#3 of IMAGINARY Series!
by TS Caladan
Conclusions of my two-year investigation will not be accepted when I report them, back at home base. It was difficult for my superiors to believe first information that the one once considered ‘wickedest man on Earth’ was kept alive and will be for some time in the future. They contemplated the awful possibility that when it came to ‘free will’ of the human race, the reason roads to war were taken before paths to peace, might be because of a single and ‘vile consciousness’ that remained alive even in the 21st Century?
Home base sent me. I’m simply an agent with a big puzzle on my hands and many people that have waited a long time for the right answers.
It was more than a dozen months ago when the most astounding Close Encounter happened, as if out of a dream. A remarkable, unprecedented occurrence on 3/3/2014 was beyond the normal Earthly contact by aliens. Only Pentagon officials witnessed and tightly ‘clamped down’ on the fact that a 6-foot in diameter silver saucer landed inside the large courtyard. The small craft gently floated to a nice spot within the pentagram-shaped court. The hatch opened, and…
Its sole passenger or extraterrestrial was a small astronaut that measured only 6 inches high! He originated from the planet Excelsior. The general public had no knowledge of the visitation and those who were aware were sworn to total secrecy.
The intruder that (without warning) simply ‘barged’ into the most secure building on the planet was extremely beautiful in appearance. The male traveler, more like a ‘Ken’ doll, shimmered in white light as if he gave off high energy. Personnel in the vicinity of the alien said they, “Felt peace and had good thoughts.” Scientists quickly determined that ‘he’ emanated no harmful radiations, carried no dangerous diseases and posed no threats.
The latest team of two special technicians assigned to examine the extraordinary alien invader was sent to the boss’ lavish office.
Major Kelly called the meeting with the Asian techs (geeks) that were honored to have the privilege to study the creature from Excelsior.
[Earth scientists in-the-know heard of the colorful, musical planet Excelsior with its tiny singers and dancers through old Nikola Tesla connections, but never made contact or had ever seen one up close].
The first doctors sent in to study the alien were human in appearance, but aliens themselves. They collapsed after close exposure to the Excelsiorian for unknown reasons. Anyone that approached the small humanoid lost consciousness and when they came to: They were never the same. They adamantly demanded to NEVER work for the government again! Many found that ‘leaving was far more difficult than joining.’
The frustrated technicians were owned by the Pentagon. They had no progress to report to the Major. They were forced and remotely examined the alien (given the name “Jonn”) through walls of Faraday protection. A Faraday barrier was suggested and approved by a cold-blooded race of aliens in cahoots with federal elite. Researchers finally approached the 6-inch ‘man’ without fear of wiped minds, lost commissions, new lives and careers.
The little man wanted his testers to call him ‘Jonn’ because that was his name. Every human on his world was psychic and approximately 6 inches tall. Excelsiorians had telepathic power and could manipulate human titans if they chose to. He was not confined. Jonn was precisely where he desired to be: in ‘captivity’ by fearful giants on an alien world.
“Report,” asked Major Kelly.
The taller tech nerd spoke up and said, “We can come near Jonn now. F-seals work fine, sir. After all this time, now we can attempt to talk or…or communicate.”
Kelly asked, “Any clue what the little alien did to our guys?”
The other one added his conclusion, “Sir. The creature we call ‘Jonn’ appears, well, to put it basically…”
The Major coaxed the smart kid, “Put it basically.”
“Well…well, sir. We solved the problem with the shield. Before that…well, he seemed to draw out the bad in people and in nonhumans and replaces it with…the good.”
“Huh? Then I’m glad I stayed clear of the little guy when I did.”
The questions that plagued us were:
~How could the home planet of the Beatles have produced the extreme evil that was Aleister Crowley?
~How was it that the only ‘good,’ passive, nonviolent period in modern times on Earth, a time of peace that ended an ‘insane war,’ was orchestrated by the most evil man (still) alive?
~Beatles (Paul, John, George and Ringo) and their entire management and handlers were utterly controlled like puppets by a demon to bring on the Aquarian Age. How could the ‘new information’ possibly be true?
I was sent to find out. There were millions of people back at home base that anxiously waited years for my final report. I was expected to discover the answers and after multiple ‘extractions,’ I did just that. But no one will believe my report. I needed the last piece to the grand enigma and what I found was startling. I uncovered the stunning truth from the subconscious of 16 human beings. Cross-reference patterns all correlated.
Aleister Crowley executed a severely dramatic turnaround and was the actual architect of the 60s Peace Movement (through the Beatles) during the Vietnam War. WHY? Why would Evil do that? How could a ‘man’ that motivated Mussolini, Stalin and Hitler have twisted his darkness toward peace, love and light? We had to know.
And now, I do. I’m one of the few beings who really know the truth.
The two technicians assigned to Jonn under Major Kelly believed they were close to a real communication with the creature with long hair from the ‘Planet of Music and Dance.’ So far, nothing substantial registered.
