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Anunnaki, the blood of aliens on Earth

The modern era has witnessed the growing popularity of mythological stories about ancient Mesopotamia. A huge role in this was the work of a number of researchers who saw the connection between the Sumerian myths about the Anunnaki with Nibiru and the theory of the origin of man with the participation of an alien civilization.

When the Anunnaki from the planet Nibiru came to Earth, Australopithecus became wiser

Our understanding of the theory of ancient astronauts is based mainly on the transcription of cuneiform tablets, executed by Zacharia Sitchin. His series of books “Chronicles of the Earth” forms the basis of an alternative history of the evolution of species, revealing an entertaining vision of the origin of man.

In Sitchin’s story about our past, there is an influential group of aliens under the name Anunnaki. According to the author of the idea, they invested their own DNA in Homo Erectus, who later became the founder of modern man. Sophisticated genetic manipulation was made with the intention of using indigenous people with a weak mind as helpers to extract precious minerals from the bowels of the earth. However, the Anunnaki are represented by the equivalent of God from the Old Testament.

So what do cuneiform texts say about mythical aliens from Nibiru? How much does the version with the participation of aliens and their activities correspond to the real idea in the ancient world?

Anunnaki – royal blood!

Firstly, the Anunnaki are interpreted as “royal blood” or “the seed of Anu,” not “those who descended from heaven,” or “those who came from heaven to earth,” as the followers of the theory of ancient astronauts claim.

At the same time, the Anunnaki – “Sumerian deities of the primordial time.” This is the pantheon of the gods of the sons of the heavenly god Anu and his sister Ki. According to a number of prominent historians, it will be more true to consider the Anunnaki as demi-gods. Anu’s sister, Ki, was not originally a deity and attained the status of a goddess much later in the history of the mythological cycle.

As William Clauser explains: many people wonder if Ki was considered a deity?

Today there is no evidence of a cult, and his name appears only in a few texts of the Sumerians about creativity. Samuel Noah Kramer identifies Ki with the Sumerian goddess Ninhursag and claims that they were originally the same figure. She later became the Babylonian goddess and Akadia Antu, wife of the god Anu (Sumerian An).

In essence, this would mean that the Anunnaki themselves were born from the union of the gods of heaven and a mortal woman, who would subsequently be deified in the mythological tradition.

In addition, “Ki” is the Sumerian symbol of “earth”, and the wife of Anu is sometimes considered the personification of the Earth itself. This fact is similar to the biblical tradition, where mortals were created from the dust of the earth (Genesis 2.7). The concept of a group of semi-divine beings born of mortal women is very similar to the biblical and non-biblical traditions of the Nephilim.

One of the most frequently mentioned ancient texts describing the Nephilim is the biblical Book of Enoch, attributed to Patriarch Enoch, the father of Methuselah. The book of Enoch is considered an apocryphal text today and is rejected by most dominant theological systems, although this has not always been the case.

Many of the early church fathers, such as Athenagoras, Clement of Alexandria, Irenaeus, and Tertullian accepted this book as a sacred script, and fragments of 10 Aramaic copies of the Book of Enoch were found among the Dead Sea scrolls. Enoch is also quoted in the Bible Message of Jude, and it has been estimated that there are several more references in the New Testament.

Why did they reject the records of Enoch? In short, he described space technology and flight in heaven.

The most famous passages from the Book of Enoch include a detailed description of certain events before the Flood recorded in the Bible (especially Genesis 6, verses 1-4). According to the Book of Enoch, a group of 200 fallen angels known as Observers, led by a man named Semyaza, descended to Mount Hermon, where they took the paternal oath with human women.

All of them “took their wives for themselves … each chose for himself … they began to come to them and be corrupted by them,” the union that led to the birth of the “great giants.”

These giants finally “swallowed all the products of people”, and “when people could no longer support them, the giants turned against them and devoured humanity (Book of Enoch, chapters 6-7).

