in 1186, when the Church of the Dormition was carved out and decorated; the third from that date until the Battle of Basian c.1203, during which time many more dwellings as well as the defences, water supply, and irrigation network were constructed; while the fourth was a period of partial rebuilding after heavy damage in the earthquake of 1283.
The greater Vardzia area includes also the early eleventh-century church at Zeda Vardzia and the tenth- to twelfth-century rock village and cave churches of Ananauri. The main lower site was carved from the cliff’s central stratum of tufaceous breccia at an elevation of thirteen hundred metres above sea level. It is divided into an eastern and a western part by the Church of the Dormition. In the eastern part of the complex are seventy-nine separate cave dwellings, in eight tiers and with a total of 242 rooms, including six chapels, “Tamar’s Room”, a meeting room, reception chamber, pharmacy, and twenty-five wine cellars; 185 wine jars sunk into the floor document the importance of viticulture to the monastic economy. In the western part, between the bell tower and the main church, are a further forty houses, in thirteen tiers and with a total of 165 rooms, including six chapels, a refectory with a bakery, other ovens for baking bread, and a forge. Beyond the bell tower the complex rises to nineteen tiers, with steps leading to a cemetery. Infrastructure includes access tunnels, water facilities, and provision for defence.
Wieliczka Salt Mine
Wieliczka Salt Mine, Poland. One of the oldest operating salt mines in world, operates since 13th century AD. Up to 327 m deep, more than 300 km long. Miners have carved multiple reliefs, chandelier, cathedral.
The mine’s attractions include dozens of statues, three chapels and an entire cathedral that has been carved out of the rock salt by the miners. The oldest sculptures are augmented by the new carvings by contemporary artists. About 1.2 million people visit the Wieliczka Salt Mine annually.
PS Rock-Cut Architecture of the Middle East
Petra is a historical and archaeological city in the southern Jordanian governorate of Ma’an, that is famous for its rock-cut architecture and water conduit system. Another name for Petra is the Rose City due to the color of the stone out of which it is carved. Established possibly as early as 312 BC as the capital city of the Nabataeans, it is a symbol of Jordan, as well as its most-visited tourist attraction. It lies on the slope of Jebel al-Madhbah (identified by some as the biblical Mount Hor) in a basin among the mountains which form the eastern flank of Arabah (Wadi Araba), the large valley running from the Dead Sea to the Gulf of Aqaba. Petra has been a UNESCO World Heritage Site since 1985.
The site remained unknown to the Western world until 1812, when it was introduced by Swiss explorer Johann Ludwig Burckhardt. It was described as “a rose-red city half as old as time” in a Newdigate Prize-winning poem by John William Burgon. UNESCO has described it as “one of the most precious cultural properties of man’s cultural heritage”. See: UNESCO Intangible Cultural Heritage Lists.
Petra was chosen by the Smithsonian Magazine as one of the “28 Places to See Before You Die.”
Pliny the Elder and other writers identify Petra as the capital of the Nabataeans and the center of their caravan trade. Enclosed by towering rocks and watered by a perennial stream, Petra not only possessed the advantages of a fortress, but controlled the main commercial routes which passed through it to Gaza in the west, to Bosra and Damascus in the north, to Aqaba and Leuce Come on the Red Sea, and across the desert to the Persian Gulf.
Excavations have demonstrated that it was the ability of the Nabataeans to control the water supply that led to the rise of the desert city, creating an artificial oasis. The area is visited by flash floods and archaeological evidence demonstrates the Nabataeans controlled these floods by the use of dams, cisterns and water conduits. These innovations stored water for prolonged periods of drought, and enabled the city to prosper from its sale.
Evidence suggests that settlements had begun in and around Petra in the eighteenth dynasty of Egypt (1550–1292 BC). It is listed in Egyptian campaign accounts and the Amarna letters as Pel, Sela or Seir. Though the city was founded relatively late, a sanctuary existed there since very ancient times. Stations 19 through 26 of the stations list of Exodus are places associated with Petra. This part of the country was biblically assigned to the Horites, the predecessors of the Edomites. The habits of the original natives may have influenced the Nabataean custom of burying the dead and offering worship in half-excavated caves. Although Petra is usually identified with Sela which means a rock, the Biblical references refer to it as “the cleft in the rock”, referring to its entrance. The second book of Kings xiv. 7 seems to be more specific. In the parallel passage, however, Sela is understood to mean simply “the rock” (2 Chronicles xxv. 12, see LXX).
Relevant Link: http://www.wondermondo.com/Attractions/RockCut.htm