Jonn glowed in white light and often hovered. His smooth, little body was seen and filmed for hours only an inch off the floor in the room. He quietly ‘sat’ in midair and meditated endlessly. He could walk out or fly out, but chose to stay in the one room and cooperated fully with his ‘captors.’
The techs played classic music for the ‘little dude from the stars.’
He liked the music very much and slightly swayed in the air with his eyes closed, hardly above the floor.
Jonn’s saucer was impregnable. The same light around the traveler also radiated from the silver disk. No tests broke through the bright force-field that surrounded the spacecraft. The vehicle was carted off to lower levels in the Pentagon. Best minds from Venus could not ‘smash’ the electric locks on the 6-foot craft, therefore nothing inside was examined.
The two lab guys from Japan performed another test while behind the F-shield. They were uninfluenced by the warm, positive rays of love from the Excelsiorian, but they noticed some ‘animals were affected.’ Violent dogs sent through the F-shield that were close to Jonn, lost their violent tendencies…where passive dogs remained the same after exposure. Cats were the same after they were near the small human. Badgers, pumas, tigers, wild boars and wild horses were brought in proximity of the alien with a smile on his little human face. He turned every nasty one of them into gentle spirits that never got angry or violent ever again.
Little Jonn’s rays naturally healed. Those affected by his small light were forever cured of any diseases they possessed. At times, he was used as a ‘cure-all’ for a number of test subjects and certain elite authorities.
The lovely invader with long hair was discovered to morph the most aggressive, psychotic killers from prisons’ death row into passive ‘lambs’ and sweet souls. He performed these Earthly miracles without gestures, movements, words or even a blink of an eye. One only needed his tiny light to shine on them to be positively transmogrified.
The technicians had another meeting with Major Kelly scheduled. They were worried. The techs were no closer to answer, “What did the silent visitor want? What was his purpose? What was this power he had over his jailors and when will he leave?” All they knew was one transmitted name.
The answers were so clear to me now.
Aleistor Crowley did not only mastermind the Sixties and all the ‘Kumbaya’ Peace and Love of the Hippie Movement, Anti-War Movement with Protest Music and a complete lifestyle change of a whole generation for freedoms and Human Rights, Gay Rights, Woman Rights, etc…but…
He also orchestrated the Second World War with ties to the First World War along with other warlocks, wizards, aliens and bankers.
The madman of ‘magick’ was in complete control of Hitler and was the ‘Puppet-Master of the Beatles.’ He perverted everything about the early and later ‘mop tops’ from Liverpool. He changed the Order of the World. Crowley placed a spell on the Beatles and the band placed a spell on the rest of the planet at the time of ‘Beatle-mania.’ It was all directed by the Devil.
Crowley, Master of the Black Arts and member of numerous Occult Orders, gave the V-FOR-VICTORY (two fingers) sign to a lesser warlock known as Winston Churchill. Hippies later used the two-fingered ‘peace sign,’ hand gesture which was really the ‘horns of the Devil,’ V-for Victory sign created during WWII by the most evil man on Earth.
This pervert of all good and righteous things, Crowley, had or has the motto: “Do What Thou Wilt” where there were no rules or morality laws. Aleistor created the THUMBS UP hand sign and gave it to American pilots during WWII. (Crowley’s Thumbs Up was sexual). Whenever people view these and other supposedly ‘positive’ hand signs, understand their origin.
Aleister Crowley also gave Adolph Hitler (“Schicklgruber”) the extended RIGHT-ARM SALUTE. The highest, most respected, Occultist and ritualistic killer of children in the name of Satan, Crowley had his own twisted meaning for each of the hand signs that Earthlings have altered again and again much later without any knowledge of the true author.
I extracted old and recent events directly out of the deep depths of 16 (government) souls and know for certain now as I concluded my final report.
Crowley was placed on the cover of the Sgt. Peppers’ album twice. He was in the back on the left, next to Mae West. He was also in a fez with slightly pointed ears behind the sexy Diana Dors (not Jayne Mansfield).
Why control the Beatles? For the same reason Hitler knew to control the future, you must control the youth. To control the youth, control music and films.
Home base will find the truth a ‘hard pill to swallow.’ How could anyone believe it? Yet, the 1990s and the direction Earth society had moved or not moved in the last few decades were proof. Everything made sense now and nothing had made any sense before the correlated extractions which verified ‘the information’ and eventually answered the big questions for me.
It all started when Paul McCartney attended the Stockton Wood Road Primary School in 1947. This was the year Aleister Crowley died at the age of 72. Soul of the Wickedest Man on Earth possessed the young McCartney who was 5 years of age at the time. The plan went into effect and the planet moved in the process with a completely different future now in front of it.
Master McCartney was bestowed with musical talent, confidence, utter ruthlessness and the power to hide his great gifts, gifts that came from the Prince of Darkness or a physical manifestation of evil on Earth. He acted proper and good and Paul obeyed all the rules. He would do as mother and father told him to do. He would be a very good boy, until the time was right.