These actions provoke the intervention of God. He “curses” the giants to fight each other, “so that they can destroy each other in battle” and sends archangels to bind their guardian leaders “in the valleys” of the Earth (Book of Enoch, 10). As you know today, Hebrew texts refer to these powerful observers as the Nephilim.

Mount Hermon, abode of the Anunnaki gods

Researchers have found a serious similarity between the mythologies of the Anunnaki and the Nephilim. In 1971, Edward Lipinski (almost simultaneously with Sitchin) published an academic analysis of several ancient texts, including the ancient Babylonian version of the Gilgamesh epic. The legend of Gilgamesh’s journey contains important information that shows the true location of the Anunnaki sanctuary in cosmology and thought of the ancient East.

The researcher found that: “In fact, the ancient Babylonian version of the Gilgamesh epic identifies Hermon and Lebanon with the abode of the Anunnaki.”

Incidentally, this is a strong turn of the legend to the facts of history. Edward emphasizes lines 12-21 of Gilgamesh in ancient Babylon, which reports the destruction of Humbaba, the keeper of the dwelling of the gods, from the companion of Gilgamesh, Enkidu. The text directly confirms that they “penetrated the forest and discovered the secret abode of the Anunnaki.”

Later mythologies offer different alternative places for the house of the Anunnaki. However, Lipinski believes that the oldest Mesopotamian and Tanoan texts of the Middle East point to the cedar forest of Mount Hermon:

“… we find traces of the oldest tradition in the mention of the mountain, which was the abode of the gods. Access to it was hidden by the Cedar Forest, whose guardian was Humbaba. This mountain was the place in the depths of which the Anunnaki lived, according to the ancient Babylonian version of the epic of Gilgamesh. In the ancient Babylonian period, the Anunnaki were still considered gods. Therefore, Mount Hermon must be identified with the abode of the gods. “

Edward Lipinski also points out that Mount Hermon was considered the custodian of international treaties in the ancient world and links this tradition with the oath performed by observers in the Book of Enoch.

Having included apocryphal texts in his research, such as the Testament of the Twelve Patriarchs and the Book of Enoch, Lipinski concludes:

“Mount Hermon is a cosmic mountain that unites the earth with the lower heavens. We find the same idea in the episode of the sons of God from the Book of Enoch. Life-giving creatures gather at the top of Mount Hermon because it is the mountain of the gods, Canaan Olympus. ”

Mount Hermon is located on the southern tip of the Antilivan mountain range, occupying the border between Syria and Lebanon. The highest peak of Hermon reaches 2814 meters. The area abounds with ancient altars dating back thousands of years, and continued to host shrines and rituals until the time of Constantine the Great.

Of great interest is the fact that Gilgamesh was known in the ancient world for his knowledge, which he received in the antediluvian world. Wherever he explored centers of power, Gilgamesh learned old wisdom. He, who traveled the distant road to the gods and crossed the ocean, restored his knowledge of the antediluvian era.

These passages close the circle with an interpretation of the ancient Babylonian version of the epic of Gilgamesh, where the ancient king went to Mount Hermon, the monastery of the Anunnaki on Earth.

So contrary to popular sayings in modern literature and other media, there is data found by expert academic research.

A comparative study of cuneiform letters and other ancient texts shows that the true identity of the Anunnaki is found in the eastern tradition of a group of demigods born from an improper relationship between divine beings and mortal women. The described events occurred on Mount Hermon, located in the Antilivan mountain range.

These creatures are often associated with knowledge of the world before the Flood, and later they have various functions in the underworld. The above “facts” certainly do not state anything, but they turn the Anunnaki into the equivalent of “Elohim,” which creates a person in the book of Genesis. The same references to ancient sources inspire the idea of ​​extremely developed civilizations of outer space.



The Janibekov effect and other indirect evidence of the existence of antediluvian civilization

Recently, in the northeast of Siberia, archaeologists have discovered the sites of ancient people thirty thousand years old. Before that, it was believed that the first people appeared there fourteen, fifteen millennia ago, that is, approximately when mammoths, cave lions and woolly rhinos disappeared. 