Aleister Crowley’s spirit (‘Aiwass’) acted as the supreme maestro like a spider in the center of a web as it totally manipulated:
~The ‘chance’ meeting of John Lennon and Paul McCartney.
~A George Harrison connection that introduced the youngest Beatle.
~The elimination of the ‘most popular’ Beatle, Pete Best. Crowley’s ‘magick’ brought Richard Starkey into the band. He also gave Ringo his last name (‘Starr’) which was a tribute to the Devil he worshiped.
Stuart Sutcliffe was a ‘friend’ that dragged the band. He had to go.
Crowley killed manager Brian Epstein on August 27, 1967 not with bare hands, but with a malignant horror that hung in the air over the Fab Four. The official cause of Brian’s death was an overdose of barbiturates or ‘sleeping pills.’ Epstein’s murder was because he’d never have agreed to the new psychedelic direction AC planned to push the band into in the future.
Beatles’ ‘Rubber Soul’ album was released in late 1965. The name referred to the ‘shaky legs’ or unstable condition the group was in. There was much talk of breakup among them as egos clashed as well as many arguments over royalties and percentages. There were always fights about: “How much of whose music (money) comprised the next LP record?”
The lads from Liverpool had a nice run, but it was over. The Beatles experience was exactly what they had expected: at the top of music for a few years and then the inevitable fall. 1966 was it! Beatle-mania fizzled out. It was either going to die with the breakup of the band or, (as Crowley conceived), could be kicked up and hyped to a whole new level with a band that stayed together and made music of the gods.
Top bands had no control over their music, record covers, marriages and divorces, press releases, futures, etc. The next album released was recorded earlier in the chronology of studio sessions. Crowley personally chose the title ‘Yesterday and Today.’ It was released in June of 1966 to distinctly mark the new Beatles from the simple, 2-dimensional ‘mop tops’ that Earthlings and others idolized from the beginning. ‘Today’s Beatles’ or future-Beatles were going to ‘take the world by storm’ all over again.
Correct album-order was reinstated when ‘REVOLVER’ was released on August 8, 1966. Aleister’s message to the Fab Four with the new title was: “You must ‘play ball’ and not refuse my will.” Men in Black were sent to each Beatle and aimed literal ‘revolvers’ to the head of each one and their families. They had to do exactly what the New York agents and handlers said, or else! The public was told fabricated lies as to why certain titles were used and why things around the Beatles were done. Nothing was close to the truth. ‘Revolver’ was a constant reminder that McCartney, Lennon, Harrison and Starr had to do precisely as the spirit of AC commanded.
The Beatles (musically) did not desire or want to move in the style, plan or agenda Crowley established for them. They wanted to revert back to their roots, to the beginnings of basic rock, soul and rhythm and blues. It was not the band’s idea to work with other musicians that incorporated new (experimental) ‘sound’ techniques into Beatle music.
Crowley had a few close ‘assistants’ that guided the actions and the music of the (contrived and ultra-promoted) Super Band. Jane Asher was a Wiccan and George Martin, a Master Magickian and warlock.
In truth (hard to believe), the Beatles were not that good. Like Shakespeare, a team of writers composed many of their greatest successes! It was a team effort (for big bucks/mind-control) and the boys from Liverpool had to play along. If they talked, they would be eliminated and replaced.
Then the most peculiar oddity of oddities occurred…
Paul McCartney, Son of Satan at the time and alter ego of Crowley from the age of 5, had a…change of heart. He was not going to participate in the ‘new direction’ of the band. He refused the LSD; he refused to dress up in the bright, psychedelic uniforms and phoniness of a ‘Sgt. Peppers’ Lonely Hearts Club Band.’ He was not about to wear wizard costumes and wave magic wands and ‘shove in the public’s face’ the real agenda of Crowley, which was an occult devotion to Satan. Paul, Crowley’s inside ‘puppet’ and man all along, one quarter of the band and ‘song-channeler,’ wanted OUT.
Crowley’s demonic spirit was more than upset on a dark astral plane. The New York handlers, the mob, the feds, the Swiss, the throne of England and the Vatican panicked because their highly promoted band and ‘cash cow’ and old plan to move a planet was at an end or went unfulfilled.
Paul never wanted to sing another song or play another note after what he discovered (the spider) was located at the center of all things Music, which were in reality all things ‘Illuminati.’
Crowley lost his total control of McCartney’s actions. Paul had to go!
The Beatles and an undisclosed (now lost) British radio station held a ‘Paul McCartney Look-alike Contest’ near the end of 1966. The winner was William Shears, a dead-ringer for Paul except that he was right-handed and three inches taller. His voice box was altered to sound like Paul and he was taught to play left-handed. The ‘contest’ was Crowley’s plot to replace Paul.
In a secret ceremony, the spirit of the Sorcerer Supreme went from old Paul to new Paul. AC was done with the rebel McCartney who apparently had a twinge of conscious and morality. The demon ordered his execution.
Paul ran out of a recording session in fear of his life from the Men in Black that carried guns. The real McCartney was killed on a highway (witnesses ‘vanished’ as with JFK). Paul was beaten beyond recognition. Photos were taken and Paul resembled a swollen, black and blue walrus.
Paul was really dead. The song ‘A Day in the Life’ was about Paul.
Crowley’s big follow-up to the ‘greatest musical achievement of all time’ was entitled, of course: ‘The Magical Mystery Tour.’ The reference was undeniable and spoke of the dark wizard’s fantastic ‘puppet show’ that was the entire career of the Beatles. Paul was positioned lower than the other three and in a walrus costume. The new Paul was posed with his hands in a cross or Christ-like position. Five-pointed stars were everywhere.
Before Sgt. Peppers and everything post Peppers around the Beatles was scripted by an ultimate warlock and the right-hand of Satan. He made ‘MMT,’ the film, fail miserably. Crowley forced Lennon into worldwide controversy with his “We’re more popular than Jesus” statement to the press. Every project was choreographed by the master fiend. Aleistor made Yoko Ono the fifth Beatle and mesmerized John into a relationship with a gothic witch. He formed the band’s late troubles, financial troubles, romantic troubles, breakups and deaths in advance. Rock and Roll! Crowley saw the future and forced the Beatles upon the landscape of the times. And the world changed along with the music. He knew the boys could move the planet more than any world leader. WHY he did it was indescribable in words.
The revolution of peace was here. The Vietnam War ended because true democracy ruled and the (fascist) State had to bend to the will of the people. Why? Why had Crowley generated such power of peace and love?
Major Kelly and the latest pair of technicians gathered themselves behind the F-shield in front of the small but pure being from the planet Excelsior. Communications only happened if Jonn wanted them to happen. Everyone in attendance received the distinct feeling that the alien would ‘speak’ or finally communicate. They did not even know his rank or serial number. But now, maybe the truth to the mystery of why he came to this planet could be realized?
Suddenly, Jonn moved in the air. He floated cross-legged and passed through the F-barrier close to the floor and very near the three men who stood tall over him. His light touched them and they were changed much for the better; they never worked for the government again.
The inquisitive and now sad creature that came here two of our years ago from a Music Planet thought he should speak to his ‘zoo keepers’ before he left. He believed he owed them a little bit of information that they surely would not understand in the least. In a small voice, Jonn meekly told them…
“Paul is really dead. You would never believe why.”
Jonn, agent from a distant planet that adored the Beatles, zipped through lower levels and into his 6-foot silver saucer. The craft electro-magnetically ‘blasted off’ and he made it back to home base in no time.
The little alien seemed the tallest person alive when he reached home world. People were thrilled to view and hear his long-awaited conclusions on vital philosophic questions that baffled the Excelsiorians. When dances and fabulous music that Jonn missed so much had ended, he stepped up to the ‘world stage.’ Colored lights were lit and cameras focused on him…
“Good people, how long I’ve yearned to be home and with you again.
The capsule was successful and yes, I’ve found the answers.
Without further delay; you’ve waited long enough…here are truths we sought: Aleister Crowley is alive and well and grows louder and stronger than he ever had before on Tera in the new century (gasps in the vast crowd).
The answer to WHY did such evil go good?
It was not because Crowley wanted peace; not because he wanted to stop wars and save lives; not because he desired needed social change and bring the Age of Aquarius or benefit the human race in any way with Sixties Tera.
Reason was…he had no other choice (more gasps).
He believed he HAD to do what he did to control what opposes the secret fascism.
As hard as it is to conceive, it makes sense. Peace period of the Sixties was a trial run, a test to see exactly how far and where Freedom would go.
Evil fascists called ‘the man’ or ‘the Establishment’ actually created the Hippies; made the acid.
Crowley’s inverted cross was the (bent) peace symbol. His plan is known as ‘Hegelian Dialectics.’ He felt he needed to master his own enemies, the good opposition so he created the Peace and Love generation through music, through the Beatles and many other offshoot rock bands, to see and precisely measure the ‘Movement’ like a laboratory experiment; examine just where the love would go…so that They would never allow it to ever, ever happen again!
Music would always be mindless and empty from the 90s on.
Terans are brainwashed by modern music and films that are only propaganda and Mind-Control for the fascist State.