People were still considered to be responsible for the disappearance of these animals. Allegedly, the ancient people, who lived by hunting and gathering, mercilessly exterminated these animals for several centuries until they completely destroyed their population.

The decline in the number of rhinos and other animals does not coincide with the appearance of humans in this region, said the professor of evolutionary genetics at the Center for Paleogenetics Love Dalen.

New archaeological data refute this theory and testify in favor of some kind of global catastrophe that happened about 13 thousand years ago.

According to one of the versions, regular global cataclysms on Earth occur due to a regular change of poles (the Janibekov effect).

The Janibekov effect is the intermediate axis theorem, or the tennis racket theorem in classical mechanics – a statement about the instability of the rotation of a rigid body about the second principal axis of inertia. (Wikipedia)

The Janibekov effect and other indirect evidence of the existence of antediluvian civilization
The Janibekov effect and other indirect evidence of the existence of antediluvian civilization

It is believed that periodically, in the interval from 600 to 650 thousand years, the earth’s poles change, which is accompanied by global catastrophes. This is usually accompanied by powerful volcanic eruptions, intensified seething of mud springs, increased degassing, earthquakes and tsunamis, which ultimately leads to fatal changes in the climate and topography of the planet’s surface.

These practically proven facts about the global catastrophe that happened on Earth 13 thousand years ago also indirectly confirm the possible existence of an ancient (antediluvian) civilization in the northern part of the planet.

There is almost no intelligible evidence of the high development of antediluvian civilizations. There are controversial and unrecognized by science artifacts, legends, myths, traditions, strange anomalous areas, the poorly explored bottom of the ocean, probable places for mining stone and other minerals. 

All of this is either poorly researched or deliberately rejected and declared falsification. There are unique ancient structures made of stone, and their design features, construction methods and quality of stone processing are so high that sometimes they even surpass the capabilities of modern civilization.

The Janibekov effect and other indirect evidence of the existence of antediluvian civilization
The Janibekov effect and other indirect evidence of the existence of antediluvian civilization

According to the testimony of some enthusiastic researchers, namely, they are trying to unravel the mysteries of history and return historical science itself to the mainstream of truth, traces of some ancient civilization have been preserved on the Kola Peninsula. 

Most likely – Atlantis, (or Hyperborea), because somewhere in this area supposedly was the legendary island of Atlantis.

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A fierce embodiment of Earth: The Mayan structure used for direct dialogue with the gods

Scientists at the Smithsonian Tropical Research Institute (STRI) working in Guatemala have found evidence of the ritual significance of the classic Maya pairings. They found a structure the likes of which had never been found in Mesoamerica.

According to EurekAlert, archaeologists visited the city of Ksultun, where an ancient bathhouse was found earlier. She received the name Los Sapos. Scientists have long known that the Maya built a kind of steam room – their baths, according to their principle of operation, were designed for profuse sweating.

These baths were believed to have religious significance. They also sent here for treatment, brought women in labor. However, new research showed that the importance of such structures was even more important. The fact is that the Los Sapos bath, dating from the early classical period (250-550 AD), turned out to be unlike any other ancient Mesoamerican bath.

The researchers concluded that this was not just a place for direct dialogue with the gods. The Maya considered this bath itself an amphibian goddess. Outside, near the entrance to it, scientists found an image of this little-known deity. The goddess is depicted squatting with legs on which iguanas and reed toads sit.

“No other structure in Mesoamerica – a bathhouse or anything else – is like this building,” says STRI archaeologist Ashley Sharp. the amphibian that personified this bath.”

According to lead author of the study, Mary Clarke, the name of this goddess remains undeciphered, although it is written next to the image. Preliminary analysis of the inscription led scientists to speculate that this goddess was responsible for the cycles of pregnancy. The connection between the ideas of the birth of children and the figures of reptiles is often traced in the Maya of the classical period.