Evil Empire has total power over Teran music and other industries. Hair will always be short from the 90s on, forever (is the intent). Long hair means freedom from war. Short hair means total domination by the State that makes them blind ‘units’ that march to useless wars and meaningless deaths. Hairstyles and music will never cycle anymore as they naturally do. Crowley insured permanent wars with new Terans that love war, volunteer for war, run to war! Youths shave their heads because they are told that this is normal; everyone does it…while long-hairs are portrayed as maniacs and abnormal paranoids. Crowley’s innocent and wild freedoms of the Sixties were intended to be taken to insane extremes with the next generation or cycle. Even PUNKS were planned by Crowley, all to lead to RAP and the end of everything good and decent. Rich white men (stooges) created the black man’s rap music, all to ignite race wars, violence in city streets and everywhere else. Imagine what John Lennon would have thought if he wasn’t murdered by a Crowley stooge when Paul, Super Bowl halftime performer after 9/11, said, “Wouldn’t it great if the Patriots won?” He has been knighted as ‘Sir Paul’ while we know he’s not the original and as phony, sorry to say friends, as the rest of the Shakespearean band (more reactions). Jim Morrison called himself the ‘Lizard King’ (he can do anything). The Lizards didn’t like that and killed him in Paris. Look how crazy Jim got in Miami; Jim screamed: “No Rules! Do anything you want!” This was Crowley screaming and a sign of the terror of things to come…when we know what great Music really is; what it can be and what it can do. Music does not have to be made to destroy when it can be made to create and exercise freedoms and fire imaginations.
Crowley lives! He lives in every Teran war film; television commercials where WOMEN and children are calling for men to ‘man up’ and ‘support the troops’ (more emotional reactions from sensitive creatures). To repeat the WHY and method to his madness, this was executed by the Devil so that any more Peace Movements would be totally squashed and nonexistent. No longer were the mistakes of Vietnam repeated where horrible bloodshed was televised into every American living room. Now the State knows to continuously use the Media to reinforce an almost attraction for separation, differences, killing and hatred that all lead to inevitable WAR. That was Crowley’s plan and the many minions of evil that drink from fountains of success reinforce that Agenda. Nothing is getting better on the planet that we love; we love it from a distance, don’t we? We love Teran songs…SOME Teran songs. But don’t go there today, good people. You will lose your mind and lose your heart. I must admit: I enjoyed the music of the 80s, the last time it was real and colorful and visual art. As to their future and to the question: Will Aleister Crowley’s continuance of evil last? How long will his influence be maintained on Tera and therefore viewed by the rest of our universe? The answer is not up to us, of course. It is possible that a beautiful future will exist again on Tera as it was very long ago and also when a good vibration played freely and creatively in the late 60s. I predict Terans will get sick of war, soldiers, violence and needless crap heaped upon them and again protest; organize and The Meek will inherit.”
Copyright 2015 by TS Caladan
The remains of “witches” burned at the stake for killing children in the 17th century were found by archaeologists
In the Polish city of Bochnia, archaeologists unearthed the charred remains of two women. The discovery was made during restoration work in the local market.
They are believed to have lived approximately 300 years ago. According to scientists, it is known that in 1679 three women were burnt in this place. So far, two skeletons have been found, but experts have no doubt that they will soon find a third one, according to Express.
Researchers believe that the victims were accused of witchcraft and murder of children. After that, they were probably burned in the city market. Such punishment was common in the Middle Ages, from the 5th to the 15th centuries. Historians believe that the public burning allegedly showed “witches” going to hell.
Archaeologists will continue to investigate the remains, but they have already stated that the women were buried right at the place of execution. According to experts, in that era it was customary: people convicted of such a crime could not be buried near the church.
According to historical sources, at least 13 women accused of witchcraft were executed in Bochnia. Before the execution of the sentence, they were kept in the neighboring town hall and, most likely, tortured in order to get a confession of their deeds. In addition, the archives contain the names and crimes of the “witches”.
Which castle in Europe is considered the most mystical: you will be surprised
Many castles have survived in Europe, which to modern people seem incredibly beautiful and majestic. Their main purpose was to deter enemies if necessary.
That is why such factors as a good location, a moat, a rampart and other opportunities to repel potential enemies played a strategic role.
However, there is one architectural object that does not fit into the traditional framework.
The majestic is one of the most famous landmarks in the Italian region of Apulia. Moreover, it will not be an exaggeration to say that this is the most mystical castle in the world.
Unlike other mystical places, this amazing castle is not hidden from prying eyes behind the mountains and forests. On the contrary, it is visible from afar. You drive along the freeway and see it, towering on top of the hill. It doesn’t matter that the name of the building is translated as “castle on the mountain”, only those who have never seen real mountains in their life can literally take the name Castel del Monte.
It was built on a castle on the very spot where the Maria del Monte monastery was located until the thirteenth century, hence the first name of the building, which few people remember today – castrum Sancta Maria de Monte.
Today, crowds of people frequently visit Castel del Monte. For this, many thanks to the magical world of cinema and the Italian director Matteo Garrone in particular, because it was in the unusual halls of this monumental structure that he settled the characters of his “Scary Tales” – the king who raised a flea, and the princess whom the eccentric father married to a cannibal. Curiously, until the twentieth century, the castle was in an abandoned state, and shepherds spent the night there.
Today, the architectural structure is in the care of UNESCO, as a result, it was cleaned and put in order, but the interior decoration of the halls was not preserved – for that reason, Matteo Garrone had to hastily fill the space of the premises with the props brought to the castle.