She also noted that the Los Sapos baths have been actively used by the Sultun community for about 300 years. But then something important and frightening happened. The fact is that in the “doorway” archaeologists unearthed the remains of an adult man who was buried there around 600 AD.

The analysis showed that after that no one used the bath for another 300 years. Only three centuries after the funeral, someone re-entered this structure. It is interesting that this person or several people had a strictly defined goal – they dug out a burial place and took with them part of the remains.

The rest of them they put in another place, and in the vacated grave they lit a fire. Subsequently, they repeatedly put various offerings to the gods in this grave. Dogs, birds, reed toads and iguanas were sacrificed. Archaeologists found the remains of a child in this pit, as well as numerous stone tools and ceramic shards.

“Archaeologists often find clusters of artifacts that were probably dedicated to places of worship, but rarely is there such an obvious connection between artifacts and objects,” Sharpe says. “From the image on the outer wall of Los Zapos, we know it was a ‘steam room’ “It was a rare occasion for us to associate offerings with the role that this structure played in the life of the community.”

According to the authors of the work, the offerings were probably an attempt to seek help from the goddess who personified Los Sapos. Moreover, it could even be the last attempt to please a supernatural being and prevent the loss of their lands, which were abandoned shortly after the Mayan collapse in 900 AD.

“This supernatural figure is the fierce embodiment of Earth,” Clarke concludes. “When she is unhappy, she can take revenge or deny people the things they need to survive. they negotiated with this goddess for their survival. “

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Secrets of the Forbidden City are being solved by modern archaeologists

If we compare the millennia during which palaces were built and restored in China with an epic novel, then the Forbidden City in Beijing is its last impressive chapter.

An exhibition celebrating the 600th anniversary of the completion of the Forbidden City opened in Beijing on September 10.  Photo: Jiang Dong / CHINA DAILYAn exhibition celebrating the 600th anniversary of the completion of the Forbidden City opened in Beijing on September 10. Photo: Jiang Dong / CHINA DAILY

The previous pages of this story, although no less amazing, were partially or even almost completely lost during the rise and fall of dynasties and turned into ruins, similar to archaeological puzzles. Experts are still solving them. However, in the heart of Beijing, there is a 720,000-square-meter palace complex built of wood and clay bricks – the last surviving structure of its kind in the world. This area, which served as an imperial palace from 1420 to 1911 and where 24 emperors once lived, celebrates 600 years since the completion of construction this year.

In honor of this event, the Umen Gate galleries at the entrance to the Imperial Palace Museum became a kind of lobby, where visitors to the exhibition “Eternal Splendor: Six Centuries in the Forbidden City” enter. It will run until November 15th.

“There is so much that has happened in 600 years that can be said,” says Zhao Peng, director of the museum’s architectural heritage department and chief curator of the exhibition. “It is best to focus on the ‘city’ itself, that is, on architecture: to understand how this place was formed and modified … This is the crystallized wisdom and talent of the ancient Chinese. “

Yet it is not easy to select just 450 items, including structural elements and imperial relics, to reveal a panorama of such architectural splendor. In order to chronologically show how the complex originated, expanded and developed with the help of the exhibits, 18 significant years were selected from the entire centuries-old history. 

“These time periods help to see a fuller historical picture,” Zhao says.

In 1406, Zhu Di, the third emperor of the Ming Dynasty (1368-1644), proposed to move the capital from Nanjing (today it is the administrative center of Jiangsu Province) to Beijing in order to better guard the northern borders. Zhu Di himself lived in Beijing as a prince.The Forbidden City was built according to rules derived from centuries of Chinese history.

The construction was completed in 1420, after almost ten years of preparation and three years of active work. The following year, the capital was officially moved to Beijing.

“A striking feature of the Forbidden City is how, despite the changing eras, certain architectural forms are strictly adhered to,” Zhao says. “This reflects traditional Chinese thought that emphasizes the importance of ritual and harmony between people and the sky.”