Garrone chose Castel del Monte for the film adaptation of the tales of the Neapolitan Giambattista Basile for a reason, because this place is incredibly mysterious. Although located 16 kilometers from the city of Andria, Castel del Monte bears the honorary title of one of the most famous medieval castles in the world, in essence it is not a castle.
The fact is that in the understanding of a normal person of the Middle Ages, a castle could only be built for one of two purposes. The first goal, it is also the main one – defense and terrain control. In this case, one or another lord erected a small fortress, as a rule, on the top of a mountain, which helped to repel enemy attacks, and at the same time to influence the situation in the region as a whole. The second task is a fortified place to live. Sometimes castles grew to the size of cities, take, for example, the same Carcassonne, but their powerful walls, again, made it possible to hold back hordes of enemies.
But Castel del Monte is not intended for defense at all. Where are the walls and the moat with water? Where are there any decent defenses?
This place also seems to be of little use for life. Of course, even Walter Scott in his “Ivanhoe” wrote that the concept of “comfort” did not exist in the Middle Ages, but this castle, even by medieval standards, is far from the home of a self-respecting lord. It’s okay that all the rooms inside are connected to each other, but, most importantly, there is no place for a stable and there is no kitchen.
So, most of all, the castle looks like a kind of an old art object, built for the sake of ideas, such houses are sometimes designed by modern architects who have received absolute carte blanche for the implementation of their creative ideas coupled with an unlimited budget.
This association is quite appropriate if you know who built Castel del Monte. The castle was built on the mountain by the Emperor Frederick II Staufen – a legendary person in all respects. He not only managed to win the title of Emperor of the Holy Roman Empire from competitors and lead the sixth crusade, but was also considered one of the most educated people of his time.
He knew Greek, Latin and Arabic, founded a university in Naples, where not only Christians, but also Jews and Arabs taught, and this, by the way, is the height of tolerance by medieval standards. Frederick II as a whole was very far from Christian prejudices, here are illustrative examples: the emperor insisted that doctors study anatomy on corpses, and Frederick also had a warm attitude towards Fibonacci and even organized mathematical tournaments.
The emperor also had a penchant for writing: he is credited with writing an essay on falconry, and at his court he created a Sicilian school of poetry. At the same time, like all progressive people of his time, Frederick II was an admirer of a wide variety of mystical teachings, studied astronomy and astrology.
With the personal life of the emperor, everything was also interesting, he earned the reputation of Bluebeard, because he was married four times, however, the church did not recognize his last marriage with his permanent mistress Bianca Lancia. Frederick II spawned a great many children – 20 legitimate, but for obvious reasons, no one scrupulously counted the bastards.
Historians still cannot solve the riddle of the Italian Castel del Monte, to which scientists have many questions
Castel del Monte was built by Frederick II from 1240 to 1250, that is, in the last decade of his life. The name of the architect is unknown, but many historians, not without reason, believe that he was the emperor himself – a painfully intricate design was the result.
The fact is that, like many medieval mystics, Frederick was obsessed with the number eight, which symbolizes infinity, and it is constantly traced in the structure of the castle.
To begin with, the castle, when viewed from above, is a regular octagon, and an octagonal tower is erected at each corner of the structure. The shape of the inner courtyard of the castle also repeats the octagon. The castle has only two floors, the roof is flat, and the main entrance to Castel del Monte looks strictly to the east, because, as it was believed in the Middle Ages, the good news came from the east.
There are 8 rooms on each floor of the castle, all of them are connected to each other, so that Castel del Monte can be easily walked around the perimeter. The rooms are made in the form of trapezoids, and windows are cut through the walls. Toilets, wardrobes and spiral staircases are located in the corner turrets.
By the way, the castle has a separate story with the stairs – usually in all castles they are “twisted” to the right, since this is optimal for the defense of the object, but in Castel del Monte, on the contrary, they are “turned” to the left, that is, the way it does nature, because it is to the left that the shells of mollusks or snail shells are twisted.
All rooms of the castle are exactly the same, the rooms differ from each other only in the location of the doors and the number of windows. In the decorative elements, the number eight again dominates: on the capitals of the columns there are eight leaves each, on the bas-reliefs in the rooms there are eight leaves or clover flowers.
Another interesting thing is that direct rays of sunlight fall into the windows of the second floor twice a day (with the first floor, this rule works only in the summer), so many assume that the mysterious castle is nothing more than a huge sundial, and at the same time astronomical device.
In addition, twice a year, during the summer and winter solstice, sunlight is evenly distributed among all rooms on the ground floor. This, of course, is also no coincidence, so many historians suggest that the first floor of Castel del Monte is a kind of analogue of the solar calendar.
Here’s another curious reason for thinking – twice a year, on April 8 and October 8, the sun’s rays pass through the windows of the castle into the courtyard in such a way that they fall strictly on the part of the wall where in the time of Frederick II a certain bas-relief was carved, now lost.
Well, and to make everything quite difficult, it is worth remembering that October in the thirteenth century was considered the eighth month of the year.
The castle bears the title of the most mysterious at all because there are many ghosts or other manifestations of mysticism
Frederick II died before he could finish the construction of the castle – the building of Castel del Monte was completed, but the interior decoration was not completed to the end. After the death of the emperor, there were legends in Europe that Frederick did not die, but disappeared in an unknown direction in order to reform the church and establish universal brotherhood and peace.
A certain symbolism is seen in this, because the octagon, repeated in the structure of Castel del Monte, in the Middle Ages symbolized the transition from the world of the living to the kingdom of the dead, and at the same time the union of heaven and earth.
Everything is very simple here – a square was considered a symbol of the earth, a circle was a symbol of the sky, and an octagon was an intermediate figure that signified both unity and transition. However, scientists far from mysticism believe that the repeated use of the octagon is simply a reference to the Dome of the Rock in Jerusalem, because Frederick II saw the dome over the cornerstone during his crusade.
Historians are confused by the dubious architecture of the object – in such a castle there was not a single chance to hide from an armed attack. No protective mechanisms were used during the construction.
In addition, the building itself boasts the ideal shape of a real octagon. The castle has also 8 turrets.
Scientists did not fit the theory that this castle was used by noble people in order to rest there after hunting. Castel del Monte looks too monumental and luxurious for this.
Some historians suggest that the purpose of the mysterious castle was to comprehend the secret sciences
Castel del Monte has encrypted and biblical symbols. The fact is that the castle has exactly five drainage basins and five fireplaces, many associate this with the phrase of the Baptist John from the Gospel of Luke:
“I baptize you in water for repentance, but the One who follows me is stronger than me; I am not worthy to bear His shoes; He will baptize you with the Holy Spirit and fire.”
So, it is easy to assume that Castel del Monte was for Frederick II an analogue of the temple, built according to his personal project, and this fully meets the ambitions of the emperor.
By the way, this hypothesis is confirmed by another curious detail. If you look closely at the entrance to the castle, you can see a giant letter F encrypted there. If inside the tomb of Frederick II, associations with the pyramids would be inevitable, and so Castel del Monte seems to be a kind of personal portal of the emperor, erected according to his plan and in his honour.
At least when you stand in the courtyard of the castle and, with your head raised, look at the sky, imprisoned in an octagon of powerful limestone walls, even the most inveterate materialists have a feeling of belonging to the medieval magical tradition.
The energy of this place is special, in the style of those “Scary Tales” by Matteo Garrone.
Occult symbolism of the 2020 Vatican nativity scene
On December 11, the Vatican unveiled its 2020 nativity scene in St. Peter’s Square. And as soon as the red drapery covering the stage was removed, the crowd found a towering, brutal and totem-like angel Gabriel watching them, along with an astronaut and a masked executioner (yes, those guys who kill people on death row).
Let’s say the applause after the opening was “polite”. Here are some images of the nativity scene.
An ominous angel looks down at the crowd while Jesus remains in the red cloth for a while (not sure why). Behind the figures is a neon light that should probably look like mountains on the horizon. However, at first glance, it looks like a lightning strike in a nativity scene.
In a press release, the Vatican Governorate announced that the nursery “is intended to be a sign of hope and faith for the entire world, especially during this difficult time due to the health emergency related to COVID-19.”
But this did not bring “hope and faith” at all. In fact, almost all observers hated it.
It is as if the Vatican purposely created something so ugly that devout Christians hate the play depicting the birth of Jesus. Satanists couldn’t have done better.
Ugliness with weapons
This nativity scene, titled “Monumental Christmas”, was originally created between 1965 and 1975 by students and teachers of the F.A. Grue art school in Castelli, Italy. The original work contained over 50 pieces, but only a few were selected for the Nativity scene at the Vatican, and they chose the horned-masked executioner.
The “Monumental Nativity Scene” is considered a tribute to the world-renowned pottery works of the Abruzzo region and gives a postmodern twist to the classic nativity scene.
In a conversation with a local newspaper, Italian art historian Andrea Chionchi asked if it was “a nightmare or a masterpiece.”
“Forget the sweet face of the Madonna, the tender radiant incarnation of the Child Jesus, the paternal sweetness of Saint Joseph and the pious miracle of the shepherds. For the first time in the middle of the colonnade, Bernini, the Vatican erected a work of the sixties in a brutal postmodern style.
The figures resemble the masks of the ancient and ferocious Samnites, the ancestors of the Abruzians, who professed a pantheistic, animistic, fetishistic and magical religion, somewhat reminiscent of the Andean goddess of fertility, Pachamama.
Castelli’s “Nativity Scene” is an outdated work, the product of a strongly ideological art school. The work offers a depiction of Castelli ceramics that is definitely not true, given that this remarkable art is renowned for its formal elegance and refined, subtle decorative inspiration, which are completely absent here.