The Forbidden City was built according to rules derived from centuries of Chinese history. The exhibition presents “Notes on the Study of Crafts” (Kaogongji) – a treatise that spells out the basics of building a palace. It was published during the Spring and Autumn Period (770-476 BC) and is part of the classic Chinese work Zhou Rituals (Zhouli) on rituals and notions of order.

“Notes on the Study of Crafts” regulate the symmetrical layouts of the capital cities, in the center of which on the north-south axis should be a palace. The historic districts of modern Beijing, including the Forbidden City, fully comply with this rule.

“Finally, this ideal layout, which has been guided for nearly 2,000 years, has been faithfully embodied in Beijing,” Zhao says.

Following the rituals is reflected in the architectural details.

For example, only the roof of the Hall of Higher Harmony – the most prestigious structure in the palace, where the most important ceremonies took place – can be decorated with ten figures of deified beings. The simpler the roof is decorated, the lower the status of the building.

The Hall of Supreme Harmony also has 11 rooms – more than any other building in the complex. (In ancient Chinese architecture, a room was a square space between four columns.)

Roof shape is another important indicator by which you can determine the status of a building. For example, the roof of the Hall of Higher Harmony is four-pitched and two-tier, its ends protrude and bend upwards. Only buildings of the highest status can have such a roof.

In 1734, Emperor Yongzheng of the Qing Dynasty (1644-1911) issued an official guide to the construction of palaces. The book, which is over 2,700 pages, spells out all the architectural criteria, including the size of the columns and the decoration of the roofs. According to Zhao, this is an important milestone in the history of the fusion of rituals with Chinese architecture.

The Forbidden City in Beijing has two older brothers. When Zhu Yuanzhang founded the Ming Dynasty and became emperor, he made the capital of his hometown, which is today in Fengyang County, Anhui Province. However, the construction of a huge palace complex for unknown reasons suddenly stopped, and Zhu Yuanzhang decided to build an imperial city in Nanjing.

The Gate of Supreme Harmony is one of the most visited attractions of the palace complex. Photo: Courtesy of CHINA DAILY

Both imperial cities fell into ruins, but some important details have survived to this day, such as stone fences and tiles in the galleries of the Umen Gate. They help to imagine what the early architecture of the Forbidden City might have looked like.

“The original appearance of buildings can often be seen in the paintings,” says the deputy director of the architectural heritage department of the museum, Di Yajing.

No matter how the new emperors followed the precepts of their ancestors, it is clear that they wanted to decorate their new home. “The Ming emperors preferred simple yet stately architecture, and therefore large buildings were built during their reign,” Di says. “However, the Qing emperors tended to be more sophisticated.”To understand whether the pictures correspond to historical reality, you need to conduct additional checks

Sometimes this was a forced decision, since it was difficult to find giant pieces of valuable timber to renovate the palace. However, the Qing emperors demonstrated their wealth and status with handicrafts of the most skillful work. Thanks to Emperor Qianlong (1711-1799), who adored fine arts, this trend reached its peak. In 1766, he ordered the construction of the Palace of Serenity and Longevity in the Forbidden City, where he planned to live after leaving the throne. The garden of this palace has become a real treasure trove of exceptional decorative objects.

The lacquered gauze fabric, which used to be placed on the window, allows visitors to appreciate its uniqueness, because the garden has never been opened to the public before. The decor of this silk combines techniques such as paper cutting, gilding, dyeing and varnishing. This means that several artisans worked on its creation at once. 12-ply fabric is paper thin.

“We tried to replicate this decor, but even modern manufacturing techniques did not help us,” Dee says. “This lost technique reminds us that cultural heritage must be carefully preserved.”

Complex renovation of the main buildings of the complex has been going on since 2002. Although it was originally planned to be completed by a round date this year, in the end the architects decided not to rush to complete the work with full responsibility and respect for history.

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