References to Greek, Egyptian, and Sumerian character sculptures suggest a liberal historical-critical method of interpreting Scripture. Liberal Bible scholars have hypothesized about various aspects of the Bible as an adaptation of pagan cultures, and not as a result of divine revelation.
Although “ugliness” is subjective, this nativity scene almost tries its best to be as unpleasant to the eye as possible, which in turn is unpleasant to the soul. At least one could say that this scene is anti-Christian. I mean, who’s actually going to pray to this thing? You just can’t. And that’s kind of a target for the twisted minds behind this thing.
Moreover, in addition to its general ugliness, the nativity scene also contains many symbols and historical references that convey a rather egregious message: it is actually an anti-Christmas scene.
Usually in the center of the nativity scene is the baby Jesus. However, in this case, Baby Jesus is essentially a random toddler who just stands there and looks like a giant cork.
The focus of this play is not Jesus, but rather the angel Gabriel. It is surrounded by a massive halo, while Jesus still stands there like a giant cork. In addition, the angel rises above everything on a ribbed pillar. The overall shape of this column closely resembles an important symbol of Ancient Egypt: the Jed Column.
Jed is a common symbol in Ancient Egypt believed to represent the god Osiris, or rather his spine. While this symbol probably has an esoteric meaning in relation to the chakras (which are said to be based on the spine), the Jed also has a phallic character and is associated with fertility rites. In fact, the “erection of the Jed” was an important ceremony in ancient Egypt.
The erection of the Jedi ceremony is to symbolize Osiris’ triumph over Set. During the ceremony, the pharaoh uses ropes to lift the pole with the help of the priests. This coincided with the time of year when the agricultural year began and the fields were planted. This was only part of a 17-day celebration dedicated to Osiris. In general, the ceremony of the erection of the Jed personified both the resurrection of Osiris and the strength and stability of the monarch.
– Ancient origins, sacred symbol of the Jed Pillar
Did the Vatican trick its believers into witnessing the Jed Ascension ceremony? One thing is for sure: the Egyptian influence of this den sit well with what is immediately behind it.
The general plan of the Vatican is Egyptian magic in plain sight. The phallic obelisk (representing Osiris and the masculine) faces the womb-like dome of St. Peter’s Basilica (representing Isis and the feminine). The same exact layout can be found in various power centers of the world, including Washington, DC.
In Washington DC, an obelisk (Washington Monument) faces the dome of the US Capitol.
In Egyptian magic, the union of masculine and feminine principles (Osiris and Isis) gives birth to a “star child” (Horus). From an esoteric point of view, this star child is a powerful magical energy.
The hieroglyph representing Sirius, the most important star of occult symbolism (read my article on this here), consists of three elements of the Egyptian trinity: an obelisk, a dome and a star.
So, the Vatican has an obelisk and a dome. Where is the star completing this trinity? It is there, but you have to look from above.
The Obelisk of St. Peter is located right in the center of the eight-pointed star, also known as the Ishtar Star.
The eight-pointed star also adorns the Christmas tree that stands next to the nativity scene this year.
Speaking of cosmic things, the Vatican nativity scene also depicts an astronaut. Why? God knows.
It seems that the astronaut is holding / giving birth to something. There is also an eight-pointed star on the helmet.
Given the fact that this figure was created between 1965 and 1975, this may be a reference to the 1969 moon landing. But why in 2020 did the Vatican choose this thing to stand next to Jesus?
It is even more incomprehensible why an executioner in a horned mask is standing next to Jesus?
In ancient times, executioners carried out death sentences for lawful convicts by chopping off their heads. In some cases, they wore grotesque masks with dark and menacing features to further intimidate prisoners, depersonalizing them as a person. In short, it is an odd figure to be placed next to the newborn baby Jesus, especially considering the fact that Jesus himself was ultimately sentenced to death.
Apparently this guy is here to represent the “Vatican’s opposition to the death penalty.” This is a rather weak argument that makes little sense. I mean, I’m pretty sure the Vatican is also against methamphetamine. Should they also add a methamphetamine dealer to the nativity scene?
In the scene literally called “Christmas,” this horned figure represents death. This is the complete opposite of “Christmas”. I don’t think Satanists would have done better by desecrating the scene depicting the birth of Jesus.
In a sense, this year’s nativity scene is a sad reflection of 2020. This is a collection of expressionless and socially detached figures who do not interact with each other, standing under the neon lights of phones and computers.
It also reflects how the occult elite has raised their ugly head this year, poisoning every aspect of our lives with their toxic program. Through their outspoken anti-Christian demonstration, the elite sought to prove that its toxic ideology was also ingrained in the Vatican.
Although the Monumental Nativity scene was created several decades ago, it was chosen for the Christmas scene in 2020 for a special reason: it contains certain symbols, conveying a certain energy. Like everything else that has happened this year, this scene demonstrates the control of the elite and the demoralization of the masses.
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